The Grand Budapest Hotel – Review

20 Mar

Personally, I believe that Wes Anderson is a genius when it comes to film, although I’m sure many would disagree with me. The way he writes, builds characters, and composes shots are just some of the most brilliant examples of film making as an art that I have ever seen. From Bottle Rocket to Moonrise Kingdom, there has not been one film of Anderson’s that I have disliked. Now there’s The Grand Budapest Hotel, a film that shows Anderson’s growth as a film maker and can and will be labeled as his masterpiece.

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In the fictional European region of Zubrowka lies the Grand Budapest Hotel that is run by the oddball concierge Gustave H. (Ralph Fiennes), who spends most of his free time giving sermons to the employees during dinner and sleeping with the old women who come to the hotel, with a special relationship that forms with Madame D. (Tilda Swinton in some ridiculous makeup). When Madame D. turns up dead, Gustave enlists the help of his new friend and lobby boy Zero Moustafa (Tony Revolori) to go to her estate to hear her will. When it is revealed that an extraordinarily valuable painting is left to him, her son Dmitri (Adrian Brody) and his assassin friend J.G. Jopling (Willem Dafoe) start a quest to reclaim the painting, while Gustave and Zero have to work to clear the concierge’s name after he is accused of Madame D.’s murder.

This was one of the most difficult summaries I’ve had to write because so many characters do so many things over the course of the film. This films shows Anderson stepping completely outside his comfort zone and making a much bigger story, all while keeping his trademark visual style. One of the most interesting aspects of The Grand Budapest Hotel are the constant allusions and allegories to the start of Nazism and the early invasions that sparked World War II. Wes Anderson does this in such a way that is humorous in his own quirky way. The Nazis aren’t Nazis (aptly being called the “Zig Zag Party”), but we all know who they really represent.

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The cast in this movie could be described as remarkable, but that would truly be an understatement. Ralph Fiennes shows true comedic timing that was only briefly seen in his small, villainous role in In Bruges. Now he gets to show it off in it’s full potential. Newcomer Tony Revolori seems to have been made to be in a Wes Anderson film, and I’m excited to see where his career goes. Brody and Dafoe are comically evil and provide some of the funniest scenes in the movie. I could go on and on about this cast, but there isn’t enough time to talk about everyone. Jude Law, Jason Schwartzman, Owen Wilson, Bill Murray, Harvey Keitel and others all bring their A-game here, and while their roles may be small, they use whatever screen time they have to help make The Grand Budapest Hotel as memorable as it is.

How could I not mention how beautiful this movie looks. Every one of Anderson’s movies surprise me somehow. The awesome viewpoint of seeing every room of the boat in The Life Aquatic with Steve Zissou to his stop motion landscapes in The Fantastic Mr. Fox, Anderson has one of the best eyes in modern day film making, and is part of why he really is a genius. The Grand Budapest Hotel shows some of the best examples of his obsessive mise-en-scène. The perfect camera swivels and the blocking of its various different characters in relation to each other makes this one of the most picturesque films I’ve ever seen. Some shots look like they could have come out of a post card or a painting.

The Grand Budapest Hotel is nothing short of a masterpiece, and pretty much the ultimate Wes Anderson movie in terms of dialogue, character, themes, and visuals. I hope in the deepest parts of my hearts that this movie will still be remembered long enough for nods at next year’s Academy Awards. This is a beautiful movie that is well worth a trip to the theaters. I’d say two trips to the theaters. Maybe eight…

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