In 2008, writer and director Martin McDonagh graced the world with one of the most original and hilarious dark comedies ever to be produced, In Bruges. The movie was nominated for an Academy Award for its writing, and rightly so. The question was: Could McDonagh’s next movie support itself under the weight of In Bruges? The answer to that question came in 2012 with Seven Psychopaths. I’m not going to say that this movie surpasses or comes to close to the material that he struck gold with before, but it is a worthy and still darkly hilarious piece of work that’s jam packed with gallows humor, in jokes, and violence. How could I not like this movie?
Marty Farnanan (Colin Farrell) is a struggling screenwriter and full time alcoholic who can’t seem to get any inspiration for his newest screenplay titled Seven Psychopaths. His best friend Billy Bickle (Sam Rockwell), who runs dog-napping operation, thinks he can help by placing an ad in the newspaper, asking “psychopaths” to contact Marty and tell him their stories. Meanwhile, Billy and his partner Hans (Christopher Walken) end up biting off more than they can chew when they dognap a Shih Tzu that belongs to the notoriously violent criminal, Charlie Costello (Woody Harrelson), who begins gunning down anyone who gets in the way of him retrieving his precious puppy. Marty, Billy, and Hans have to team up to protect themselves from Charlie’s rampage, while possibly getting some inspiration for Marty’s screenplay.
At its core, Seven Psychopaths succeeds at taking the cliches of the action/crime genre, and totally flipping the conventions on their heads while at the same time honoring them as timely traditions. The line that really hammers this home is when Billy points out that an area they are driving by is the “perfect place for the final shootout.” It’s no surprise that this area comes back again at a pivotal point of the film. Now, calling this film “meta” wouldn’t be completely accurate, but it kinda sorta is. Billy is just such a fascinating character because he’s the only person in the movie that seems to be in on the joke, almost as if he’s aware that he’s just a player in someone else’s movie and he wants to follow the proper steps to the proper climactic scene. It’s a brilliant way to write a character, and may be one of the best characterizations I’ve seen in a long time.
So as hilarious as this movie is, there is still a big problem that I have with it that makes it come up short in terms of achieving the success that In Bruges did. Now, it’s pretty awesome that Tom Waits has a part in this movie. He is a legend in the music world after all and has a really hardcore following. Believe me, I know some people that can’t stop talking about him. That being said, he doesn’t need to be in this movie. It really doesn’t make sense that he is. The scene that he’s in, as smartly written as it is, is pointless and ridiculously long. His character is really of no importance to the story, so why spend so much time on him? Was it just to have him in the movie. This isn’t the only time the movie goes off an a ridiculous tangent, but it is the most overdone and pointless ones in the movie. If this scene was cut altogether, the movie probably would have felt a lot smoother than it did.
But still, this movie is a refreshing breath of noxious fumes. There’s no doubt that Seven Psychopaths is a comedy, but I’d be damned if i didn’t say this movie didn’t try to offend, and I write that with a smile on my face. The language is as cut throat as the violence is, but the way the violence and language is presented fills me with glee. It’s excessive in that way that only the most potent dark comedies are, made by people that really understand the point of gallows humor. This isn’t a tame movie in the least, and it even gets pretty dramatic at times, but the comedy is consistent in a way that the movie’s narrative is not, so at least we have loads of laughs to get us through the unnecessary scenes.
Seven Psychopaths is a riot in every sense of the word. It’s violent, kinetic, hilarious, and oddly sentimental. It’s one of those movies that pays its respects to other movies, while remaining original in just about every aspect. Think of it as a really clever inside joke that doesn’t get old. While the humor may be a bit dark for some people’s standards, it is still a well acted, well written, and well produced film. It doesn’t quite reach the level of greatness as Martin McDonagh’s first film, but it makes me excited for whatever work he releases in the future.