Alfred Hitchcock is one of the game changers of film. With each movie he makes, there seems to be something exciting brought to the table that seems so ahead of its time. In Vertigo, camera techniques bent our minds as much as the story. In Psycho, Hitchcock seemed to break all the rules that were maintained concerning what’s decent. With Rope, an interesting way of constructing a movie was seen through the long take. This wasn’t the first time it was seen, but it’s an impressive feat nonetheless.
Brandon (John Dall) and Phillip (Farley Granger) think they have gotten away with the perfect murder. They have strangled a friend of theirs, David Kentley (Dick Hogan), and hid him a chest in their living room. In order to prove their genius, they hold a party that same night, with the guests including two old friends, their old school house master Rupert Cadell (James Stewart), and David’s father (Sir Cedric Hardwicke) and aunt (Constance Collier). With the night going exactly as planned, they are surprised when Cadell begins suspecting the two are up to no good.
I was very impressed with this movie. For the entire hour and twenty minutes that the movie is on, there only seems to be a few cuts. There are actually more than that, but they are hidden using tricky camera effects to make it seem like the entire movie is happening in real time and the action continuous. This is a style that I really enjoy, with modern film makers like Alfonso Cuarón keeping it alive. A lot of the set was actually kept on wheels and tracks so that it could be silently moved around so as to not disturb the continuity of the camera.
The performances in this movie are good, but really nothing to write home about compared to other Hitchcock films. James Stewart is the actor that really holds all of the scenes that he’s in higher than the rest, and when he first makes his entrance it is memorable and says a lot about his character. So while the actual line delivery isn’t always that impressive, the sheer amount of lines to be said in one take is a huge credit to the actors. Pages and pages of dialogue are used for one take, which must have been very difficult to do. The whole thing is very theatrical, which is appropriate since Rope is based off of a stage play.
After Hitchcock filmed Rope, he said he merely made it as an experiment. In that sense, would this be considered an experimental film? In some ways, yes, but it doesn’t always feel like one. There are times where I really do notice the technique, and it gets kind of distracting. James Stewart wasn’t a huge fan of this film, stating he felt that he was miscasted.
While Rope is certainly not Hitchcock’s best work, I will say that it is under rated. The techniques implemented along with the skill of the actor’s are definitely noteworthy. It’s slow and often tedious, but that shouldn’t stop you from seeing Rope, especially if you’re a fan of Hitchcock and his suspenseful style.