Looper – Review

11 Oct

Have you ever watched a movie that made your brain feel like its been twisted and by the end it has to quickly unravel? That’s a pretty weird description, but that’s exactly how I felt at the end of Looper. I’m a hug fan of writer/director Rian Johnson, who’s done the excellent films Brick and The Brother’s Bloom. Now, Looper is added to the list and just might be his masterpiece.

 

The year is 2044, and in thirty years time travel will be invented and quickly outlawed. People are sent back through time by criminals to 2044 where they are executed by loopers, who are pretty much assassins working in the present for future employers. Joe Simmons (Joseph Gordon-Levitt) is one of these loopers, who up until now has had no problems. His most recent assignment is to kill an especially interesting target: his future self (Bruce Willis). His future self escapes with a plan of his own to protect the future, with his present self hot on his heels, all while being chased by his own organization.

From the opening scene to the very last, Looper is filled with outstanding dialogue, action, and though provoking concepts that guarantee much discussion hours after the movie is over. Morality and science clash in a fantastic mesh of thematic material that makes this film more than just an average science fiction film.

 

Rian Johnson has this incredible eye when it comes to setting up a scene. There was a point in this movie where I turned to my friend and told him that it was some of the best camera work I have ever seen, and that’s no exaggeration. The camera tilts, tracks, and pans in the most interesting of ways, giving each scene its own style that is appropriate for the story and the mood. There is one great shot (that can actually be quickly seen in the trailer) where Joseph Gordon-Levitt falls from a balcony and the camera tilts with his falling body. It gives the scene a very disorienting feel. This is just one of many examples.

Leaving the aesthetics of the movie, I must take time to recognize and show my appreciation to Johnson’s imagination. This is a incredibly well written movie with snappy dialogue that is both serious and sarcastic, and an entire story that sounds hard to believe until it is seen. The narrative also has a very unconventional route. I can’t really explain this, but I will say I had no idea what was going to happen next. It may be one of the most unpredictable movies I’ve seen outside of David Lynch.

There is really only one very minor detail that I wasn’t even going to bother mentioning because it is so small. There is a scene in this movie that really did not need to be there. I don’t want to say what it is, but I will say that it would have been much better to have let the idea go by a little more subtly.

Looper may very well be the best movie of the year, but I can’t say for sure since it’s only October. It goes to show the Rian Johnson is only getting better as a film maker, so hopefully he keeps on going. This film isn’t just mind bending, it’s mind twisting, warping, and blowing. Whatever you do, do not miss out on Looper. You will not be disappointed.

 

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