Tag Archives: blockbuster

King Arthur: Legend of the Sword – Review

15 May

Guy Ritchie is one of my favorite film makers of all time, and more often than not I envy the skill that he has when it comes to crafting an entertaining film. Snatch is quite possibly my favorite movie, but there’s so much else to love in his filmography. His newest film, King Arthur: Legend of the Sword, is not somewhere that I expected his career to go, but I learned he was making this movie close to a year and a half ago, and I’ve been excited ever since. That puts a lot of pressure on this movie with all that time to build up my expectations, and when I do that, it hurts all the more when they come crashing down. Well, I really can’t say I’m disappointed at all. This movie is no masterpiece, nor is it Ritchie’s crowning achievement. What it is, however, is a classic myth seen through the eyes of Guy Ritchie, which means there’s plenty of action, frenetic camera work and editing, and a tongue in cheek bad attitude that makes for some fun beginning of the summer blockbuster season entertainment.

After defeating the evil warlock Mordred from invading Camelot, King Uther Pendragon (Eric Bana) is betrayed by his brother, Vortigen (Jude Law), who starts a rebellion and soon wins the throne. The only Pendragon survivor is a young Arthur who grows up on the streets of Londinium unaware of his true lineage. When Arthur (Charlie Hunnam) has grown, the mysterious sword in the stone, Excalibur, is reappears which causes alarm to Vortigen, since whoever removes the sword is the true king. Vortigen soon weeds out Arthur, but Arthur is quickly saved from execution by Sir Bedivere (Djimon Honsou), Goosefat (Aiden Gillen), and a Mage (Àstrid Bergès-Frisbey). Together with these disgraced knights and servants of Uther, Arthur joins the rebellion against Vortigen, but must also learn how to wield the power of Excalibur to even come close to standing a chance against the magically corrupted evil king and his army.

It seems that Guy Ritchie has comfortably taken on the task of being the film maker that takes classic stories and reworks them into modern, brawling stories filled with action and absurd moments of cinematic trickery. He did it with Sherlock Holmes and The Man from U.N.C.L.E. and now he’s done it with Arthurian legends. This isn’t the classic King Arthur you’ve come to know through the various stories and movies and television shows. This Arthur is a streetwise brawler with a strong sense of morality, and not so much a regal leader riding into battle with his knights in shining armor. I can’t proclaim to know much about Arthurian legend, but I’m comfortable saying this is a very different retelling. I, personally, love this direction and would love to see more of these legends brought to life by Ritchie.

Part of why I love Ritchie’s work so much is the high energy he always brings to his movies, and that’s where King Arthur: Legend of the Sword is unfortunately lacking. While his other movies show crazy displays of editing and directing in many different ways, this one felt a little bit tamer. The montage of Arthur growing up set the stage very well and the few scenes after that kept the energy going, but as the world building set in, so did the slow down in the energy. The only time it really picked up again, other than a few noteworthy shots, is whenever Arthur successfully wielded Excalibur. Now, when those scenes happen, I was floored. It’s cinematic wizardry that can be explained through computer generated effects, but what’s impressive is Ritchie’s eye for movement and how he choreographed and laid out these scenes. I just wish more of the action could have had the same visual flair as those Excalibur scenes. There also wasn’t the energy in the writing either. There were funny quips and rough and tough attitude, but there weren’t any lines that really stand out as being memorable and a lot of the dialogue was pretty run of the mill.

I never thought I’d say this, but Charlie Hunnam was a perfect choice to play Arthur. I love imagining scenarios where certain things are turned into movies, and who I would cast in it, and I never would have thought of Hunnam for Arthur. Fortunately, I was wrong. Now, I will say I’m not sure how well he’d work in a more classic representation of the character, but for this tough talking Arthur, he was spot on. I also have to give props to Jude Law as Vortigen. He has this way of portraying scumbag villains really well, with a shining example being his role in Road to Perdition. In this film, however, he becomes worse as the movie continues, and while humanity can be seen in him at times, he truly is an evil bastard in this movie, and it’s so much fun to hate his guts. The rest of the cast is good, with Honsou also standing out as Bedivere, but the real memorable performances are by Hunnam and Law.

King Arthur: Legend of the Sword is not a perfect movie, and it’s flaws become very clear as the movie goes on. It has some lackluster dialogue and doesn’t quite match the energy of Ritchie’s other films. That being said, when it does decide to pick up, it nearly explodes off the screen. This take of King Arthur is admittedly different from the classic legends, but the differences make it feel fresh. This may not be a movie that should be analyzed or thought about too heavily, but it is a really great way to spend a couple of hours and stands strong as an entertaining summer blockbuster.

Final Grade: B

Amistad – Review

13 May

In 1839, the slave ship La Amistad was taken over in a slave revolt led by Mende captives. This led to a drawn out trial involving many different parties concerning murder charges and property rights, while abolitionists of the time used the trial to prove that these Africans had rights the same as anybody else. While this incident didn’t change the times it did have lasting effects whose ripples could be felt throughout that time in history. It remained a story that seemed overshadowed by other historical events until Steven Spielberg, producer Debbie Allen, and writer David Franzoni resurrected the story for modern audiences. While it isn’t the most historically accurate film in the world, it has a sense of courage and honor that shows there was plenty of good in a time of evil.

After freeing himself from his chains securing him to the slave ship La Amistad, Mende captive Sengbe (Djimon Honsou) leads a revolt against the Spanish slave traders on the ship. Due to their lack of knowing how to properly navigate a ship, Sengbe and the rest of the Africans find themselves landing in an American port and are swiftly arrested by Naval officers. The captives are once again locked in jail where they await trial for murder and cases involving property rights. This attracts the attention of abolitionist Theodore Joadson (Morgan Freeman) who enlists the help of property lawyer Roger Sherman Baldwin (Matthew McConaughey) to represent the captives in a court of law. The proceedings actually keep favoring Baldwin’s arguments, but it doesn’t take long for President Martin Van Buren (Nigel Hawthorne) to intercede and take the matters to the Supreme Court. With their case quickly spiraling out of control, Joadson, Baldwin, and Sengbe recruit the help of former president John Quincy Adams (Anthony Hopkins) to stand up for the Africans’ rights in the highest court of the land.

Amistad is the first film Spielberg made with Dreamworks, and at this point it’s hard to believe there was a time that he wasn’t working with this company. This was the time when Spielberg was really showing what he had to offer. This is epic film making that only got better with Saving Private Ryan. The production design of this movie is top of the line with sets that seem to live and breathe. I am really interested in this time period, so I may be a little bit biased to praise movies that so completely bring this era to life. While the set design and costumes already stand tall, there are other factors that exist to completely draw you into the world of this movie. The first is John Williams’ beautiful and often sweeping score. The other is Janusz Kamiński’s eye catching cinematography that was also put on display with Spielberg’s previous movie, Schindler’s List.

Like I said earlier, Amistad is an epic movie that really takes its time in telling the story and making sure all of the information is clear to the audience. This is both a good and a bad thing. While there is plenty of dramatic momentum moving the story forward, it’s hard to ignore that this can be an overly wordy movie. There are some moments where you have to stop and think of people really talk like the characters in this movie do. The writing is mostly spot on, but there are times when it becomes a little bit too theatrical when a general rule for film making is to show the audience information and not outright tell them. There’s one scene in particular that really stands out. There’s a scene where John Quincy Adams is addressing the Supreme Court, and it’s clear that Spielberg was really into shooting this scene, and for a while it’s incredible. It’s an amazing speech that unfortunately never seems to end. There were at least three different times where I thought that the speech was over, but then the camera would change and Hopkins would continue on. It became almost comical.

While this movie does get a little wordy and bogged down in over the top dramatic soliloquies, the people delivering these lines are all megastars in their own rights. This is a great cast with Freeman, McConaughey, Honsou, and Hopkins all knocking it out of the park. McConaughey and Honsou especially work great together and their getting to learn to understand each other while not speaking the same language is my favorite part of the whole movie. I do feel like Morgan Freeman was underutilized and only has a few memorable scenes where I feel like he was actually given something to do. Finally, Hopkins isn’t in the movie all that much, but when he is it feels like I’m watching the real John Quincy Adams and not an actor playing the part. Few actors can pull that off as well as Hopkins can.

Amistad has all the working of a memorable and epic Steven Spielberg movie. It’s filled with a cast of great actors, excellent music, and fantastic production design. It also is a little bit overdone in some parts, which can either add more of an entertainment quality or come off as something a little less respectable. This isn’t Spielberg’s finest achievement, but it is one that I feel doesn’t get the respect that it deserves. Personally, I thought it was a great movie and it’s one that I’d love to watch again. It tells an excellent story, and while it may not be totally historically accurate, it’s a pretty epic way to spend an afternoon.

Final Grade: A-

Guardians of the Galaxy Vol. 2 – Review

6 May

In 2014, Marvel took a gamble and released Guardians of the Galaxy, which featured a team of heroes that were way more under the radar than any of the Avengers. Since it’s release, everyone can confidently say who Star Lord or Groot are because the film was so much fun. It made a killing at the box office and stands as one of the MCU’s greatest entries. It was inevitable that a sequel would be made featuring the beloved intergalactic crew, and it was up to James Gunn to once again capture everything we love about the first film and make something new. While Guardians of the Galaxy Vol. 2 isn’t quite as excellent as the first film, this is still a worthy sequel that provides a lot of laughs, action, and heart.

Peter Qull (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper), and Baby Groot (Vin Diesel) are known far and wide as the Guardians of the Galaxy. After helping the Sovereign race to protect important batteries from a space monster, and robbing them soon after, the Guardians find themselves stranded on a planet with Gamora’s sister, Nebula (Karen Gillan), as their captive. They are soon met by Ego (Kurt Russel) and his assistant Mantis (Pom Klementieff). Ego informs Quill that he is his father and brings the Guardians back to his planet. As the team learns more, they begin to discover that this planet may not be what it seems, so they have to set aside their differences and team up with Yondu (Michael Rooker) to stop a force that threatens the entire galaxy.

There’s plenty to talk about with this movie because this is kind of an odd entry into the MCU. It has all of the energy that the original film did and it’s excellent to see the characters all together again, but the story in this one if very different than the first one, which is actually kind of a good thing. Let’s start with the negatives. For one thing, the pacing of this movie is really off. Things start off with a bang, but the team soon splits up and the story kind of loses track of itself. There’s what’s happening on Ego’s planet, but than there’s also a story involving Yondu, Rocket, Groot, and some Ravagers who hold a mutiny. Both of these stories seem equally important, so I was unsure where the movie was going. Luckily, the narrative finds itself again after some time and really makes up for some of the odd pacing. Another issue I had with this movie is the fact that it got a little mean spirited. Sure, the original movie had a lot of off color humor, but this one makes some of the characters (mostly Drax and Rocket) just come off as obnoxious and overly rude at times. It was a bit of a departure in tone, and I wasn’t really fond of it. Fortunately, this happens in just a few scenes and isn’t really a big deal for most of the movie.

Despite some weird narrative issues, when Guardians of the Galaxy Vol. 2 decides to let loose, it gets crazy. This movie has some really wild action that made me smile so hard I thought my head would rip in two. The best part of the movie features Yondu, Rocket, and Baby Groot getting the best of some mutineers. That scene alone was just blockbuster perfection and is the reason why these movies are so beloved by fans. For all of the action and humor, this movie also has a lot of heart to it that gives it the emotional weight these comic book movies really need to be taken seriously. Forget how Captain America: Civil War made you feel. This movie has some real drama that may not leave a dry eye in the theater. It’s one thing to make a major CGI fest that focuses on wowing you with the action and the spectacle, which Guardians does, but it has so much more to it than that.

Speaking of CGI, this movie has some of the best special effects I’ve seen all year. The ships whizzing through space engaging in over the top dogfights made it hard to blink. There’s so much happening in some of these set pieces, it’s hard to believe that actual humans created these scenes. What’s excellent about this movie, and this is no surprise knowing who James Gunn is, there are some really excellent practical effects and make up as well. The Sovereign race is painted gold, but it looks perfect. The same can be said about Gamora and Yondu’s make up. I spent some of the time just trying to find one flaw with the make up, but there were just none to be found.

Guardians of the Galaxy Vol. 2 isn’t quite as good or exciting as the first film. The first one was honestly just perfect. It was such an epic story it would’ve been hard to beat. Still, this is a really good sequel that captured the heart of the first film and reworks it to create something different. The story feels a bit smaller and disconnected from the rest of the workings of the MCU, but it also feels more personal to the Guardians. Any fan of this universe should have a blast with this movie. I know I sure did.

Final Grade: B+

Ghost in the Shell – Review

2 Apr

Back in 1989 a three volume manga series called Ghost in the Shell was released and told a story concerning a dystopian future where it becomes almost impossible to see where humanity ends and technology begins. This short manga series paved the way for an entire franchise to thrive and grow on. First, there was the mega hit anime film from 1995, which totally floored me the first time I watched it and only got better when I revisited it. There was also a very popular anime series titled Ghost in the Shell: Stand Alone Complex, of which I have some experience with, but not as much as I’d like. There’s been a whole string of sequels and adaptations, and now Hollywood has thrown itself into the mix. Does it stand up with the original source material? Not quite, but it does work as engaging popcorn entertainment.

In the future, cybernetics have come so far that robotic upgrades to the human body has become something as normal as plastic surgery. The most extreme case of this blending of organic and artificial is Major Mira Killian (Scarlett Johansson), whose body is completely cybernetic but is controlled by a human brain. The Major, along with her partner Batou (Pilou Asbæk) and boss Chief Aramaki (“Beat” Takeshi Kitano), defend Section 9 again all sorts of criminals, but specialize in cyber terrorism. After an attack on a business meeting run by the powerful Hanka Industries, the Major and the rest of the Section 9 bureau go on the hunt for a new, powerful cyber terrorist who appears to be targeting scientists that worked on a specific project for Hanka. As the clues begin to add up, the Major is forced to take a good, hard look at herself and begins to learn about her past and the lies that she’s been being fed to keep her complacent.

When I first saw this version of Ghost in the Shell, I left the theater super excited. I was ready to go back in and watch the movie again, but as time has gone on, that excitement has sort of waned. Don’t misunderstand me, though, I still really enjoyed this movie. The over the top hype has just died down a little bit. Let me get the best part of this movie out of the way first. This is a stunning film to look at. There’s so much going on in most of the shots of this movie that I found my eyes darting around the screen just to take in all of the little bits that make up the breathtaking whole. This is an achievement of what practical and CGI special effects are capable of. Along with the gorgeous city wide shots and the not so glamorous streets and alleys comes action sequences that are impossible to forget. Director Rupert Sanders and cinematographer Jess Hall have a very strong grip on how to make an action sequence seem to burst from the screen. The compositions, use of slow motion, and even the minor visual tricks make the action in Ghost in the Shell some of the best I’ve seen in quite some time.

So the special effects and action sequences are all way above average and stand out as something truly remarkable. Unfortunately, the same can’t quite be said about the story. The story isn’t bad, but it didn’t really grab me as hard as it should have. The plot about the cyber terrorist was engaging and his design is great, but there were parts that didn’t really do it for me. Part of the story is the Major investigating her past to find out what really happened to her. Those scenes don’t have the emotional or mysterious resonance as they probably should, because we already know something is amiss from the beginning just because of how certain characters are acting. I had a pretty good idea about what was going on, and it really didn’t break any new ground like the 1995 anime film did. Granted, the story in that film took a back seat to the grand philosophical discussions about technology and humanity, which made it clear that that’s what that movie was about. This one has a story that takes a back seat to the action, but it also doesn’t have the thematic strength of the 1995 film either.

Any fan of the Ghost in the Shell franchise will also have a good time picking out easter eggs sprinkled throughout the film, but they will also appreciate some scenes that have been meticulously recreated for this live action blockbuster. This isn’t really an objective part of my review, but it was kind of thrilling seeing some of the iconic moments from the franchise brought to life with a super large budget. It also helped that the actors were largely committed to their roles. Johansson does a great just as the Major, and does a great job at bringing a human side to the character while also feeling mechanical. She has truly established herself as an action star for this generation. Another stand out is “Beat” Takeshi Kitano as Chief Aramaki, but that’s really no surprise. It’s always a joy to see Kitano in anything.

Ghost in the Shell isn’t going to be the next Blade Runner or Matrix movie, but for me to sit here and tell you that it doesn’t provide a really entertaining couple of hours would be a down right lie. The story could have been beefed up to be actually mysterious and it could have raised more questions in the way the 1995 film did. In terms of its action and its role as being a big budget extravaganza, it succeeds more than it fails. I can see how people new to the franchise may be a little confused or uninterested in parts of it, but as a fan of the original anime film and what I’ve seen of Stand Alone Complex, I thought this was a damn good adaptation.

Final Grade: B+

Power Rangers – Review

30 Mar

When I was a kid, it was a joy to tune into whatever version of Power Rangers was playing. The original show, Mighty Morphin’ Power Rangers, was such a touchstone in my childhood that I’ve never really outgrown it and still have fun revisiting the show when I can, no matter how silly it can be. When I saw that a big budget movie reboot was in the works, I was equally excited an nervous. It’s pretty hard to mess up something so straightforward as Power Rangers, but I believe Hollywood can ruin anything if they put their minds to it. I went and saw the new Power Rangers movie opening night, and I’m so relieved to say that while it isn’t a masterpiece, it’s still a entertaining time at the movies and a great way to reboot the concept for the big screen.

After accidentally finding mysterious crystals at the edge of a mine, five teenagers from Angel Grove are about to experience something they never thought possible. Jason (Dacre Montgomery) is a disgraced athlete whose only friends at this point is Billy (R.J. Cyler), an autistic loner who has a penchant for technology, and Kimberly (Naomi Scott), a former cheerleader who also has disgraced herself out of that particular group. These three, along with the new girl Trini (Becky G) and outcast Zack (Ludi Lin) notice how much their strength has increased since finding these crystals. Upon further investigation at the mine, they find an ancient spaceship and meet its only inhabitant, Alpha 5 (Bill Hader) who awakens the mysterious entity, Zordon (Bryan Cranston). Zordon and Alpha 5 explain to the teenagers that they are the next Power Rangers, whose task it is is to defend the planet and the Zeo Crystals from any and all threats. The newest threat is one Zordon knows very well. His arch enemy Rita Repulsa (Elizabeth Banks) has awakened after thousands of years and will use the Zeo Crystals to take over the world with her minion known as Goldar. Now the five teenagers have to work together to find their inner power and learn to understand and respect one another. Only then can they truly become the Power Rangers.

I had such high hopes for this movie, but deep down I expected it to fail completely. That’s why I still can’t believe how much I enjoyed it. First off, the new group of teenagers are great, and the decision to make them outcasts rather than the perfect role models was a good choice for a modern update. The first act of the movie really establishes their personalities and dynamics with one another while also giving you brief glimpses into their lives which are then elaborated on in a moving scene towards the middle of the movie. A moving scene? In a Power Rangers movie? Who would have guessed it? The whole idea of them learning to trust and understand each other in order to morph fits in well with the show, but I can see people getting off put by this difference. We also get really solid performances by all of them, with the stand out being R.J. Cyler as Billy.

Where Power Rangers starts to get lost is in the second act of the movie. Without spoiling anything, this is where the real meat and bones of the story happens, and while there’s a lot to fit in, the whole thing starts to really drag out. This is where Alpha-5, Zordon, and Rita are introduced, which is all really cool, but that happens towards the beginning of the second act. The rest of this it is all character building, which is necessary, but there were scenes where I thought the whole thing could have been cut completely. There’s one weird decision that was sort of the straw that broke the camel’s back. Something happens that feels really forced and long winded that made me start to get really antsy. I knew that the suits would be saved for the finale, but it was at this point that I just wanted the story to move along since certain plot points finally ran out of steam. Instead of moving on, however, things just kept on going.

Once the third act hits, however, it gets awesome. This is one the Rangers finally get suited up for the big showdown and it’s so much fun. The Zords all look awesome, and while some of the CGI gets a little wonky, it has this gleeful over the top element about it that is impossible to resist. It also helps that the movie took so much time to give the team distinct personalities and backstories to make me feel invested in their efforts. There were parts towards the end where I was actually on the edge of my seat, desperate to see the Power Rangers win. It’s something I can remember feeling as a kid and it was really exciting to feel it again. I just wish that it lasted a little bit longer, because I was really enjoying the spectacle. If some of the unnecessary scenes in the middle of the movie were trimmed down or cut, and the finale made longer, I would have been a very happy camper.

I really can’t believe I’m saying this, but Power Rangers is actually a good movie. It’s by no means a masterpiece, but it’s a fun, nostalgic hit of adrenaline and it succeeded in modernizing the lore and turning it into a big budget action extravaganza. The pacing of the movie can be a little weird, and there are some plot holes and inconsistencies that you may notice if you look hard enough. Even with that, the characters are great and everyone seems to be giving their all. We live in a world where the new Power Rangers movie is better than a movie called Batman v. Superman.

Final Grade: B

Kong: Skull Island – Review

13 Mar

I love monster movies. Like I really, really love monster movies, so the fact that Legendary is giving us a whole universe dedicated to giant monster brawls is almost too exciting. The first film in the MonsterVerse, Godzilla, came out in 2014, and despite some mixed reviews, I thought it was pretty badass. It did have some flaws, but when it got down to the monster mayhem, it really knew what it was doing. Now we have the second film, Kong: Skull Island, which introduces King Kong and the island to the universe. This beloved ape has been around since 1933, and it’s awesome to see that he has no intentions of giving up his big screen glory. This film is excessive, yes, but it’s also an extremely entertaining and action packed thrill ride.

William Randa (John Goodman) is a government official who has all the proof he needs to lead an expedition to an undiscovered island in the middle of the Pacific Ocean called Skill Island. After fighting for approval, he finally gets the go ahead and begins assembling his team. His first order of business is to find a tracker, which he finds with James Conrad (Tom Hiddleston), a former SAS captain that served in the Vietnam War. He also recruits the help of Lt. Col. Preston Packard (Samuel L. Jackson) and his regiment, the Sky Devils, as a military escort. Photojournalist Mason Weaver (Brie Larson) also joins the expedition with hopes of uncovering some unknown government conspiracy. When the group finally gets to the island, it doesn’t take long for the protector of the realm, a 100 foot tall ape named Kong, to show up and defend his land. This attack splits the group in two, which forces them to work together and keep their eyes peeled for Kong and the other horrors that wait for them on the island.

I had such a blast with Kong: Skull Island, that I’m still getting excited thinking back on it. It’s exactly what I wanted from this movie, and based on what some other critics were saying, I was kind of worried I was going to be let down. One thing that’s worth noting that can be seen as a negative are some of the characters. Samuel L. Jackson’s Packard and John C. Reily’s Hank Marlow are two examples of well thought out and fully realized characters. I understand their motivations and they stand out amongst the rest. There are other side characters that also have large personalities that make them memorable, but there’s no real development with any of them. Tome Hiddleston and Brie Larson, however, seem to hardly be in character at all. They’re just the stereotypical heroes you would expect to see in this movie. They try to add a little back story to them, but that exposition doesn’t really help at all. They’re just there to save the day, and that’s about it.

The original King Kong has one of the most classic stories in the history of film, and no sequel or remake since then has been able to capture that same essence and feeling. Kong: Skull Island doesn’t even try, and it’s all the better for it. Sure, it has the same kind of set up with the characters being introduced and sailing to the island, and there are natives which are to be expected on Skull Island, but that’s where the similarities end. The story of this movie pretty much revolves around Hiddleston and company trying to stay alive and get to the rendezvous point on the other side of the island. This is really all I needed, but there’s a cool subplot added in with Jackson’s character that raises the stakes even more. I was so thrilled to see this movie not get bogged down in trying to be something more than it is. The plot was there to drive the movie forward, but it wasn’t so stale and uninteresting that I lost track of what I was really watching. This keeps the pace fast with the action always moving forward. It’s cool to say that I was never once bored watching this movie.

Let’s talk about the man of the hour though. Toby Kebbel is tasked with being a side character soldier, but also was the motion capture actor for Kong. This seems appropriate since he did the motion capture for Koba in the new Planet of the Apes movies. He really brings Kong to life in this movie, which is awesome, and the physicality of the role is not to be forgotten. Kong has major throw downs in this movie that will force any viewer to go into popcorn munching overdrive. This is where the movie really shines, and I appreciate the visuals that add to the excessiveness that I mentioned I loved so much. Sure, the close ups and the crazy compositions of Kong back lit by the sun may seem cheesy, but they’re really just too cool to look at, and provided some of my favorite parts of the movie.

Is Kong: Skull Island going to match the classic status that Merian C. Cooper and Ernest B. Schoedsack did with the original back in 1933? Of course not, but it does add a fulfilling new chapter to the MonsterVerse, and also was just a highly entertaining film. Once the characters get to the island, the action very rarely slows down and I found myself getting lost in the visuals of the island and the monster brawls that seemed larger than life happening before my very eyes. This isn’t a movie about characters nor does it have any important lessons to teach the viewer. This is about giant monsters throwing down for a couple of hours. In that way, it did not disappoint.

Final Grade: B+

Logan – Review

6 Mar

The X-Men series of movies seems to have been around forever. The beloved team of mutant heroes were shown onscreen in live action for the first time back in 2000, and there are a few of these actors that are still playing the same roles almost two decades later. In this case, I’m talking about Hugh Jackman as Wolverine/Logan and Patrick Stewart as Charles Xavier/Professor X. Now, here in 2017, we’re seeing the departure of these two actors from their respective roles in the newest film of this series, Logan. What a movie to go out on. This isn’t just the best X-Men film to date, it may very well reign supreme as the best superhero film ever made.

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In the not so distant future, mutants are on the brink of extinction and have to go into hiding to avoid certain death squads and other forces that want them gone. One of these mutants is a much older Logan (Hugh Jackman) who is working as a limo driver to support his vices while also supporting a sickly Charles Xavier (Patrick Stewart). A chance encounter with a nurse ends with a little girl, Laura (Dafne Keen), being left with Logan and Charles who are tasked with transporting Laura to a safe haven for mutants. Laura is soon revealed as a mutant test subject known as X-23, who is on the run from the company’s head of security, Donald Pierce (Boyd Holbrook), and his soldiers called the Reavers. Against Logan’s best wishes and attempts to rid himself of the responsibility, he takes both Laura and Charles out of their compound and begin their journey to the haven with Donald and his men hot on their tails.

There’s so much about this movie I want to dive right into that I have to force myself to stay focused. Let’s talk story first. I tried to keep my summary as vague as possible because there are so many layers and feelings that start to peel away as the movie goes on. It would be impossible to try and cover everything that is important in this movie because there isn’t one frame that is unnecessary. The story to Logan isn’t like any other X-Men movie, and it plays out like a very intense character drama as much as it is a graphically violent action film. The main reason this movie worked so well for me is because of how deep the story is and how it explored parts of these characters that were never seen before. The story is about Logan and Charles protecting X-23, but it’s also a story of family, regret, and severe, relentless pain. It’s can be a rough one at times, but I commend writer/director James Mangold and his co-writers for going there.

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The decision to make Logan rated R was a very smart move from 20th Century Fox, especially after the over the top success of Deadpool. This works great for the drama that I’ve already talked about as well as the action sequences. Let’s talk action, now. This is still a superhero movie, and a superhero movie completely devoid of action would be weird. Wolverine has always been viewed as an angry character prone to violent outbursts, and we’ve seen that in previous X-Men movies, but never like what I’ve just witnessed in Logan. This is Wolverine at his most unhinged. Limbs fly, heads roll, and the scenery is often times showered with pieces of whoever got in Logan’s way. What’s cool about it, also, is that it isn’t violence for the sake of violence. There’s a fair amount of action sequences that go heavy on the violence, but it has weight backing it up, and it never gets to a level that’s solely exploitive and gratuitous. It’s very well handled and was never anything less than exciting.

Finally, Logan has an excellent cast of characters and actors who play them to perfection. Hugh Jackman and Patrick Stewart have been playing these parts for years, so it’s pretty clear that they have their roles completely covered. Stewart gives a subtle and often sad performance here, where we see Professor X in ways that I’ve never thought I would. As for Hugh Jackman, this is simply his best performance. It’s controlled while also being ferocious, but the quieter and more contemplative scenes is where Jackman really shines by making Logan so vulnerable and appear so broken. There’s also some great newcomers to the series that are memorable. Dafne Keen, despite her relatively young age, is outstanding as X-23 and can really hold her own in terms of the ferociousness that is expected from the character. I also really enjoyed Boyd Holbrook’s portrayal of Donald Pierce, whose villainy oozed through every scene he was in. It’s exactly how I like my comic book bad guys.

I really wasn’t a fan of X-Men Origins or The Wolverine so I was really hoping that Logan was going to do the character right. Well, it sure does and it does even better than I could have hoped. It’s sad to see Hugh Jackman and Patrick Stewart bowing out of their roles, but this was the send off that they deserved. This is a powerful film that has some really heavy storytelling that will leave you teary eyed yet incredibly satisfied. This is the best written and executed entry of all the X-Men films and it brings something new and exciting to the superhero genre that can potentially change the game. I absolutely loved Logan.

Final Grade: A+