Tag Archives: action

Ghost in the Shell – Review

2 Apr

Back in 1989 a three volume manga series called Ghost in the Shell was released and told a story concerning a dystopian future where it becomes almost impossible to see where humanity ends and technology begins. This short manga series paved the way for an entire franchise to thrive and grow on. First, there was the mega hit anime film from 1995, which totally floored me the first time I watched it and only got better when I revisited it. There was also a very popular anime series titled Ghost in the Shell: Stand Alone Complex, of which I have some experience with, but not as much as I’d like. There’s been a whole string of sequels and adaptations, and now Hollywood has thrown itself into the mix. Does it stand up with the original source material? Not quite, but it does work as engaging popcorn entertainment.

In the future, cybernetics have come so far that robotic upgrades to the human body has become something as normal as plastic surgery. The most extreme case of this blending of organic and artificial is Major Mira Killian (Scarlett Johansson), whose body is completely cybernetic but is controlled by a human brain. The Major, along with her partner Batou (Pilou Asbæk) and boss Chief Aramaki (“Beat” Takeshi Kitano), defend Section 9 again all sorts of criminals, but specialize in cyber terrorism. After an attack on a business meeting run by the powerful Hanka Industries, the Major and the rest of the Section 9 bureau go on the hunt for a new, powerful cyber terrorist who appears to be targeting scientists that worked on a specific project for Hanka. As the clues begin to add up, the Major is forced to take a good, hard look at herself and begins to learn about her past and the lies that she’s been being fed to keep her complacent.

When I first saw this version of Ghost in the Shell, I left the theater super excited. I was ready to go back in and watch the movie again, but as time has gone on, that excitement has sort of waned. Don’t misunderstand me, though, I still really enjoyed this movie. The over the top hype has just died down a little bit. Let me get the best part of this movie out of the way first. This is a stunning film to look at. There’s so much going on in most of the shots of this movie that I found my eyes darting around the screen just to take in all of the little bits that make up the breathtaking whole. This is an achievement of what practical and CGI special effects are capable of. Along with the gorgeous city wide shots and the not so glamorous streets and alleys comes action sequences that are impossible to forget. Director Rupert Sanders and cinematographer Jess Hall have a very strong grip on how to make an action sequence seem to burst from the screen. The compositions, use of slow motion, and even the minor visual tricks make the action in Ghost in the Shell some of the best I’ve seen in quite some time.

So the special effects and action sequences are all way above average and stand out as something truly remarkable. Unfortunately, the same can’t quite be said about the story. The story isn’t bad, but it didn’t really grab me as hard as it should have. The plot about the cyber terrorist was engaging and his design is great, but there were parts that didn’t really do it for me. Part of the story is the Major investigating her past to find out what really happened to her. Those scenes don’t have the emotional or mysterious resonance as they probably should, because we already know something is amiss from the beginning just because of how certain characters are acting. I had a pretty good idea about what was going on, and it really didn’t break any new ground like the 1995 anime film did. Granted, the story in that film took a back seat to the grand philosophical discussions about technology and humanity, which made it clear that that’s what that movie was about. This one has a story that takes a back seat to the action, but it also doesn’t have the thematic strength of the 1995 film either.

Any fan of the Ghost in the Shell franchise will also have a good time picking out easter eggs sprinkled throughout the film, but they will also appreciate some scenes that have been meticulously recreated for this live action blockbuster. This isn’t really an objective part of my review, but it was kind of thrilling seeing some of the iconic moments from the franchise brought to life with a super large budget. It also helped that the actors were largely committed to their roles. Johansson does a great just as the Major, and does a great job at bringing a human side to the character while also feeling mechanical. She has truly established herself as an action star for this generation. Another stand out is “Beat” Takeshi Kitano as Chief Aramaki, but that’s really no surprise. It’s always a joy to see Kitano in anything.

Ghost in the Shell isn’t going to be the next Blade Runner or Matrix movie, but for me to sit here and tell you that it doesn’t provide a really entertaining couple of hours would be a down right lie. The story could have been beefed up to be actually mysterious and it could have raised more questions in the way the 1995 film did. In terms of its action and its role as being a big budget extravaganza, it succeeds more than it fails. I can see how people new to the franchise may be a little confused or uninterested in parts of it, but as a fan of the original anime film and what I’ve seen of Stand Alone Complex, I thought this was a damn good adaptation.

Final Grade: B+

Death Wish Series – Review: Part 2

31 Mar

I vow to finish this series no matter what it takes, even if it kills me. The first Death Wish film, at this point, feels quite dated but it still presents the viewer with interesting points of discussion and some memorable sequences. Everything after that just got progressively worse to the point of being brainless and downright silly. Let’s see if that progression, or regression in this case, continues with the last two films in the series.

in 1987, Death Wish 4: The Crackdown was released, but this time Michael Winner was out of the director’s chair and replaced by J. Lee Thompson.

Paul Kersey (Charles Bronson), an architect by day and vigilante killer by night, seems to have finally found a place for himself with his girlfriend, Karen (Kay Lenz), and her daughter, Erica (Dana Barron). This stability is shaken to the core when Erica dies of a crack overdose one night, which angers Kersey to the point of once again picking up his weapons and cleaning up the mean streets of Los Angeles. Before he gets very far, Kersey is contacted by magazine publisher Nathan White (John P. Ryan) who tells Kersey that his own daughter died of a crack overdose and puts him on the trail of two big time rival drug dealers. Kersey now has a larger plan of action schemes to pit the two factions against each other while systematically wiping out their business on the streets.

I can believe I’m saying this, but Death Wish 4: The Crackdown may very well be the best sequel in this series so far. That isn’t really saying too much, but it at least keeps things minimally interesting. It’s still, at its core, the same exact thing. Someone close to Kersey dies so he goes on a revenge spree until he finds his way to the person truly responsible. It’s the formula for this series that has grown so old at this point. What this film does differently is show Kersey going against to warring factions and making them suspicious of each other, which at least adds a newer level that wasn’t in the other films. The unfortunate thing is that this doesn’t really amount to a whole lot in the grand scheme of things, and the effects that he has on them is over before you can fully appreciate what it is he’s doing. It was still nice to at least see the film makers trying something different with the material.

Death Wish 4 is still lacking in areas that the other films were, despite there being some improvements to the formulaic nature the series found itself in. For one thing, this film is still completely devoid of any emotional resonance which is garbage considering this is a revenge film. If you’re going to make a movie where a character feels the need to get revenge on someone, there should be some feeling expressed by the character. Instead, someone dies and Kersey kills people because that’s what it says in the screenplay, not because that’s what he feels he has to do. It’s so routine, and Bronson just looks like he’s going through the motions. It’s a very robotic feeling movie. Nothing happens because the characters feel this is what should happen next. Everything happens because that’s the way to move the story forward. That doesn’t make for good entertainment and that’s not the way a story should be written.

Death Wish 4: The Crackdown is a slight improvement over Death Wish 3, but not by a whole lot. It introduces some new concepts, which is fine, but doesn’t really go anywhere with them. The whole film just feels part of the same routine that other movies have already established. It also has one of the worst scenes involving a dummy I’ve ever seen, which can also be said about Death Wish 3. This isn’t a good action movie, but it isn’t the worst this series has to offer. I still found myself wishing I was just watching something else.

Final Grade: C-

As if 4 movies just wasn’t enough, a fifth and final movie was released in 1994. God help us all.

Paul Kersey, now living in New York City under the name Paul Stewart, has been madly in love with fashion designer Olivia Regent (Lesley-Anne Down) and has recently proposed to her. He also cares deeply for Olivia’s daughter, Chelsea (Erica Lancaster), who sees Kersey as a father figure. This happiness Kersey has found soon comes crashing down when Olivia’s gangster ex-husband, Tommy O’Shea, (Michael Parks) moves in on her business and eventually ends up disfiguring and killing her. This forces Kersey to once again pick up his weapons and bring real street justice to this band of criminals before they have the chance to hurt anyone else.

I really hate saying this, but I am so sick of writing about these movies. They wore out their welcome long ago, yet here I am commenting on another Death Wish film. Death Wish V: The Face of Death has few positives working for it. For one thing, Kersey has some interesting methods of killing people, and it sometimes borders into dark comedy territory. I also really enjoyed the villains in this movie, and they are much more memorable than any of the other antagonists this series had to offer. Michael Parks really hams it up as Tommy O’Shea and he comes of as slimy and down right villainous. I at least really wanted to see Kersey get his revenge on him and it works well. There’s also a really interesting character played by Robert Joy that is quite unique, but he’s never really touched upon except in a few very brief scenes.

Everything else about this movie is recycled, and I honestly don’t have too much to say about it. It’s all the same formula. Someone hurts one of Kersey’s loved ones and so he, in turn, kills them. It’s the same exact thing over and over again, and by this point it’s tired. Bronson, himself, seems bored out of his mind and this is obviously just a paycheck for him at this point. There’s nothing exciting about anything in this movie except for the end credits because I knew that it was at this point I was done with these movies.

I don’t have anything more to say about Death Wish V: The Face of Death that I haven’t already said for the other 4 movies in this series, especially concerning the sequels. This is a pretty boring movie that plays by the formula that it dares not change. There are only a few redeeming qualities, but it doesn’t really help that much.

Final Grade: D

The Death Wish series really didn’t have a whole lot of steam to start with, so the fact that there are 5 movies is really an anomaly of film. I will admit that it’s fun seeing Charles Bronson do what he does best, but there really isn’t much else worth while in these movies. I hate to use this term when it comes to movies, but this series is a prime example of cinematic garbage.

Power Rangers – Review

30 Mar

When I was a kid, it was a joy to tune into whatever version of Power Rangers was playing. The original show, Mighty Morphin’ Power Rangers, was such a touchstone in my childhood that I’ve never really outgrown it and still have fun revisiting the show when I can, no matter how silly it can be. When I saw that a big budget movie reboot was in the works, I was equally excited an nervous. It’s pretty hard to mess up something so straightforward as Power Rangers, but I believe Hollywood can ruin anything if they put their minds to it. I went and saw the new Power Rangers movie opening night, and I’m so relieved to say that while it isn’t a masterpiece, it’s still a entertaining time at the movies and a great way to reboot the concept for the big screen.

After accidentally finding mysterious crystals at the edge of a mine, five teenagers from Angel Grove are about to experience something they never thought possible. Jason (Dacre Montgomery) is a disgraced athlete whose only friends at this point is Billy (R.J. Cyler), an autistic loner who has a penchant for technology, and Kimberly (Naomi Scott), a former cheerleader who also has disgraced herself out of that particular group. These three, along with the new girl Trini (Becky G) and outcast Zack (Ludi Lin) notice how much their strength has increased since finding these crystals. Upon further investigation at the mine, they find an ancient spaceship and meet its only inhabitant, Alpha 5 (Bill Hader) who awakens the mysterious entity, Zordon (Bryan Cranston). Zordon and Alpha 5 explain to the teenagers that they are the next Power Rangers, whose task it is is to defend the planet and the Zeo Crystals from any and all threats. The newest threat is one Zordon knows very well. His arch enemy Rita Repulsa (Elizabeth Banks) has awakened after thousands of years and will use the Zeo Crystals to take over the world with her minion known as Goldar. Now the five teenagers have to work together to find their inner power and learn to understand and respect one another. Only then can they truly become the Power Rangers.

I had such high hopes for this movie, but deep down I expected it to fail completely. That’s why I still can’t believe how much I enjoyed it. First off, the new group of teenagers are great, and the decision to make them outcasts rather than the perfect role models was a good choice for a modern update. The first act of the movie really establishes their personalities and dynamics with one another while also giving you brief glimpses into their lives which are then elaborated on in a moving scene towards the middle of the movie. A moving scene? In a Power Rangers movie? Who would have guessed it? The whole idea of them learning to trust and understand each other in order to morph fits in well with the show, but I can see people getting off put by this difference. We also get really solid performances by all of them, with the stand out being R.J. Cyler as Billy.

Where Power Rangers starts to get lost is in the second act of the movie. Without spoiling anything, this is where the real meat and bones of the story happens, and while there’s a lot to fit in, the whole thing starts to really drag out. This is where Alpha-5, Zordon, and Rita are introduced, which is all really cool, but that happens towards the beginning of the second act. The rest of this it is all character building, which is necessary, but there were scenes where I thought the whole thing could have been cut completely. There’s one weird decision that was sort of the straw that broke the camel’s back. Something happens that feels really forced and long winded that made me start to get really antsy. I knew that the suits would be saved for the finale, but it was at this point that I just wanted the story to move along since certain plot points finally ran out of steam. Instead of moving on, however, things just kept on going.

Once the third act hits, however, it gets awesome. This is one the Rangers finally get suited up for the big showdown and it’s so much fun. The Zords all look awesome, and while some of the CGI gets a little wonky, it has this gleeful over the top element about it that is impossible to resist. It also helps that the movie took so much time to give the team distinct personalities and backstories to make me feel invested in their efforts. There were parts towards the end where I was actually on the edge of my seat, desperate to see the Power Rangers win. It’s something I can remember feeling as a kid and it was really exciting to feel it again. I just wish that it lasted a little bit longer, because I was really enjoying the spectacle. If some of the unnecessary scenes in the middle of the movie were trimmed down or cut, and the finale made longer, I would have been a very happy camper.

I really can’t believe I’m saying this, but Power Rangers is actually a good movie. It’s by no means a masterpiece, but it’s a fun, nostalgic hit of adrenaline and it succeeded in modernizing the lore and turning it into a big budget action extravaganza. The pacing of the movie can be a little weird, and there are some plot holes and inconsistencies that you may notice if you look hard enough. Even with that, the characters are great and everyone seems to be giving their all. We live in a world where the new Power Rangers movie is better than a movie called Batman v. Superman.

Final Grade: B

Death Wish Series – Review: Part 1

24 Mar

One of the most iconic action stars of the past century is the one and only Charles Bronson. He has a charisma about him that is undeniable, so it’s no surprise that he’s a name still remembered to this day. The film that got him raised to such a status is a well known thriller called Death Wish. While controversial for its time, and even this time in a way, it has garnered a lot of fans and a possible remake from Eli Roth. Like with other films of this time and genre, one movie wasn’t enough, which resulted in a total of five Death Wish movies. What can be said about them? Well… they’re certainly something else.

Let’s start with the original from 1974.

Paul Kersey (Charles Bronson) is a liberal minded architect living with his wife (Hope Lange) and daughter (Kathleen Tolan) in New York City during a time when crime is sky rocketing. One afternoon, a group of thugs break into Paul’s apartment and assaults his daughter and murders his wife. Overcome with grief, Paul doesn’t know what to do and his beliefs are all starting to go down the drain. After a business trip, Paul comes home with the answer and a brand new revolver. He takes it upon himself to start working as a late night vigilante, walking the bad streets of New York and shooting anyone that threatens him or another person. This causes the media, citizens, and police to start paying attention to his actions, and things in New York begin to slightly change. With the people starting to fight for themselves, NYPD Lt. Frank Ochoa (Vincent Gardenia) begins his nearly impossible task of tracking down the vigilante and putting an end to his spree.

Death Wish was made in 1974 and based off of a novel of the same name that was published in 1972. This was a time when crime was really getting bad in major cities, and people just didn’t know what to do about it. This brought about a new age of action films, with the most resonant being the Dirty Harry series. This film doesn’t quite hit as hard as some other films because the idea of vigilantism isn’t explored nearly enough. The novel takes the idea and shows the dark side that it can create, while the film shows Kersey as a straight up hero who can do no wrong. This makes the film feel incredibly dated and kind of a shallow experience, especially if you’re approaching this wanting to see an action classic that can stand the tests of time. It can also come off as very preachy in terms of its right wing political ideology. I don’t care if a movie leans a certain way, but make it subtle and don’t talk down to an audience.

There are things in Death Wish that do stand out. For one thing, Bronson’s performance is good even though the character sort of feels a little bit underdeveloped. Instead of being this boisterous vigilante, he plays the role very quietly, which actually reflects the whole tone of the movie. As the series goes on, it gets more and more off the walls, but this film is much more down to earth. In fact, it’s hard to call this movie a full blown action movie when it often times feels like a drama. The plot moves along slowly, which in retrospect actually works better than I originally thought. There are also no grand action set pieces. The “action” happens very quickly with Kersey pulling out his revolver and shooting a criminal, and once that’s done he just leaves the scene. It felt gritty and real and wasn’t at all what I originally expected this movie to be.

Death Wish is an interesting time capsule of a movie, but it’s one that hasn’t really aged well. It’s political ideology is rammed down the audience’s throat to the point of being obnoxious and it features a well known main character that didn’t always feel too complete. It does feature some cool scenes that feel gritty and realistic and the whole approach of not making a grand scene of the violence is a good choice. I just wish that the idea of vigilantism and its dark side was explored more instead of the whole concept just being praised. It’s an interesting movie for any film history buff and fans of Charles Bronson, but it’s really lacking in many ways.

Final Grade: B-

Eight years later, in 1982, a sequel crept its way into theaters and dragged things down even further.

After his vigilante spree in New York City, Paul Kersey has found a peaceful home in Los Angeles. His daughter (Robin Sherwood) is in a mental hospital and improving significantly, and he’s also found new love with radio reporter Geri Nichols (Jill Ireland). All of this comes crashing down when his daughter is kidnapped and murdered by a gang of criminals, which forces Kersey to once again pick up his revolver and hit the mean streets. As Kersey starts his revenge quest on the group of thugs, Detective Ochoa gets wind of what’s happening and travels to L.A. to put an end to Kersey’s spree, but it can never be that easy.

Death Wish II is straight up garbage. There’s no use beating around the bush with this one. It doesn’t even try to be anything different than the original. Kersey is living a happy live, then someone he loves is killed which brings him to his vigilantism. That’s the same exact plot as the original Death Wish. At least that one raises some questions and presents the material in a subtle way. This one, however, is just violence for the sake of it without any interesting material to back it up. That would be acceptable if this film had any sense of style, but it doesn’t even have that. It’s just a gray, ugly looking movie filled with cannon fodder for Bronson to take his anger out on. It’s absolutely mindless and devoid of any sort of flash to pull the viewer in.

Death Wish II succeeds at only the most base level. I will say that compared to the first one, there’s a bit more mindless entertainment. There’s no real set up to the movie. Things happen right away which leads Bronson to start his vengeful murder spree. If you want to see an action star just blow criminals away, this is the right movie to look at. There’s a lot more action and the violent scenes do feel bigger and more exciting, which is definitely a plus. The only problem, like I said before, is that there’s no style and the motivation feels completely stunted by Charles Bronson’s lack of dramatic presence.

There’s really not much to say about Death Wish II. It feels like a rehashing of the first film, but more loud and more violent. This would be a welcome addition if the story felt different and something new was added. There’s really nothing new here at all. The only time there was a plot development that could lead somewhere interesting, the film makers decided to cut that off prematurely in favor of more mindless proceedings. This film is really a waste of time and only die hard Charles Bronson fans should give this movie any sort of respect.

Final Grade: D-

But the series wasn’t done with the stinker that is Death Wish II. Not by a long shot. In 1985, Death Wish 3 was released, and this is where things really started to go off the rails.

Paul Kersey has been living the life of a vigilante for too long and has finally decided to put away the revolvers and lead a normal life. This personal promise to himself is shattered upon his return to New York City where he finds his long time friend bleeding to death after being attacked by a group of thugs in his apartment. Kersey is than approached by Inspector Shriker (Ed Lauter), who makes an off the records demand of Kersey to return to his old ways and clear the neighborhood of the goons responsible for all the mayhem. Kersey finds allies in the tenants of the apartment building, especially with WWII veteran Bennett Cross (Martin Balsam) and the mild mannered Rodriguez (Joseph Gonzalez). With the support of his neighbors and other victims of the community, Kersey wages war with the criminals and their leader, Fraker (Gavin O’Herlihy).

Death Wish 3 is one of the most unintentionally hilarious movies you or I may ever see. To be fair to it, it’s a slight step up from the second film but for some of the wrong reasons. I do like that the plot deviates from someone hurting his family, but it just goes right to someone hurting his friend. Where the movie really differs in that Kersey becomes something of a guardian angel to the neighborhood, and by the end they all join him in his war against Fraker and his goons. The third act of the movie, by the way, is an extended shoot out in the streets that seems to never end. It’s so much fun to watch but it’s some of the most absurd, mind numbing violence. By the end of it, there’s no emotion or excitement to be felt, other than the moment of joy when the first end credit begins to scroll up the screen.

The rest of the movie is also devoid of any kind of emotional or dramatic impact, which would be fine if the rest of the movie was as entertaining and off the walls as the third act. It isn’t unfortunately, and this is where things really get bogged down. It does have more memorable characters than the previous film, but they don’t really have to much to say or do until things really start happening. There’s a few scenes of Kersey gunning down people throughout the movie, but it’s just all part of the formula by now. Even with a storyline that’s changed, it’s not enough.

If you want a good laugh, Death Wish 3 might be worth checking out, if only for the outrageous finale. It still keeps up the same trend that the other ones did, so the whole routine is feeling kind of stale at this point. It is a step up from the second movie, but that’s hardly saying much.

Final Grade: D+

So that’s the first three films in the Death Wish series. I still have two more movies to go, so keep an eye out for the next part of this review.

Kong: Skull Island – Review

13 Mar

I love monster movies. Like I really, really love monster movies, so the fact that Legendary is giving us a whole universe dedicated to giant monster brawls is almost too exciting. The first film in the MonsterVerse, Godzilla, came out in 2014, and despite some mixed reviews, I thought it was pretty badass. It did have some flaws, but when it got down to the monster mayhem, it really knew what it was doing. Now we have the second film, Kong: Skull Island, which introduces King Kong and the island to the universe. This beloved ape has been around since 1933, and it’s awesome to see that he has no intentions of giving up his big screen glory. This film is excessive, yes, but it’s also an extremely entertaining and action packed thrill ride.

William Randa (John Goodman) is a government official who has all the proof he needs to lead an expedition to an undiscovered island in the middle of the Pacific Ocean called Skill Island. After fighting for approval, he finally gets the go ahead and begins assembling his team. His first order of business is to find a tracker, which he finds with James Conrad (Tom Hiddleston), a former SAS captain that served in the Vietnam War. He also recruits the help of Lt. Col. Preston Packard (Samuel L. Jackson) and his regiment, the Sky Devils, as a military escort. Photojournalist Mason Weaver (Brie Larson) also joins the expedition with hopes of uncovering some unknown government conspiracy. When the group finally gets to the island, it doesn’t take long for the protector of the realm, a 100 foot tall ape named Kong, to show up and defend his land. This attack splits the group in two, which forces them to work together and keep their eyes peeled for Kong and the other horrors that wait for them on the island.

I had such a blast with Kong: Skull Island, that I’m still getting excited thinking back on it. It’s exactly what I wanted from this movie, and based on what some other critics were saying, I was kind of worried I was going to be let down. One thing that’s worth noting that can be seen as a negative are some of the characters. Samuel L. Jackson’s Packard and John C. Reily’s Hank Marlow are two examples of well thought out and fully realized characters. I understand their motivations and they stand out amongst the rest. There are other side characters that also have large personalities that make them memorable, but there’s no real development with any of them. Tome Hiddleston and Brie Larson, however, seem to hardly be in character at all. They’re just the stereotypical heroes you would expect to see in this movie. They try to add a little back story to them, but that exposition doesn’t really help at all. They’re just there to save the day, and that’s about it.

The original King Kong has one of the most classic stories in the history of film, and no sequel or remake since then has been able to capture that same essence and feeling. Kong: Skull Island doesn’t even try, and it’s all the better for it. Sure, it has the same kind of set up with the characters being introduced and sailing to the island, and there are natives which are to be expected on Skull Island, but that’s where the similarities end. The story of this movie pretty much revolves around Hiddleston and company trying to stay alive and get to the rendezvous point on the other side of the island. This is really all I needed, but there’s a cool subplot added in with Jackson’s character that raises the stakes even more. I was so thrilled to see this movie not get bogged down in trying to be something more than it is. The plot was there to drive the movie forward, but it wasn’t so stale and uninteresting that I lost track of what I was really watching. This keeps the pace fast with the action always moving forward. It’s cool to say that I was never once bored watching this movie.

Let’s talk about the man of the hour though. Toby Kebbel is tasked with being a side character soldier, but also was the motion capture actor for Kong. This seems appropriate since he did the motion capture for Koba in the new Planet of the Apes movies. He really brings Kong to life in this movie, which is awesome, and the physicality of the role is not to be forgotten. Kong has major throw downs in this movie that will force any viewer to go into popcorn munching overdrive. This is where the movie really shines, and I appreciate the visuals that add to the excessiveness that I mentioned I loved so much. Sure, the close ups and the crazy compositions of Kong back lit by the sun may seem cheesy, but they’re really just too cool to look at, and provided some of my favorite parts of the movie.

Is Kong: Skull Island going to match the classic status that Merian C. Cooper and Ernest B. Schoedsack did with the original back in 1933? Of course not, but it does add a fulfilling new chapter to the MonsterVerse, and also was just a highly entertaining film. Once the characters get to the island, the action very rarely slows down and I found myself getting lost in the visuals of the island and the monster brawls that seemed larger than life happening before my very eyes. This isn’t a movie about characters nor does it have any important lessons to teach the viewer. This is about giant monsters throwing down for a couple of hours. In that way, it did not disappoint.

Final Grade: B+

Logan – Review

6 Mar

The X-Men series of movies seems to have been around forever. The beloved team of mutant heroes were shown onscreen in live action for the first time back in 2000, and there are a few of these actors that are still playing the same roles almost two decades later. In this case, I’m talking about Hugh Jackman as Wolverine/Logan and Patrick Stewart as Charles Xavier/Professor X. Now, here in 2017, we’re seeing the departure of these two actors from their respective roles in the newest film of this series, Logan. What a movie to go out on. This isn’t just the best X-Men film to date, it may very well reign supreme as the best superhero film ever made.

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In the not so distant future, mutants are on the brink of extinction and have to go into hiding to avoid certain death squads and other forces that want them gone. One of these mutants is a much older Logan (Hugh Jackman) who is working as a limo driver to support his vices while also supporting a sickly Charles Xavier (Patrick Stewart). A chance encounter with a nurse ends with a little girl, Laura (Dafne Keen), being left with Logan and Charles who are tasked with transporting Laura to a safe haven for mutants. Laura is soon revealed as a mutant test subject known as X-23, who is on the run from the company’s head of security, Donald Pierce (Boyd Holbrook), and his soldiers called the Reavers. Against Logan’s best wishes and attempts to rid himself of the responsibility, he takes both Laura and Charles out of their compound and begin their journey to the haven with Donald and his men hot on their tails.

There’s so much about this movie I want to dive right into that I have to force myself to stay focused. Let’s talk story first. I tried to keep my summary as vague as possible because there are so many layers and feelings that start to peel away as the movie goes on. It would be impossible to try and cover everything that is important in this movie because there isn’t one frame that is unnecessary. The story to Logan isn’t like any other X-Men movie, and it plays out like a very intense character drama as much as it is a graphically violent action film. The main reason this movie worked so well for me is because of how deep the story is and how it explored parts of these characters that were never seen before. The story is about Logan and Charles protecting X-23, but it’s also a story of family, regret, and severe, relentless pain. It’s can be a rough one at times, but I commend writer/director James Mangold and his co-writers for going there.

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The decision to make Logan rated R was a very smart move from 20th Century Fox, especially after the over the top success of Deadpool. This works great for the drama that I’ve already talked about as well as the action sequences. Let’s talk action, now. This is still a superhero movie, and a superhero movie completely devoid of action would be weird. Wolverine has always been viewed as an angry character prone to violent outbursts, and we’ve seen that in previous X-Men movies, but never like what I’ve just witnessed in Logan. This is Wolverine at his most unhinged. Limbs fly, heads roll, and the scenery is often times showered with pieces of whoever got in Logan’s way. What’s cool about it, also, is that it isn’t violence for the sake of violence. There’s a fair amount of action sequences that go heavy on the violence, but it has weight backing it up, and it never gets to a level that’s solely exploitive and gratuitous. It’s very well handled and was never anything less than exciting.

Finally, Logan has an excellent cast of characters and actors who play them to perfection. Hugh Jackman and Patrick Stewart have been playing these parts for years, so it’s pretty clear that they have their roles completely covered. Stewart gives a subtle and often sad performance here, where we see Professor X in ways that I’ve never thought I would. As for Hugh Jackman, this is simply his best performance. It’s controlled while also being ferocious, but the quieter and more contemplative scenes is where Jackman really shines by making Logan so vulnerable and appear so broken. There’s also some great newcomers to the series that are memorable. Dafne Keen, despite her relatively young age, is outstanding as X-23 and can really hold her own in terms of the ferociousness that is expected from the character. I also really enjoyed Boyd Holbrook’s portrayal of Donald Pierce, whose villainy oozed through every scene he was in. It’s exactly how I like my comic book bad guys.

I really wasn’t a fan of X-Men Origins or The Wolverine so I was really hoping that Logan was going to do the character right. Well, it sure does and it does even better than I could have hoped. It’s sad to see Hugh Jackman and Patrick Stewart bowing out of their roles, but this was the send off that they deserved. This is a powerful film that has some really heavy storytelling that will leave you teary eyed yet incredibly satisfied. This is the best written and executed entry of all the X-Men films and it brings something new and exciting to the superhero genre that can potentially change the game. I absolutely loved Logan.

Final Grade: A+

The Great Wall – Review

3 Mar

I recently did a review for Zhang Yimou’s 2011 war drama, The Flowers of War. In that review, I mention that Yimou is a very respectable film maker who has an especially strong talent for filming what I believe to be some of the most beautiful looking movies I’ve ever seen. His latest film is The Great Wall, a monster movie that involves protecting the Imperial City from creatures hell bent on destroying civilization as we know it. That combined with Yimou’s colorful and sweeping directorial style kind of made this a must see for me. Well, all I can say is that this film definitely looks great. That’s pretty much where the compliments end.

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William (Matt Damon) and Pero (Pedro Pascal) are two mercenaries scouring the East looking for “black powder,” which we now know as gunpowder. During their search, they end up at the Great Wall of China and are questioned about their intentions immediately upon their arrival. The two partners soon learn why the soldiers at the wall are so concerned about their motives. During a seemingly quiet afternoon, the wall is raided by alien monsters called the Tao Tie, whose goal is to penetrate the wall and continue on to the Imperial City. It doesn’t take long for William to come to a decision as to wether he wants to escape with Pero and another Englishman, Sir Ballard (Willem Dafoe), or if he would rather stay and defend the Great Wall with the newly appointed general, Lin Mae (Jing Tian).

I was excited for this movie for multiple reasons. First off, I was pumped to see Zhang Yimou tackle a big budget monster movie and have his style painted all over the movie. I was also just pumped to see another monster movie from Legendary, which has pretty much become the monster movie company for America. In these ways, the movie does succeed. When battles start happening, I got really into it. The special effects look kind of cartoony, but for some reason, that didn’t really bother me. I was taken aback by Yimou’s use of color and framing scenes to make them look as epic as possible. One of these shots in particular happened in the very first battle where you can see most of the battle in one super wide shot. Another really cool thing are the different regiments of the soldiers and the uniforms they wear to identify themselves. Honestly, in terms of style and scope, this movie stands tall.

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Like I said before, that’s pretty much where all of the good stuff ends. The Great Wall really isn’t all that good of a movie despite having a really cool premise. My biggest problem was the characters. I haven’t seen such poor development and writing in a really long time. Any scene that didn’t involve a battle or special effect of some kind fell flat. Like completely, utterly flat. It’s incredible how an epic period piece featuring alien monsters attacking the Great Wall of China could be so boring. There are a few characters worth something, but that’s not saying to much. William’s partner Pero has a good amount of one liners and a story that at least attempts to go somewhere before that’s shut down by some idiotic decisions from the writers. Lin Mae is also a pretty cool character who feels the most human out of anyone else. The worst offender of characters not worth anything is Sir Ballard. If you were to take Willem Dafoe out of this movie, nothing would be different. He’s completely wasted here.

I was also really bothered by the acting in this movie, but part of this also has to fall on the writers. There was so much clunky and awkward dialogue in this movie which only made me more distracted during the down time that I’ve already complained was boring enough. Like I said before, the only exceptions from this are Pero and Lin Mae. They weren’t perfect, but they were better than the rest. Honestly though, I was mostly shocked at how flat and uninspired Matt Damon was. I didn’t know until the end of the movie that he was supposed to be European, and I still don’t know exactly where he’s supposed to be from. His accent is on and off throughout the whole movie, and the way he delivers his lines is cringeworthy. Aside from his weird accent, he uses this over the top tough guy voice that wore thin on me after the second line of dialogue he had.

The Great Wall is a very disappointing movie. Throughout its run time, I saw a lot of hope for potential, but nothing really came of it. I will say that this is a fantastic looking movie with cool creature design and some excellent use of lighting and costume design. Everything else from the characters and their development to the structure of the narrative is flat, recycled, or just plain boring. As a monster movie, it works at the most basic of levels. As a movie to be appreciated and viewed for something more than that, it’s a failure.

Final Grade: C-