Sympathy for Lady Vengeance – Review

18 Jan

Finally, we have come to the third and final film in Park Chan-wook’s Vengeance trilogy. Taking a cue from the name of Sympathy for Mr. Vengeance comes Sympathy for Lady Vengeance. In order for me to start talking about this movie, I want to look back at the other two. I said that Oldboy is a modern masterpiece that will go down as one of the greatest films ever made, and after seeing Lady VengeanceSympathy for Mr. Vengeance is so much better. I appreciate how I wasn’t confused for most of the movie and that the story was cool. It’s a really good movie. Sympathy for Lady Vengeance is a muddled, pretentious soap opera that went on for too long and made me wish I was watching one of the predecessors.

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Lee Geum-ja (Lee Young Ae) is faced with a prison sentence of thirteen years after she confesses to the abduction and murder of a five year old boy. After she serves her time and uses her polite demeanor to her advantage, making a lot of friends in prison, she starts her quest to get revenge on Mr. Baek (Choi Min-sik), the man who kidnapped and threatened her infant daughter if she didn’t take the blame for the abduction and murder of the boy. First, Geum-ja has to reunite with her daughter Jenny (Kwon Yea-young), but soon turns back to her original mission, and she makes sure she isn’t the only one who is getting revenge.

This movie really is a soap opera, and can also be seen as further proof that a great director can get a little bit too full of himself. The biggest problem here is the motivation of the story. In Sympathy for Mr. Vengeance and Oldboy, the motivation of vengeance and redemption were strong and pushed the characters towards a climax. In Lady Vengeance, I never really felt like the plot was going anywhere fast. All of the flashbacks, subplots, and characters were more of a distraction than they were interesting. In fact, the subplot involving Geum-ja’s daughter isn’t interesting at all, and Kwon Yea-young was just annoying.

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I may sound like a broken record here, but Sympathy for Lady Vengeance looks fantastic. Park Chan-wook pulls out all of the stops here in terms of style, and creates some of the nicest shots and transitions in the entire trilogy. It can be haunting and it can be beautiful. The costume design for Geum-ja is also really nice and adds a lot to her character and speaks for the transformation she made from innocent young girl, to a violent woman bent on revenge. Style is what this movie really has going for it. The soundtrack is also an excellent companion to the visuals, but style isn’t everything in a movie.

I want to like the story. I really do, but I just can’t. This would have been a good start to the trilogy because compared to the other two, the story in this one is underwhelming as hell. It isn’t even the fault of the way the story is composed. It just doesn’t have the gusto and the energy that the other two movies have. I found myself constantly checking to see how much time was left in the movie, and there were some parts where my mind would drift to some other thing because the story and the energy of this movie just wasn’t enough to keep my mind occupied.

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Sympathy for Lady Vengeance is the weakest entry in the Vengeance trilogy, and is just an all around weak movie. There is a lot of potential with the style and the characters, which are played just fine, but there isn’t enough in this movie that really makes it all that suspenseful or exciting. One may argue that this is more of a drama than a thriller, but the drama is a little too hokey at parts and felt kind of like a soap opera. Just because there are a few cool or intense scenes in this movie doesn’t help pull Sympathy for Lady Vengeance from the muck.

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