Marathon Man – Review

22 Jan

I know I’ve said this before, but thrillers are difficult for me. I either love them or I hate them. Most times, thrillers have an excellent plot with lots of suspense and memorable twists. Unfortunately, a lot of the time they also succeed in boring me due to convoluted narratives, derivative characters, and a lack of…well… thrills. Marathon Man had the ability to be an excellent thriller, but due to a ridiculously messy job at pacing and story set up, I was only minimally entertained.

Marathon_man

 

Thomas Levy (Dustin Hoffman) is a graduate student studying history in New York City and his brother Henry (Roy Scheider) is an agent for a secret government organization. Both of their lives are completely separate. Or so they thought. Enter Dr. Christian Szell (Laurence Olivier), a nazi hiding in Uruguay, and has come to America to collect a fortune of his that was acquired during World War II. Szell is paranoid that Henry is going to try to rob him of his diamonds, so his reasoning is to go after both Henry and his innocent brother Thomas. Now Thomas is up against a for he never thought he’d have to face, with very little help from his supposed allies.

Let’s go through this movie step by step. First off, it is known that all of the main players are masters of their craft. Olivier was nominated for an Oscar for Best Supporting Actor, but the real powerhouse performance is that of method actor Hoffman. While these performances are great, I can’t say the same thing about the first hour of the movie. We spend a lot of time with Scheider’s character and building up the paranoia of the main plot, and also building up Hoffman’s character and his relationships. Unfortunately the time spent with Scheider is pretty dull and presented sloppily.

marathon-man-1976-04-g

 

The only thing really interesting about the first hour’s scenes with Dustin Hoffman is his acting. He’s very natural and brings a lot of life into a character that isn’t extraordinarily interesting. You know what else isn’t extraordinarily interesting? The relationship that builds between Hoffman and Marthe Keller. I understand that not every relationship in a movie has to be the most special thing I’ve ever seen, but it should be somewhat interesting. This one was as derivative as could be. Scenes building their relationships seemed to take a while and weren’t too fun.

There is a point when the story does pick up, and pick up it does. The last hour of this movie is absolutely awesome. While I was watching it, I kept thinking to myself, why couldn’t the rest be like this? From the unflinching torture scene that will make you dread the dentist even more to the scenes of Olivier seemingly surrounded by aware Jewish men and women on the streets of NYC. This is where the thrills finally show up. Better late than never, right? Wrong. I shouldn’t have to sit through an hour just to get to the good stuff. The entire movie should be good. I don’t negotiate with entertainment.

Marathon-Man-dustin-hoffman-gun

 

It’s safe to say that I wanted to like Marathon Man a lot more than I did. It claims to be a thriller, but I’d consider it half of one. The first half of the movie feels both dull and disjointed, while the second half held my attention until the conclusion. Like I said before, I shouldn’t have to wait an hour to get to the thrills. I understand the need for character and plot development, but at least keep it interesting. If the pacing was as good as the performances, the movie would be great, but instead I can only call this a mildly entertaining thriller.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: