Here we are again with some more entries into the V/H/S series. The first two films that I discussed in my last review surprised me with how well made they were and the fact that the film makers pushed the boundaries of the genre to deliver some really authentic scares. This time, we’ll be looking at the third film in the series, which unfortunately seems to have killed the who series, and a spin off film that is surprisingly a lot of fun.
Let’s start off with the 2014 film, V/H/S: Viral.
Kevin (Patrick Lawrie) is a videographer who has become obsessed with one of his videos going viral on the internet, even to a point of running out on his girlfriend, Iris (Emilia Zoryan), to capture a live police chase. After doing this, his girlfriend disappears inside the ice cream truck that the police were chasing. Kevin rides after the truck in order to save Iris from the malignant force behind the wheel. Amongst this story are three shorter tales. One features a magician who uses Houdini’s cloak to perform incredible feats of magic, but only if he provides the cloak with fresh meat to feed on. In another, a scientist creates a portal to a mirror dimension, but only finds unspeakable horrors when he crosses to the other side. The final short features a group of skateboarders who travel to Tijuana to shoot a video, but are soon attacked by occultists determined to resurrect their monstrous god.
V/H/S: Viral can be broken up into two categories: garbage and mediocrity. It’s split somewhere down the middle. Let’s get the garbage out of the way first. The wrap around story titled Vicious Circles makes little to no sense. This is the story of Kevin chasing after the ice cream truck. Nothing is explained and by the end, it just comes off as pretentious. Unfortunately, its pretentious attitude isn’t backed by anything of substance, not to mention some really awful CGI. The other short that falls into the garbage category is called Dante the Great. This is the story about the magician and the cloak. This entry isn’t even scary for a second. In fact, this is where I really could see this movie wasn’t going to come close to the other two. While this entry isn’t scary, subtle, or inventive, it also breaks a key rule of the series. Everything is supposed to be found footage, but this one does away with that completely at the climax so that a silly looking magic showdown can happen. Whoever thought of that idea was so far off, it’s kind of tough to watch.
So the movie wasn’t off to a good start and I found myself losing interest real fast. Things do pick up a little bit at this point, but not by much. The best segment of the whole movie is called Parallel Monsters, which is the story of the scientist that enters the mirror dimension. This one had a good deal of suspense and a payoff that was actually worth a damn. In fact, I’d watch this if it was a feature length movie because there was more than enough material. Unfortunately, the film makers had to cram it into a 17ish minute short film that didn’t feel nearly as complete as it could have been. Give me that as a 90 minute scare fest and I’d be in. It had really cool special effects and a neat concept that I really want to see explored more. The last entry called Bonestorm may have a great name, but there’s nothing too special about it. This is the story of the skateboarders attacked by occultists, and while it’s fun to watch while it’s on, this part doesn’t leave a lasting impression. It’s shot well, but the whole thing just turns into a big fight that goes on for far too long and an ending that’s anticlimactic. There’s not too much to say about this one.
All in all, I’m very disappointed with V/H/S: Viral. This was a really strong series up until this point. This movie isn’t all bad, but it doesn’t feel satisfying in the least. The story that holds the whole movie together is so boring and convoluted, I just wish they left it out all together. Everything also feels way too digital and polished, which also goes against what this series is all about. I also really need more of Parallel Monsters, because what I saw wasn’t enough. This is a movie you can skip on completely, even if you loved the first two V/H/S movies.
Final Grade: D+
So that marks the end of the V/H/S movies, at least for now. In 2016, however, a spin off movie was created based off of the Amateur Night short from the first film. This spin off is called SiREN.
Jonah (Chase Williamson) is getting married in a week, and custom dictates that his friends take him out for a crazy night before his wedding day. Led by his obnoxious older brother, Mac (Michael Aaron Milligan), the group of friends find themselves in the lamest club in the United States. There they meet someone who promises to take them to a mansion throwing a secret party that he guarantees will be the craziest they’ve been to. They all head to the mansion and meet its owner, Mr. Nyx (Justin Welborn), who brings Jonah to his greatest attraction, a woman named Lily (Hannah Fierman), who’s voice can make you feel things you never thought possible. Jonah decides to help Lily escape the clutches of Mr. Nyx, but he soon finds out that she’s more than meets the eye. Lily is actually a siren that’s chosen Jonah to be her mate. Now, Jonah and his friends are on the run not just from the monstrous siren, but also from the vengeful Mr. Nyx who is determined to get Lily back.
The biggest thing that surprised me about this movie is that I actually really enjoyed it. SiREN isn’t going to turn into a modern day horror classic. It doesn’t reach the levels of It Follows or The Witch, but it does stand strong as a B-movie that knows exactly what it is. This film doesn’t have a big budget, so it works with what it can do, and I appreciate the ways that director Gregg Bishop brings the material to life. It was also good to see characters that actually had some depth. There was one of the friends that was wasted before he had a chance to even do anything, but the way most of the characters were written felt real and had some depth to it. Mr. Nyx was also a really cool villain, and Justin Welborn hams it up just to the degree that was necessary.
If I had any complaints about this movie, they’d be pretty minor. There are some special effects that feel cheap, and these scenes could have been cut out or touched up. Another thing is that SiREN isn’t particularly scary. I never felt on edge or tense throughout the film’s run time, so it may be better to look at this more as a monster movie. These complaints don’t really detract from the positives that this film has going for it. Where this movie had the potential to really destroy itself, like many other movies, is with the pacing. I believe that the pacing in this movie is downright excellent. It gets right to the point at building up the characters and the circumstances these characters are working with and then shoots off like a bullet. There’s no unnecessary scenes dragging this movie down, and the whole narrative flowed nicely.
Like I said, SiREN isn’t destined for a status as a classic, but it’s a small movie that surprised me with how entertaining it was. There’s some really cool supernatural elements, a good cast of characters, and a memorable creature and villain to boot. The story moves fast and efficiently, even if the scares can’t really match the energy that the pacing has. This is a movie I’d recommend for horror fans looking for something off the beaten path.
Final Grade: B
As a whole, the V/H/S series is a strong entry into the canon of modern horror. The third film, V/H/S: Viral is the only thing holding it down, and it can be totally skipped altogether and forgotten completely. It was refreshing to see the found footage style of film making done properly, and I’d love to see more from these film makers, even if it means another V/H/S movie that goes back to basics.