Meatball Machine – Review

30 Nov

I gotta say, Japan is a pretty eccentric place, and I mean that in the best way possible. I know that they have very dramatic and artistic cinematic pieces, but what I’m going to be talking about today is something totally different. I’m talking about Meatball Machine, a film that’s in the same league as the outlandish Tokyo Gore Police. It’s gory, violent, hysterical, strangle romantic, and truly bizarre. That goes without saying, but is it any good?

Freakish and murderous creatures have begun popping up through all of Japan without any rhyme or reason. Some theories say space, but no one is sure. All that is known is that these parasites infect humans and turn their bodies into tools have war to not kill other humans, but other creatures. Yoji (Issei Takahashi) witnesses this first hand after the girl he is enamored with (Aoba Kawai) is infected. Yoji soon learns that the only way to save her is to put her out of her misery, but how?

I don’t even know where to begin. People may criticize this movie all they want, but you have to admit that it sure packs a wallop of imagination in its story and its presentation. The creature effects were designed by Yoshihiro Nishimura, who actually directed Tokyo Gore Police and some other movies whose reviews are to come! While the story is pretty cool, the effects are what steal the show. They look low budget and cheap at times, but they are! Nishimura still did an excellent job with what was available.

 

The thing with this movie is that it felt like it wouldn’t end. This movie isn’t even long, only 92 minutes. The climactic showdown starts off pretty bland, stays bland, then all of the sudden explodes into bloody awesome over the top goodness. I just felt like I had to wait so long to get there. There’s a point in the movie where all of the cool stuff has happened, and all we really want to see is the resolution. This is the weakest part of the movie, and the film makers should have pushed things along.

Everything else is still pretty solid as far as something as ludicrous as this goes. The acting was ok, and the writing was even well done. I feel like I don’t really have too much to say about this movie, which could be a bad thing, but I don’t really think it is. It’s just not really a movie to sit down and nit pick or compliment. It’s a movie to watch when you’re in that weird kind of mood, where a normal narrative with normal situations just won’t suffice.

 

I can’t say that Meatball Machine is a good movie, but I can’t say that it’s a bad movie either. As far as Japanese “splatter” movies go it’s not my favorite, but I can still appreciate it for what it is: an imaginative blood bath into mayhem. I said before, you have to be in a certain mood to watch this movie for it to really be enjoyable. Just have an open mind, know what you’re getting into, and brace yourselves for bloody silliness.

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