Three Billboards Outside Ebbing, Missouri – Review

6 Dec

Martin McDonagh is a man of many talents. For years he’s been writing plays in Europe and has received much acclaim. Not only that, but every foray he’s made into film has also been a success. In Bruges took critics and audiences by surprise and was even nominated for an Academy Award for Best Original Screenplay. His next film, Seven Psychopaths, didn’t get the recognition that In Bruges did, but it worked as a darkly subversive comedy that broke all the rules of narrative. Well, I’m thrilled to say that McDonagh has really outdone himself this time with what is far and away the best film he’s ever made, Three Billboards Outside Ebbing, Missouri. This is the kind of movie that will give you a physical response that’s similar to a bag of bricks being dropped on your stomach. As the credits rolled, I almost couldn’t move because I was just so stunned at what I just saw.

It’s been 7 months since Mildred Hayes’ (Frances McDormand) daughter was brutally murdered and the police have come no closer to solving the crime and bringing justice to the killer. After seeing three unused billboards on a small road outside of town, Mildred decides to buy the ad space and put up three signs that ask why the murderer hasn’t been caught, with much of the hostility directed to Sheriff Bill Willoughby (Woody Harrelson). These billboards spark new life in the case of Mildred’s daughter but it also reveals a much uglier side to the town of Ebbing, Missouri. The town is quickly divided between those who support the billboards and Mildred’s crusade, and others who sometimes violently oppose it, including one of Willoughby’s officers, Jason Dixon (Sam Rockwell). As tensions flare, Ebbing turns into a Cold War zone and it’s a time that will change the small town forever.

There’s so much to praise in Three Billboards that it’s hard to know where to start. What really had me overwhelmed the most was the whole concept of the film, but also how it was written. From the time the billboards are put up, tension builds quickly, and there are a few times where that tension explodes only to return with a vengeance. This film is relentless in its storytelling and barely gives the audience time to breath. Martin McDonagh is known for his ability to deftly blend dark comedy and brutally realistic drama, and this is the height of that. This movie is a lot sadder than it is funny, but there are plenty of belly laughs to have throughout the film’s narrative. When you aren’t laughing, however, McDonagh takes the dramatic side of the story and weaves it in a way I’m sort of unfamiliar with. There are few movies that really, genuinely shock me, but this one went places I never expected. This made the whole experience feel 100% fresh and new.

What really makes Three Billboards Outside Ebbing, Missouri work so wonderfully is emotional depth of the story. I’m not talking about if it makes you happy or sad or base feelings felt by the characters, but something that’s been lurking underneath the facade of the town for years. This is a story of hate exploding in an area not built to properly contain it. It’s a natural reaction felt by normal people living in a world that has become overwrought with anger and opinions mixed with violence. This is an incredibly timely film that also can be viewed as timeless. There’s no moral center in this film. No character serves as the hero. Each one is deeply flawed with thoughts that are so incredibly politically incorrect, you may find yourself with your mouth hanging open. At the end of the day, however, these are still people trying to find a comfortable place in a world that has become undone, and the town of Ebbing is just a microcosm of the bigger picture.

Now that I got all deep there, let’s talk about something more plain to see. Frances McDormand gives one of the best performances of her career that rivals her role in Fargo. She brash and mean but also sad and incredibly vulnerable. Equally fantastic is Woody Harrelson who has one of the most complex roles in the entire movie. I have to give a major shout out to Sam Rockwell, who continues to be one of my absolute favorite actors in the business. Give him any role, and I bet you he can nail it. This is all award caliber stuff here, folks, so keep your eyes peeled when the time comes. Speaking of that, Lucas Hedges returns after his work in Manchester by the Sea with a sort of similar role, but he still manages to knock it out of the park.

We’ve had a lot of great films this year. I always saw Wind River as my favorite with films like Dunkirk and Killing of a Sacred Deer coming in close behind. They still remain high on the list, but I don’t see how anything can beat Three Billboards Outside Ebbing, Missouri. This film is a genreless masterpiece that defies what you may come to expect and the physical reaction it left me with is one of a kind. Martin McDonagh has given us the best piece of his film making career and it’s something that has been firmly on my mind since the day I saw it. Whatever you do, do NOT miss out on this movie.

Final Grade: A+

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One Response to “Three Billboards Outside Ebbing, Missouri – Review”

  1. Mr. Bobinsky December 7, 2017 at 8:32 am #

    Thanks! Will definitely watch it.

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