When I first heard about Middle Men, I thought to myself, “Hmm, I never thought they would make a movie about this.” It never even crossed my mind that this story needed to be told, but George Gallo, the writer/director, thought otherwise. What we got is a occasionally funny, entertaining, albeit messy movie.
Internet pornography exists, even to the dread of parents and Republicans, but who would’ve guessed it was started in a dingy apartment by two loser best friends, Wayne Beering (Giovanni Ribisi) and Buck Dolby (Gabriel Macht). Newfound success comes quickly along with a troubled partnership with the Russian mob. To fix this issue, Jack Harris (Luke Wilson) is brought in and uses his expert negotiation skill to make everyone more money by becoming middle men instead of actual pornographers. With a rise this tall and steep, the fall is going to ultimately end in betrayal, murder, and sex…lots of sex, but that’s just business.
Middle Men didn’t sweep through the awards circuit nor is it destined to be some sort of classic. What we have is a purely entertaining movie with an interesting story. I can’t really tell you how much of it is real, however, but I still had fun watching it and seeing how the ensemble cast was going to turn out.
The casting of this movie is about as strong as any movie with this kind of budget is going to get. Luke Wilson brings the right amount of good and evil to his role, but we never really feel like he is a bad person. He is the Tony Montana of this rise and fall story, only nowhere near as crazy. Giovanni Ribisi is the scene stealer. Most of the laughs that are generated by this movie come from him, with his coked up persona and constant aggravation. James Caan and Rade Serbedzija also play their characters successfully and comically.
Don’t let the marketing campaign of this movie fool you. It is not 100% comedy. There’s a lot of comedy in it, but this movie can get dramatic, although that’s not what is memorable. The drama comes and goes, but never hits hard enough to make the viewer think about the morality of the characters. Everything keeps moving and just begins to blend with the rest of the the story.
The real problem with Middle Men is that there is much story in a movie that isn’t even two hours long. Movies that can be classified as “crime chronicles” are normally way over the two hour point, allowing their stories and characters to be appropriately fleshed out. Here, we are given information through flashbacks and cuts in time when it would have been easier and a lot less messy to just keep the movie more linear. The beginning of this movie has more flashbacks in the first fifteen minutes than I might have ever seen in an entire movie. Never use a flashback as a crutch. It makes the narrative messy.
Still though, everything was presented interestingly enough to make sure that I never got bored, and I didn’t. To put it more concretely, I never check to see how much time was left. I was totally engaged by the story and all of its players. The cause and effects of Middle Men are both hilarious and serious. The narrative has its choppy moments and the writing isn’t a masterpiece, but this movie is a lot of fun. It isn’t the best ever, but I’d say Middle Men is worth a viewing.