Tag Archives: blockbuster

Ghost in the Shell – Review

2 Apr

Back in 1989 a three volume manga series called Ghost in the Shell was released and told a story concerning a dystopian future where it becomes almost impossible to see where humanity ends and technology begins. This short manga series paved the way for an entire franchise to thrive and grow on. First, there was the mega hit anime film from 1995, which totally floored me the first time I watched it and only got better when I revisited it. There was also a very popular anime series titled Ghost in the Shell: Stand Alone Complex, of which I have some experience with, but not as much as I’d like. There’s been a whole string of sequels and adaptations, and now Hollywood has thrown itself into the mix. Does it stand up with the original source material? Not quite, but it does work as engaging popcorn entertainment.

In the future, cybernetics have come so far that robotic upgrades to the human body has become something as normal as plastic surgery. The most extreme case of this blending of organic and artificial is Major Mira Killian (Scarlett Johansson), whose body is completely cybernetic but is controlled by a human brain. The Major, along with her partner Batou (Pilou Asbæk) and boss Chief Aramaki (“Beat” Takeshi Kitano), defend Section 9 again all sorts of criminals, but specialize in cyber terrorism. After an attack on a business meeting run by the powerful Hanka Industries, the Major and the rest of the Section 9 bureau go on the hunt for a new, powerful cyber terrorist who appears to be targeting scientists that worked on a specific project for Hanka. As the clues begin to add up, the Major is forced to take a good, hard look at herself and begins to learn about her past and the lies that she’s been being fed to keep her complacent.

When I first saw this version of Ghost in the Shell, I left the theater super excited. I was ready to go back in and watch the movie again, but as time has gone on, that excitement has sort of waned. Don’t misunderstand me, though, I still really enjoyed this movie. The over the top hype has just died down a little bit. Let me get the best part of this movie out of the way first. This is a stunning film to look at. There’s so much going on in most of the shots of this movie that I found my eyes darting around the screen just to take in all of the little bits that make up the breathtaking whole. This is an achievement of what practical and CGI special effects are capable of. Along with the gorgeous city wide shots and the not so glamorous streets and alleys comes action sequences that are impossible to forget. Director Rupert Sanders and cinematographer Jess Hall have a very strong grip on how to make an action sequence seem to burst from the screen. The compositions, use of slow motion, and even the minor visual tricks make the action in Ghost in the Shell some of the best I’ve seen in quite some time.

So the special effects and action sequences are all way above average and stand out as something truly remarkable. Unfortunately, the same can’t quite be said about the story. The story isn’t bad, but it didn’t really grab me as hard as it should have. The plot about the cyber terrorist was engaging and his design is great, but there were parts that didn’t really do it for me. Part of the story is the Major investigating her past to find out what really happened to her. Those scenes don’t have the emotional or mysterious resonance as they probably should, because we already know something is amiss from the beginning just because of how certain characters are acting. I had a pretty good idea about what was going on, and it really didn’t break any new ground like the 1995 anime film did. Granted, the story in that film took a back seat to the grand philosophical discussions about technology and humanity, which made it clear that that’s what that movie was about. This one has a story that takes a back seat to the action, but it also doesn’t have the thematic strength of the 1995 film either.

Any fan of the Ghost in the Shell franchise will also have a good time picking out easter eggs sprinkled throughout the film, but they will also appreciate some scenes that have been meticulously recreated for this live action blockbuster. This isn’t really an objective part of my review, but it was kind of thrilling seeing some of the iconic moments from the franchise brought to life with a super large budget. It also helped that the actors were largely committed to their roles. Johansson does a great just as the Major, and does a great job at bringing a human side to the character while also feeling mechanical. She has truly established herself as an action star for this generation. Another stand out is “Beat” Takeshi Kitano as Chief Aramaki, but that’s really no surprise. It’s always a joy to see Kitano in anything.

Ghost in the Shell isn’t going to be the next Blade Runner or Matrix movie, but for me to sit here and tell you that it doesn’t provide a really entertaining couple of hours would be a down right lie. The story could have been beefed up to be actually mysterious and it could have raised more questions in the way the 1995 film did. In terms of its action and its role as being a big budget extravaganza, it succeeds more than it fails. I can see how people new to the franchise may be a little confused or uninterested in parts of it, but as a fan of the original anime film and what I’ve seen of Stand Alone Complex, I thought this was a damn good adaptation.

Final Grade: B+

Power Rangers – Review

30 Mar

When I was a kid, it was a joy to tune into whatever version of Power Rangers was playing. The original show, Mighty Morphin’ Power Rangers, was such a touchstone in my childhood that I’ve never really outgrown it and still have fun revisiting the show when I can, no matter how silly it can be. When I saw that a big budget movie reboot was in the works, I was equally excited an nervous. It’s pretty hard to mess up something so straightforward as Power Rangers, but I believe Hollywood can ruin anything if they put their minds to it. I went and saw the new Power Rangers movie opening night, and I’m so relieved to say that while it isn’t a masterpiece, it’s still a entertaining time at the movies and a great way to reboot the concept for the big screen.

After accidentally finding mysterious crystals at the edge of a mine, five teenagers from Angel Grove are about to experience something they never thought possible. Jason (Dacre Montgomery) is a disgraced athlete whose only friends at this point is Billy (R.J. Cyler), an autistic loner who has a penchant for technology, and Kimberly (Naomi Scott), a former cheerleader who also has disgraced herself out of that particular group. These three, along with the new girl Trini (Becky G) and outcast Zack (Ludi Lin) notice how much their strength has increased since finding these crystals. Upon further investigation at the mine, they find an ancient spaceship and meet its only inhabitant, Alpha 5 (Bill Hader) who awakens the mysterious entity, Zordon (Bryan Cranston). Zordon and Alpha 5 explain to the teenagers that they are the next Power Rangers, whose task it is is to defend the planet and the Zeo Crystals from any and all threats. The newest threat is one Zordon knows very well. His arch enemy Rita Repulsa (Elizabeth Banks) has awakened after thousands of years and will use the Zeo Crystals to take over the world with her minion known as Goldar. Now the five teenagers have to work together to find their inner power and learn to understand and respect one another. Only then can they truly become the Power Rangers.

I had such high hopes for this movie, but deep down I expected it to fail completely. That’s why I still can’t believe how much I enjoyed it. First off, the new group of teenagers are great, and the decision to make them outcasts rather than the perfect role models was a good choice for a modern update. The first act of the movie really establishes their personalities and dynamics with one another while also giving you brief glimpses into their lives which are then elaborated on in a moving scene towards the middle of the movie. A moving scene? In a Power Rangers movie? Who would have guessed it? The whole idea of them learning to trust and understand each other in order to morph fits in well with the show, but I can see people getting off put by this difference. We also get really solid performances by all of them, with the stand out being R.J. Cyler as Billy.

Where Power Rangers starts to get lost is in the second act of the movie. Without spoiling anything, this is where the real meat and bones of the story happens, and while there’s a lot to fit in, the whole thing starts to really drag out. This is where Alpha-5, Zordon, and Rita are introduced, which is all really cool, but that happens towards the beginning of the second act. The rest of this it is all character building, which is necessary, but there were scenes where I thought the whole thing could have been cut completely. There’s one weird decision that was sort of the straw that broke the camel’s back. Something happens that feels really forced and long winded that made me start to get really antsy. I knew that the suits would be saved for the finale, but it was at this point that I just wanted the story to move along since certain plot points finally ran out of steam. Instead of moving on, however, things just kept on going.

Once the third act hits, however, it gets awesome. This is one the Rangers finally get suited up for the big showdown and it’s so much fun. The Zords all look awesome, and while some of the CGI gets a little wonky, it has this gleeful over the top element about it that is impossible to resist. It also helps that the movie took so much time to give the team distinct personalities and backstories to make me feel invested in their efforts. There were parts towards the end where I was actually on the edge of my seat, desperate to see the Power Rangers win. It’s something I can remember feeling as a kid and it was really exciting to feel it again. I just wish that it lasted a little bit longer, because I was really enjoying the spectacle. If some of the unnecessary scenes in the middle of the movie were trimmed down or cut, and the finale made longer, I would have been a very happy camper.

I really can’t believe I’m saying this, but Power Rangers is actually a good movie. It’s by no means a masterpiece, but it’s a fun, nostalgic hit of adrenaline and it succeeded in modernizing the lore and turning it into a big budget action extravaganza. The pacing of the movie can be a little weird, and there are some plot holes and inconsistencies that you may notice if you look hard enough. Even with that, the characters are great and everyone seems to be giving their all. We live in a world where the new Power Rangers movie is better than a movie called Batman v. Superman.

Final Grade: B

Kong: Skull Island – Review

13 Mar

I love monster movies. Like I really, really love monster movies, so the fact that Legendary is giving us a whole universe dedicated to giant monster brawls is almost too exciting. The first film in the MonsterVerse, Godzilla, came out in 2014, and despite some mixed reviews, I thought it was pretty badass. It did have some flaws, but when it got down to the monster mayhem, it really knew what it was doing. Now we have the second film, Kong: Skull Island, which introduces King Kong and the island to the universe. This beloved ape has been around since 1933, and it’s awesome to see that he has no intentions of giving up his big screen glory. This film is excessive, yes, but it’s also an extremely entertaining and action packed thrill ride.

William Randa (John Goodman) is a government official who has all the proof he needs to lead an expedition to an undiscovered island in the middle of the Pacific Ocean called Skill Island. After fighting for approval, he finally gets the go ahead and begins assembling his team. His first order of business is to find a tracker, which he finds with James Conrad (Tom Hiddleston), a former SAS captain that served in the Vietnam War. He also recruits the help of Lt. Col. Preston Packard (Samuel L. Jackson) and his regiment, the Sky Devils, as a military escort. Photojournalist Mason Weaver (Brie Larson) also joins the expedition with hopes of uncovering some unknown government conspiracy. When the group finally gets to the island, it doesn’t take long for the protector of the realm, a 100 foot tall ape named Kong, to show up and defend his land. This attack splits the group in two, which forces them to work together and keep their eyes peeled for Kong and the other horrors that wait for them on the island.

I had such a blast with Kong: Skull Island, that I’m still getting excited thinking back on it. It’s exactly what I wanted from this movie, and based on what some other critics were saying, I was kind of worried I was going to be let down. One thing that’s worth noting that can be seen as a negative are some of the characters. Samuel L. Jackson’s Packard and John C. Reily’s Hank Marlow are two examples of well thought out and fully realized characters. I understand their motivations and they stand out amongst the rest. There are other side characters that also have large personalities that make them memorable, but there’s no real development with any of them. Tome Hiddleston and Brie Larson, however, seem to hardly be in character at all. They’re just the stereotypical heroes you would expect to see in this movie. They try to add a little back story to them, but that exposition doesn’t really help at all. They’re just there to save the day, and that’s about it.

The original King Kong has one of the most classic stories in the history of film, and no sequel or remake since then has been able to capture that same essence and feeling. Kong: Skull Island doesn’t even try, and it’s all the better for it. Sure, it has the same kind of set up with the characters being introduced and sailing to the island, and there are natives which are to be expected on Skull Island, but that’s where the similarities end. The story of this movie pretty much revolves around Hiddleston and company trying to stay alive and get to the rendezvous point on the other side of the island. This is really all I needed, but there’s a cool subplot added in with Jackson’s character that raises the stakes even more. I was so thrilled to see this movie not get bogged down in trying to be something more than it is. The plot was there to drive the movie forward, but it wasn’t so stale and uninteresting that I lost track of what I was really watching. This keeps the pace fast with the action always moving forward. It’s cool to say that I was never once bored watching this movie.

Let’s talk about the man of the hour though. Toby Kebbel is tasked with being a side character soldier, but also was the motion capture actor for Kong. This seems appropriate since he did the motion capture for Koba in the new Planet of the Apes movies. He really brings Kong to life in this movie, which is awesome, and the physicality of the role is not to be forgotten. Kong has major throw downs in this movie that will force any viewer to go into popcorn munching overdrive. This is where the movie really shines, and I appreciate the visuals that add to the excessiveness that I mentioned I loved so much. Sure, the close ups and the crazy compositions of Kong back lit by the sun may seem cheesy, but they’re really just too cool to look at, and provided some of my favorite parts of the movie.

Is Kong: Skull Island going to match the classic status that Merian C. Cooper and Ernest B. Schoedsack did with the original back in 1933? Of course not, but it does add a fulfilling new chapter to the MonsterVerse, and also was just a highly entertaining film. Once the characters get to the island, the action very rarely slows down and I found myself getting lost in the visuals of the island and the monster brawls that seemed larger than life happening before my very eyes. This isn’t a movie about characters nor does it have any important lessons to teach the viewer. This is about giant monsters throwing down for a couple of hours. In that way, it did not disappoint.

Final Grade: B+

Logan – Review

6 Mar

The X-Men series of movies seems to have been around forever. The beloved team of mutant heroes were shown onscreen in live action for the first time back in 2000, and there are a few of these actors that are still playing the same roles almost two decades later. In this case, I’m talking about Hugh Jackman as Wolverine/Logan and Patrick Stewart as Charles Xavier/Professor X. Now, here in 2017, we’re seeing the departure of these two actors from their respective roles in the newest film of this series, Logan. What a movie to go out on. This isn’t just the best X-Men film to date, it may very well reign supreme as the best superhero film ever made.

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In the not so distant future, mutants are on the brink of extinction and have to go into hiding to avoid certain death squads and other forces that want them gone. One of these mutants is a much older Logan (Hugh Jackman) who is working as a limo driver to support his vices while also supporting a sickly Charles Xavier (Patrick Stewart). A chance encounter with a nurse ends with a little girl, Laura (Dafne Keen), being left with Logan and Charles who are tasked with transporting Laura to a safe haven for mutants. Laura is soon revealed as a mutant test subject known as X-23, who is on the run from the company’s head of security, Donald Pierce (Boyd Holbrook), and his soldiers called the Reavers. Against Logan’s best wishes and attempts to rid himself of the responsibility, he takes both Laura and Charles out of their compound and begin their journey to the haven with Donald and his men hot on their tails.

There’s so much about this movie I want to dive right into that I have to force myself to stay focused. Let’s talk story first. I tried to keep my summary as vague as possible because there are so many layers and feelings that start to peel away as the movie goes on. It would be impossible to try and cover everything that is important in this movie because there isn’t one frame that is unnecessary. The story to Logan isn’t like any other X-Men movie, and it plays out like a very intense character drama as much as it is a graphically violent action film. The main reason this movie worked so well for me is because of how deep the story is and how it explored parts of these characters that were never seen before. The story is about Logan and Charles protecting X-23, but it’s also a story of family, regret, and severe, relentless pain. It’s can be a rough one at times, but I commend writer/director James Mangold and his co-writers for going there.

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The decision to make Logan rated R was a very smart move from 20th Century Fox, especially after the over the top success of Deadpool. This works great for the drama that I’ve already talked about as well as the action sequences. Let’s talk action, now. This is still a superhero movie, and a superhero movie completely devoid of action would be weird. Wolverine has always been viewed as an angry character prone to violent outbursts, and we’ve seen that in previous X-Men movies, but never like what I’ve just witnessed in Logan. This is Wolverine at his most unhinged. Limbs fly, heads roll, and the scenery is often times showered with pieces of whoever got in Logan’s way. What’s cool about it, also, is that it isn’t violence for the sake of violence. There’s a fair amount of action sequences that go heavy on the violence, but it has weight backing it up, and it never gets to a level that’s solely exploitive and gratuitous. It’s very well handled and was never anything less than exciting.

Finally, Logan has an excellent cast of characters and actors who play them to perfection. Hugh Jackman and Patrick Stewart have been playing these parts for years, so it’s pretty clear that they have their roles completely covered. Stewart gives a subtle and often sad performance here, where we see Professor X in ways that I’ve never thought I would. As for Hugh Jackman, this is simply his best performance. It’s controlled while also being ferocious, but the quieter and more contemplative scenes is where Jackman really shines by making Logan so vulnerable and appear so broken. There’s also some great newcomers to the series that are memorable. Dafne Keen, despite her relatively young age, is outstanding as X-23 and can really hold her own in terms of the ferociousness that is expected from the character. I also really enjoyed Boyd Holbrook’s portrayal of Donald Pierce, whose villainy oozed through every scene he was in. It’s exactly how I like my comic book bad guys.

I really wasn’t a fan of X-Men Origins or The Wolverine so I was really hoping that Logan was going to do the character right. Well, it sure does and it does even better than I could have hoped. It’s sad to see Hugh Jackman and Patrick Stewart bowing out of their roles, but this was the send off that they deserved. This is a powerful film that has some really heavy storytelling that will leave you teary eyed yet incredibly satisfied. This is the best written and executed entry of all the X-Men films and it brings something new and exciting to the superhero genre that can potentially change the game. I absolutely loved Logan.

Final Grade: A+

The Great Wall – Review

3 Mar

I recently did a review for Zhang Yimou’s 2011 war drama, The Flowers of War. In that review, I mention that Yimou is a very respectable film maker who has an especially strong talent for filming what I believe to be some of the most beautiful looking movies I’ve ever seen. His latest film is The Great Wall, a monster movie that involves protecting the Imperial City from creatures hell bent on destroying civilization as we know it. That combined with Yimou’s colorful and sweeping directorial style kind of made this a must see for me. Well, all I can say is that this film definitely looks great. That’s pretty much where the compliments end.

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William (Matt Damon) and Pero (Pedro Pascal) are two mercenaries scouring the East looking for “black powder,” which we now know as gunpowder. During their search, they end up at the Great Wall of China and are questioned about their intentions immediately upon their arrival. The two partners soon learn why the soldiers at the wall are so concerned about their motives. During a seemingly quiet afternoon, the wall is raided by alien monsters called the Tao Tie, whose goal is to penetrate the wall and continue on to the Imperial City. It doesn’t take long for William to come to a decision as to wether he wants to escape with Pero and another Englishman, Sir Ballard (Willem Dafoe), or if he would rather stay and defend the Great Wall with the newly appointed general, Lin Mae (Jing Tian).

I was excited for this movie for multiple reasons. First off, I was pumped to see Zhang Yimou tackle a big budget monster movie and have his style painted all over the movie. I was also just pumped to see another monster movie from Legendary, which has pretty much become the monster movie company for America. In these ways, the movie does succeed. When battles start happening, I got really into it. The special effects look kind of cartoony, but for some reason, that didn’t really bother me. I was taken aback by Yimou’s use of color and framing scenes to make them look as epic as possible. One of these shots in particular happened in the very first battle where you can see most of the battle in one super wide shot. Another really cool thing are the different regiments of the soldiers and the uniforms they wear to identify themselves. Honestly, in terms of style and scope, this movie stands tall.

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Like I said before, that’s pretty much where all of the good stuff ends. The Great Wall really isn’t all that good of a movie despite having a really cool premise. My biggest problem was the characters. I haven’t seen such poor development and writing in a really long time. Any scene that didn’t involve a battle or special effect of some kind fell flat. Like completely, utterly flat. It’s incredible how an epic period piece featuring alien monsters attacking the Great Wall of China could be so boring. There are a few characters worth something, but that’s not saying to much. William’s partner Pero has a good amount of one liners and a story that at least attempts to go somewhere before that’s shut down by some idiotic decisions from the writers. Lin Mae is also a pretty cool character who feels the most human out of anyone else. The worst offender of characters not worth anything is Sir Ballard. If you were to take Willem Dafoe out of this movie, nothing would be different. He’s completely wasted here.

I was also really bothered by the acting in this movie, but part of this also has to fall on the writers. There was so much clunky and awkward dialogue in this movie which only made me more distracted during the down time that I’ve already complained was boring enough. Like I said before, the only exceptions from this are Pero and Lin Mae. They weren’t perfect, but they were better than the rest. Honestly though, I was mostly shocked at how flat and uninspired Matt Damon was. I didn’t know until the end of the movie that he was supposed to be European, and I still don’t know exactly where he’s supposed to be from. His accent is on and off throughout the whole movie, and the way he delivers his lines is cringeworthy. Aside from his weird accent, he uses this over the top tough guy voice that wore thin on me after the second line of dialogue he had.

The Great Wall is a very disappointing movie. Throughout its run time, I saw a lot of hope for potential, but nothing really came of it. I will say that this is a fantastic looking movie with cool creature design and some excellent use of lighting and costume design. Everything else from the characters and their development to the structure of the narrative is flat, recycled, or just plain boring. As a monster movie, it works at the most basic of levels. As a movie to be appreciated and viewed for something more than that, it’s a failure.

Final Grade: C-

The Day the Earth Stood Still (1951 & 2008) – Review

19 Feb

Science fiction, like all the other genres of film, can be done in one of two ways. On one side you there’s movies like Barbarella that have no real thought provoking qualities of any kind and serve as mindless entertainment. On the other hand, there’s films like 2001: A Space Odyssey, which challenges the viewers to expand their minds and discuss the themes and implications that are artfully shown. In 1951, the movie world got one of the most revered and thoughtful science fiction films ever made up until that point. That movie is Robert Wise’s The Day the Earth Stood Still, a movie which came with a heavy and relevant message. As with many classics, it also got the remake treatment in 2008, but my response to that may surprise some people.

Let’s start this review by looking at the classic original film.

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The world is sent into a frenzy when a mysterious UFO lands in Washington D.C. early one morning. The occupants of the ship are a humanoid alien named Klaatu (Michael Rennie) and his 8 foot tall robotic sentry, Gort (Lock Martin). Klaatu is here on a very important mission, and he makes it clear that he must speak to all the leaders of the world at once instead of talking to them one at a time out of fear that it would be seen as him taking a particular side. This idea is completely ruled out which forces him to escape his government overseers and hide out in a small boarding house. There he meets a woman named Helen (Patricia Neal) and her highly curious son, Bobby (Billy Gray), who soon become the only people he can trust. Now on the run from the government, Klaatu teams up with the world renowned scientist, Prof. Barnhardt (Sam Jaffe) to organize a meeting with all of the great thinkers, scientists, and philosophers from around the world to hear Klaatu’s message that could save the planet from catastrophe.

The Day the Earth Stood Still is widely regarded as one of the best science fiction films ever made, and with good reason. This film came out at a very complicated time in history, and it showed the follies of the situation with a lot more intelligence than its counterparts. The 1950s was loaded with alien invasion movies due to the fear that surrounded the Red Scare, but The Day the Earth Stood Still gives us a hero that looks at the situation calmly and tries to offer a solution. All this intelligent writing is made complete by a strong cast of characters and some really cool moments of science fiction. I can’t help but smile whenever I hear the words “Klaatu barada nikto” or thinking about the destruction Gort could unleash upon the world if need be. Let’s not forget Bernard Hermann’s eerie, theremin heavy score that sets the mood just right. This film perfectly encapsulates everything that is to be loved about this era of science fiction.

One minor complaint here has to do with the final message of the movie. The whole story clearly has a message of peace, open-mindedness, and acceptance, but Klaatu’s wording can get a little…should I say…awkward? His big speech at the end mentions how the planets he represents agreed to peace and are protected by a race of robots like Gort that act as law enforcement. The thing is that he kind of describes something resembling a police state. I don’t really think this is what the writers had in mind, but it does come off as kind of weird and never fails to pull me out of the movie.

Awkward wording aside, The Day the Earth Stood Still is a timeless tale of caution that should be praised for its clear, outspoken message to the masses of the time. The special effects, performances, and music are all exactly what this movie needs and it has earned the right to be called one of the best science fiction films ever made and to also have become an iconic landmark in film history. It’s intelligent and exciting and I find it hard to imagine there can be people that exist that don’t like this movie.

Final Grade: A-

Like it or not, the cinematic world was given the weight of a remake of a movie that has become a classic. While there was some judgement before going into it, I tried to keep as open a mind as possible.

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Dr. Helen Benson (Jennifer Connelly) is a professor of astrobiology who also has the challenge of single handedly raising her stepson, Jacob (Jaden Smith). Out of the blue, government agents arrive at her house and whisks her away to a secret facility that’s been tracking a UFO. The UFO finally lands in Manhattan, and a single figure emerges that identifies himself as Klaatu (Keanu Reeves). Klaatu is not alone however, as he also has with him a 28 foot tall robot sentry that is soon named GORT. After it’s clear the United States government will not listen to Klaatu’s warnings, Dr. Benson helps him flee from the government with the hopes that he will finish his mission to save the earth. What remains unclear, however, is if Klaatu’s mission will save the earth, but at the expense of the entire human race.

Like I said, I went into this movie with an open mind even after hearing mostly negative reviews from most of the critics I follow on the internet. I wanted to make my own assessment of the movie, and I think I have. The remake of The Day the Earth Stood Still, despite some serious issues with the plot and characters, isn’t that bad of a movie. It isn’t that great of a movie, but I can’t just say I hate the movie solely because it’s a remake no one really asked for of a classic science fiction film. Keanu Reeves as Klaatu was a really good choice, especially for the direction that the filmmakers wanted to take the character in. It’s also a very good looking movie, which wasn’t too surprising since the director, Scott Derrickson, was responsible for one of the best looking movies of 2016, Doctor Strange. It may not have the best special effects, but there’s something really appealing about them, especially the first time we see GORT. His monstrous size combined with the ship behind him made it a very memorable scene.

So while I do like the visuals in this movie, I will say that this is much more style than it is substance, which is kind of disappointing considering how thought provoking the original was. The remake, however, is much more of a CGI spectacle and the story sometimes gets lost amongst it all, especially towards the end. I also really couldn’t stand Jaden Smith’s character in this movie. Like not even a little bit. He does nothing but slow the action down and really only succeeds at getting the characters in more trouble than they should probably be in. If he wasn’t in this movie, it would be all the better for it. Something sort of nit pickey is also the fact that they changed the conflict in the movie to something that doesn’t involve violence, which is still relevant for the time, but I liked the idea that these aliens were coming because of our misuse of weapons and our constant states of war.

With all these problems, I still had a pretty good time with The Day the Earth Stood Still. It certainly is a movie that has been forgotten over the years since its release, and I’m not going to forcefully remind people that it exists and they should see it, but it also really doesn’t deserve the hate that it gets. It’s a movie that works best as a time waster for a boring afternoon, and that’s it. That’s more than can be said about a lot of other remakes.

Final Grade: C+

In conclusion, the original The Day the Earth Stood Still is a landmark science fiction film that deserves to be respected. It’s one of the best there is and that’s that. The remake, however, doesn’t hit the right spots like the original did, but it’s still a pretty fun and disposable movie. If you’re going to just watch one, make it the original.

Rogue One: A Star Wars Story – Review

21 Dec

It’s been about 5 days since I’ve seen Rogue One: A Star Wars Story, and since then I’ve been thinking about it constantly. Last year, we saw the return of the franchise to the big screen with The Force Awakens, which to me felt like new life being breathed into it that was lost during the prequel trilogy. Rogue One is trying something new by telling a story that takes place between two of the main episodes instead of continuing the main story. This left me feeling kind of skeptical and a little nervous that it wouldn’t pack the kind of punch that I expect from a Star Wars movie. As the credits began to roll and I left the theater, I was ready to sit down and watch it again.

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Jyn Erso (Felicity Jones) has been labeled a criminal by the Empire after breaking their laws and giving them trouble time and again. She has every reason to have such animosity towards them because when she was young she saw the villainous Orson Krennic (Ben Mendelsohn) tear her family apart when he forced her father, Galen (Mads Mikkelsen), to come with him to help develop a new superweapon for the Empire. Years later, Jyn is recruited by the Rebel Alliance for a very important and secret mission to obtain a secret message sent by Galen through a defecting Empire pilot, Rook (Riz Ahmed). Jyn, along with Rebel intelligence officer Cassian Andor (Diego Luna), his droid K-2SO (Alan Tudyk), a blind warrior Chirrut Îmwe (Donnie Yen), and mercenary Baze Malbus (Jiang Wen), begins her adventure to find this message, rescue her father, and stop the Empire from unleashing its new superweapon, the Death Star.

Rogue One introduces a lot of new characters to the Star Wars universe, but it also introduces a new director to helm the project, Gareth Edwards. Edwards got his recognition with his 2010 independent film Monsters and went on to direct the 2014 American version of Godzilla, which people had differing opinions on. Either way, it’s safe to say he is a fantastic visual director, and this vision is one of the best parts of Rogue One. This is easily the most beautiful Star Wars film ever made with a unique blend of CGI, location shooting, and practical make up and effects. There’s so many beautiful scenes that show how great Edwards is with size and scale. From the AT-ATs coming through the fog to the Star Destroyer hovering over a city to that jaw dropping shot of the Death Star coming out of hyperspace. This is just such a beautifully crafted film in terms of its visuals and its sound and I give Gareth Edwards a lot of credit for creating a very unique looking Star Wars film.

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With all of this praise I’m throwing at Rogue One for its impressive style and beautiful cinematography, I have to also say that this is not a perfect movie and there are some flaws that are more apparent than others. The first 20-30 minutes of this movie are really rocky and often times confusing. We see Jyn’s backstory first, but after that we are forced to bounce back and forth between multiple different planets to introduce a plethora of characters really quickly. This feels messy and it’s hard to remember a lot of these characters this fast. As they are more established later on it was fine, but the first part of this movie was so scattershot. While Jyn and the rest of her crew are come pretty cool characters, only a few of them really get the attention that they deserve. Jyn gets plenty, but someone like Baze and Rook get next to nothing. It sometimes felt that these characters were pushed a bit too far into the background for a movie that is based on a team of heroes. Finally, there are a few CGI effects that happen for a certain character that is kind of weird. I understand and appreciate what they were trying to do, and on some levels it’s pretty cool, but it’s also really distracting to look at.

So while this movie does have faults, it’s still a really entertaining movie that stands alone as well as acting as a springboard for the original trilogy. It combines lore deeply engraved in the Star Wars universe while also giving us all these new characters and ways of seeing characters we already know. The story takes us to all these different planets, each with their own feel and design. Star Wars has been known for its many different planets, and Rogue One uses its settings really well. When I say that this movie stands alone, I mean that it feels like a very different kind of movie in this franchise. This is a war movie with just a little bit of mysticism in the rare times that the Force is mentioned. There’s something about how this story is told that often times gave me goosebumps. It just feels like such a perfect fit into a universe that we all know and love.

Rogue One: A Star Wars Story is a great addition to the franchise and it really is a relief to say that. This is a beautifully crafted film that looks, sounds, and feels very unique while also fitting into the established universe very well. There’s some weird pacing issues and not all of the CGI choices work as smoothly as the film makers seemed to think they did, but all of that is overshadowed by how much fun I had watching this movie. If you want to go into this movie and nit pick it so much that nothing is left of it, then go right ahead, but if you are a Star Wars fan and are ready for another trip to a galaxy far, far away, then brace yourself for Rogue One.

Final Grade: A-