The Last House on the Left (1972) – Review

22 Jul

In terms of horror, there are many different iconic film makers that shaped what the genre is truly meant to be, but I think we can all agree that Wes Craven is the guy. This isn’t the first time I’ve covered Craven’s films on here so this should come as no surprise that I look up to him as a writer and as a director. Even the greatest of film makers have to start somewhere, and for Wes Craven is was in 1972 with his now infamous film The Last House on the Left. In terms of coming out of the starting gate, I don’t think Mr. Craven would have wanted it any other way.

last_house_on_the_left_poster_01

Mari Collingwood (Sandra Cassel) is a typical upper-middle class teenage girl who is celebrating her seventeenth birthday by going to a rock concert with her friend Phillis (Lucy Grantham). The two girls seem completely carefree despite the warnings of Mari’s parents (Gaylord St. James and Cynthia Carr) and start the night with some drinking and a search for some weed. Their attempts are stopped when they are kidnapped by a group of escaped convicts led by the sadistic Krug (David A. Hess). The two girls then endure a period of rape, torture, and murder with the convicts thinking this is one last ride before they make their escape. What they didn’t count on was the vengeful spirit of Mari’s parents which leads to more bloodshed than the criminals could have believed.

Interestingly enough, Wes Craven was inspired by an Ingmar Bergman film from 1960 called The Virgin Spring, which has a story quite similar to this one. Bergman’s film was highly controversial and banned in certain places. Well if that happened to Bergman, it sure as hell happened to Craven. When The Last House on the Left was released in 1972 it was met with MAJOR controversy. According to Craven, people were vomiting, passing out, and leaving during screenings. He was also forced to cut a lot of scenes, but was still threatened with an X rating until it was finally slapped with an R just because he knew someone on the rating board. Even today, the BBFC has trouble censoring and releasing it and it was made over forty years ago!

last-house-on-the-left-2

It really says something when a jaded 21st century movie buff like me actually gets uncomfortable watching something, let alone something that was made way before I even existed. That’s the case with The Last House on the Left. The odd thing is that I can sit through something like Hostel or Saw and not really get uncomfortable because both of those examples really feels like a produced movie with production values that make it look nice and pretty. This was not the case for Craven’s debut. Everything from the actors to the production design is dirt cheap. The look can kind of be compared to the original Texas Chainsaw Massacre in how it almost has a documentary feel to it. I felt like I was watching these atrocities happen which made the entire experience all the more uncomfortable and sickening. But hey! This is a horror movie. That’s the whole point!

There are some really, and I mean really, stupid things that happen in this movie and the all revolve around two completely inept police officers. This is really the only shitty part about the movie. In one scene, I’ll be completely horrified by the violence and then the next scene I’ll be watching these two Keystone cops flopping all over the place and making themselves look like idiots. I’m all for comedic relief, and they provide some good stuff earlier on in the movie, but they become completely useless as the movie progresses.

Wes Craven really created something unbelievable with The Last House on the Left, a movie that still pushes the boundaries of what’s acceptable film making and even helped coin the British term “video nasty.” While it is a story about murder and revenge, it also gives us a look at the violence that even the most ordinary people keep deep down in their subconscious until it is forced back into their lives. This isn’t a perfect film, but it is a fine and disturbing example of modern day horror that was a game changer when it was released and a cornerstone to the genre today.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: