Tag Archives: chinese

The Flowers of War – Review

10 Feb

There’s been a lot of controversy surrounding Zhang Yimou’s newest movie, The Great Wall. I haven’t seen the movie yet, so I’m going to hold all judgement until I actually do, but I wanted to point out that Yimou is still responsible for some really fantastic and visually striking films that shouldn’t be ignored. The two that I’m most familiar with are Hero and House of Flying Daggers. In 2011, Yimou went in a sort of different direction with the historical war/drama film, The Flowers of War, a chronicling of the Rape of Nanking during the Second Sino-Japanese War. This film has a lot of power behind the story, and the performances are to be praised along with the visual flair behind it. There is something holding the movie back from being a classic, however, and some of the detractions of his newest film can also be noticed here.

the_flowers_of_war_english_poster

in 1937, Nanking is completely overrun by Japanese troops, which puts every person in the city in extreme danger of torture and murder. Amongst these people are John Miller (Christian Bale), and American mortician hired by a Catholic church for his grim services, and a group of schoolgirls looking for cover wherever they can. One of the schoolgirls, Shu (Zhang Xinyi), runs into John on his way to the church, and he escorts her to safety there. While they are in hiding, a group of prostitutes, led by the beautiful and strikingly wise Yu Mo (Ni Ni), also find refuge in the church. These different people all have major differences in beliefs and practices, but they are soon forced to overcome these biases to protect each other when a representative for the Japanese, Colonel Hasegawa (Atsuro Watabe), makes his and his troops presence known and essentially barricades them inside the church until he can figure out what to do with them all. Thus begins a daring escape plan formulated by the reluctant John and Yu Mo to get as many people to safety as possible.

Right off the bat, The Flowers of War has a subject that is very difficult to tackle. This is a very dark time in human history, so it must really be handled with care. Luckily, under the direction of Zhang Yimou, I think that it’s handled very respectfully and without any kind of exploitation. That doesn’t mean that there is no controversy surrounding this movie. One interesting thing to point out is that this movie is banned in Japan for reasons that are pretty obvious. This film definitely shows the horrors that were inflicted by the Japanese unflinchingly realistic detail. There’s also been some critics who have pointed out that this is another example of a “white savior” story arc. I’m not one to usually point this out, but I do see where these critics are coming from. The entire cast is made up of Chinese and Japanese actors with Christian Bale being the only western actor for most of the movie. While it’s fine that he’s in the movie, a lot of the film revolves around him protecting the people inside the church. That being said, unlike some other movies that suffer from this cliché, the supporting characters do handle themselves very well and show smarts and grit in times of suspense and intensity.

the-flowers-of-war-movie-review-2-noscale

When I think of the movies by Yimou that I really like, the first things that come to my head are the colors that highlight every scene of his movies. The Flowers of War is toned down a little bit, but don’t be fooled. This is a beautiful movie to look at and, even when something isn’t jumping out at you in a shot, just look at the framing and lighting. Zhao Xiaoding, who has worked as Yimou’s cinematographer on House of Flying Daggers and Curse of the Golden Flower, returns for this movie and works perfectly with Yimou to frame and light this movie just right. There’s not enough that can be said about the visuals. There’s also great usage of slow motion photography and one particular tracking shot that sent shivers down my spine. Say what you will about anything in this movie, you have to give a lot of credit to the technical proficiency and artistry behind the camera.

While also being great visually, Yimou has shown his strengths at telling a story, and it works here for the most part. He gets the best out of his actors, for sure. Christian Bale and Ni Ni are fantastic, and the child actors are also put to great use and feel very natural. There’s a lot of power in the telling of this story, but it doesn’t really keep the power going for some parts. The film starts off very strong and just keeps building in tension and drama, but it starts to fall apart during the overlong third act. This is when the planning of their escape starts, which is all fine, but there’s a romance that forms and a lot of other unnecessary scenes of dialogue that could have been cut out or trimmed down. It just felt awkward having this slow down happen so late in the movie after so much has just happened. This is the film’s biggest detractor. It has a nice flow for most of the movie, but the third act feels so unnatural and weird at times that I started to check how much time left a little bit too often.

The Flowers of War is a really good retelling of a very dark time in human history. Zhang Yimou continues to show his strengths as a director and storyteller, even though the narrative starts to slump heavily during the overlong third act. The characters in this movie are very well rounded and it’s a beautiful film to look at. I can see people getting upset over the certain elements of the movie, but I think they should try to get past it, if not just a little bit, to see the greater story being told. This isn’t a classic, but it’s a valiant effort from a very talented film maker.

Final Grade: B+

Advertisements

True Legend – Review

26 Dec

So I think one last kung fu movie before I take a break from them is in order. But really. Kung fu movies are a lot of fun and sometimes you just gotta take a few weeks and get your fix of martial arts mayhem. Today, I’m going to be looking at Yuen Woo-ping’s 2010 film, True Legend. This is sort of an odd movie because it has some of the coolest, brutal, and out of this world martial arts action that I have seen in a very long time. It really is very original, but it also has one of the worst story lines I have ever seen, making it one of the best and one of the worst kung fu movies I’ve ever seen.

True Legend poster 01

Su Can (Vincent Zhao) is a military leader who declines a position as governor to open up a martial arts school and marry the love of his life, Xiao Ying (Zhou Xun). The governor position is then given to Ying’s brother and close friend to Su Can, Yuan Lie (Andy On). Unbeknownst to Su Can and Ying is the violent thoughts that Yuan has towards Su Can and his father, which drive him to learn the deadly style of the Five Venom Fists. When Yuan almost destroys Su Can’s life, he goes into hiding to perfect his skills and have revenge on Yuan, but what this vengeance causes could never have been foreseen.

In theory, the story of this movie could work very well. The Five Venom Fists style just sounds awesome, and seeing it in action is really something. True Legend also shows a stylized and highly fictionalized version of how the Drunken Fighting technique was created. This is all really cool, but WHAT WAS THE SCREENWRITER THINKING?! Someone who just really likes martial arts movie and has seen at least one film in their entire lives could write a much better screenplay than this. It has to be one of the worst I’ve ever seen. The story seems to be going normally, until the climax happens close to 45 minutes before the movie is even over! It just felt so weird. The pacing in this movie seems like it has no idea what the hell is going on.

True-Legend-11

 

What may even be worst than the story’s pacing and the uncontrollably cheesy dialogue is Su Can’s son who we see at age 5 and then age 8. When this kid is 5, I really had no problem with him. He was kind of there but didn’t do a whole lot, but when he’s 8…things changed. When I say that this little brat cried for the last hour of the movie, I mean he didn’t stop. And he wasn’t doing these normal little kid cries, he was SCREAMING! I swear this kid wailed and wailed for damn near sixty minutes. I had to keep turning the tv down because if I heard him cry one more time, I was going to turn the damn movie off.

I can’t really shit on this movie too much because the action was all really epic. Yuan’s character also had a really cool design with the armor sewn into his skin and his pale skin. The fighting was also just really original. One part of a fight ends up in a well where the two characters have to fight but also keep a grip on the walls. Seeing Yuan’s almost supernatural fighting also added to the originality. In that way, this movie really succeeds more than a lot of martial arts movies that I’ve seen. It’s easy to sometimes switch off and watch movies like this without really thinking, but whenever there was a fight scene, I really felt the urge to pay attention.

True Legend had some of the coolest fighting and some of the worst storytelling making it one hell of an uneven movie. The action scenes were original and very well choreographed, but it’s hard to get past the horrific narrative structure and a kid that doesn’t stop crying for half the movie. Another cool thing is that David Carradine has a small part in this movie, and was one of his last ones being released after his death. But not even David Carradine can change my opinions on this movie. If you want to see the cool fight scenes I’m talking about, just look them up and skip the rest of the movie.

Tai Chi Zero and Tai Chi Hero – Review

18 Dec

Yes, yes I know. What’s with all this kung fu all of a sudden? Well I’m on a martial arts kick and its my blog so I can write whatever I damn well please. This time I’ll be looking at the 2012 film Tai Chi Zero and its sequel Tai Chi Hero. The director, Stephen Fung, was interested in breathing new life into the martial arts genre and decided to do that by combining steam punk, comedy, and the video game stylings of Scott Pilgrim vs the World. The result is a really strong first film that succeeds in style, action, and laughs and a second film that’s ok but really nothing memorable.

First let’s look at Tai Chi Zero.

tai-chi-0-well-go-pstr03

 

Lu Chan (Yuan Xiaochao) may not seem like anything special, but if you were to smack him in the horn that was growing out of his head, you would see exactly what he was capable of. When his master informs him that the only way he can live with his condition is to learn the art of the Chen style martial arts, Lu Chan goes to Chen Village to learn from Grandmaster Chen Chang Xing (Tony Leung), himself. The villagers, especially Chen’s daighter Yu Niang (Angelababy), reject Lu Chan’s wishes to learn from their grandmaster, but when a mechanical behemoth led controlled by Fang Zi Jing (Eddie Peng), begins uprooting the village to build a railroad, the villagers turn to Lu Chang to help with the defense against the steampunk monster.

So, Tai Chi Zero is downright ridiculous, and that’s why it’s such a success. Xiaochao, Angelababy, and Tony Leung were all completely enraptured with the roles they were given and pulled off the kung fu with ease. This is one of the most kinetic martial arts movies I’ve ever seen. Think Crank meets Scott Pilgrim meets martial arts. Text flies all around the screen, crazy CGI effects flash before your eyes, and clips that seen to be taken straight from a video game breaks everything up. This movie is an absolute blast. People have said that this film is style over substance, and that may be true since the story is only so-so, but everything else is amped up to 11 which makes Tai Chi Zero the definition of a wild ride.

The makers of this film said that their goal was to completely change the rules of the martial arts genre and create it anew for a modern audience, but that’s not really what I think Tai Chi Zero has done. Don’t try to make this movie something that it isn’t. What it is is a hyperkinetic martial arts film that whizbangs all over the screen hardly giving you time to take everything in. That being said, it’s original and a hell of a lot of fun.

But it was not meant to last…

Since this is planned to be a trilogy, it was inevitable that a sequel would be made, but hardly as soon as this one. Turns out that Tai Chi Hero was filmed back to back with its predecessor, but is nowhere near as entertaining.

4SRcF

Picking up right where the first film left off, Lu Chan and Yuniang are married, but far from in love and Fang Zi Jing has returned to his British employers saying he wants to not only complete the railroad, but get his revenge. Meanwhile, Chen Xing’s son, Zai Yang Chen (Feng Shaofeng), returns home claiming to be ready to start a new life in the village, but it turns out he has much more nefarious plans. As all of these forces begin putting their plans into action, Lu Chan, Yuniang, and Chen Xiang begin finding it increasingly difficult to protect their village.

Remember just a few paragraphs ago when I was describing how quick, kinetic, and fun Tai Chi Zero was? Yeah, well forget all about that for Tai Chi Hero. I can sort of compare my disappointment with this movie to the disappointment I have for Ong Bak 3. Where’d all the action go? It’s almost nowhere to be found save for a few scenes. Where’s all the comedy and style? Again, save for a few scenes, there hardly is any. I was actually enjoying this movie until about halfway through when the stakes are raised a bit higher, which is a weird reaction, but it actually just got more boring. To perfectly illustrate my point, there’s a scene where Lu Chan has to fight a bunch of people, but it all happens in a very brief montage (much like the first), but this time without any style of humor to make it memorable.

Tai Chi Hero isn’t a terrible movie, it just isn’t all that it should be compared to its predecessor. There are a few cool scenes, like when the Heaven’s Wings device gets thrown into the mix, offering more of the steampunk action from the first one, but that’s not enough to make the entire movie memorable. Only a few scenes are really worth any time, but for hardcore fans of the first, it’s a movie you should still check out.

So now we have to wait until God knows when for the third entry, Tai Chi Summit, which still doesn’t have a release date, nor has production even started. If it’s anything like the first film, I’m willing to wait. These movies have at least breathed some fresh air into the martial arts genre, but certainly not changed the rules completely.

The Four Trilogy – Review

10 Dec

Did you ever wonder what the X-Men would look like if they all knew kung fu? No? Me neither, but I think I found out something that very much resembles that fantasy. I’m talking about Gordon Chan’s The Four and it’s two sequels. Gordon Chan isn’t a film maker who just decided to dabble in the martial arts genre having already made the classic Fist of Legend starring Jet Li and its sequel Legend of the Fist: The Return of Chen Zhen starring Donnie Yen. The Four Trilogy may not have the same power as these two films, but they are surprisingly fun and never actually bored me, even though the storytelling can get a little hard to follow.

00212043  TheFour2 SG poster-MAIN The-Four-3-2014-1

 

During the reign of Emperor Huizong in China during the early 1100s, crime was kept under control by Department Six, but there was yet another much more powerful watchful eye being kept over the criminal underworld. The Divine Constabulary, made up of Emotionless (Liu Yifei), Iron Hands (Collin Chou), Life Stealer (Ronald Cheng), and newcomer Cold Blood (Deng Chao), was a department of four super powerful detectives led by Zhuge Zhengwo (Anthony Wong). Trouble soon begins to brew for the Four when counterfeit coins begin circulating throughout the banks and merchants, but that soon becomes the least of their problems. The people behind the counterfeit currency, Lord An (Yu Chengui) and his son An Shigeng (Wu Xiubo) are actually after the emperor’s throne, with only the Divine Constabulary powerful enough to stop them.

That’s the basic plot for all three of the movies. The Four deals mostly with An Shigeng and the counterfeit currency while The Four II and The Four III deal with Lord An attempting to usurp the throne. I still can’t shake the feeling that I missed some stuff in these movies though. The way the story is actually plotted and executed isn’t all that good. There’s so many different characters that just start backstabbing each other and the movies all move at such a fast speed, it’s hard to keep track of everyone. One character in particular seems to have a different motive in every scene, which makes it literally impossible to make up your mind about her. Still, one of the better parts of the movies are all of the characters.

U216P5029DT20140918103939

 

I’m actually seriously surprised that all of the characters in this movie were totally three dimensional and had their own personalities. Maybe I shouldn’t have done this, but I went into these movies expecting mediocre martial arts with a huge cast of characters that I wouldn’t care about. I was wrong on both accounts. Let’s take Life Snatcher and Iron Hands, two characters that very often share scenes. They work great together because Life Snatcher is a thief and provides great comedic relief while Iron Hands is a man of discipline. It’s an odd couple situation that I wasn’t expecting to work so well. Since the characters are all likable and well fleshed out, when something happened to them I actually cared. They’re actually some of the best characters in martial arts movies.

Finally, lets talk about the actual kung fu. Simply put, it’s awesome. It isn’t Crouching Tiger, Hidden DragonHero, or House of Flying Daggers but it is really cool. One of the big things that makes The Four movies stand out is the super powerful characters. The powers are really just them channeling energy in themselves making them super strong or able to control things, but it’s still really fun. Whenever they throw their kicks or punches, splashes of color follow their limbs making it clear that they have the upper hand. Every contact is also heard quite clearly making it almost possible to feel their attacks. Really cool stuff and extremely entertaining.

The Four and its sequels provided me with a lot more than I was originally expecting. After just watching The Sorcerer and the White Snake, I was very hesitant to drive right back into martial arts, but I’m pleasantly surprised. These movies aren’t destined to be classics, but Gordon Chan has made three really fun movies that are great time wasters on a lazy afternoon. If you like kung fu, fantasy, and comic book super powers you should track down and find The Four Trilogy.

The Sorcerer and the White Snake – Review

5 Dec

I’ve made it quite clear in the past that wuxia movies, or Chinese martial arts film, are my cup of tea. It’s a great escape to be able to watch martial arts masters fly above the tree tops and engage in over the top swordplay that defies all sound reasoning and physics. Like I said, it’s a great escape. While certain wuxia movies often feel like they can be part fantasy, Tony Ching’s 2001 film The Sorcerer and the White Snake clearly attempts to fully combine the two to make what should have been an epic martial arts film based off of an old Chinese folk tale. Unfortunately, this movie is a boring mush of CGI, uninspired fight choreography, and a love story that was just downright laughable.

the-sorcerer-and-the-white-snake-poster

 

Fahai (Jet Li) and his apprentice Neng Ren (Wen Zhang) are demon hunters who belong to a monastery with the mission of protecting the Earth from demons that come from other dimensions. Fahai is merciless to the demons that threaten the human world, but everything he understands about demons is about to no longer make sense. Susu (Huang Shengyi) is a white snake demon who falls in love with a herbalist named Xu Xian (Raymond Lam) after saving him from drowning. As the two begins a life together, Fahai discovers Susu’s secret and wages an all out war between her and the other monks at the monastery, leaving Xu Xian in the middle to decide if he could ever love someone like her.

So, that’s pretty cool right? I mean demons, martial arts, giant snakes, forbidden love, and Jet Li sounds like an awesome combination. But there is one more thing…what was it? Oh yeah. FAR TOO MUCH F***ING CGI!!! It was almost disgusting really, how much flashy and distracting special effects there were. And you know what’s really crazy? They’re not even that great. In fact some of the effects, especially the snakes in their true form, look downright goofy, almost as if it was the first layer of CGI before it was all cleaned up, and then they just ran out of time so they went with it anyway. The amount of cheesy CGI in this movie is enough to even make George Lucas blush.

1138403_White_Snake

 

Speaking of cheese, let’s talk about the love story between Susu and Xu Xian. Have you ever been watching The Little Mermaid and thought, “Could this get any cornier?” Well, yeah it can, and it pretty much did in The Sorcerer and the White Snake. There’s one scene near the end especially where the music begins to take hold and the lighting gets all dramatic, and an overly obvious love song begins playing. I just wanted to throw up. That’s not even the only instance, either. The entire plot involving the two forbidden lovers is so generic, predictable and boring. It got to the point where I forgot I was even watching a martial arts movie.

There’s scenes in the movie where we get to stay with Jet Li’s character and see some of the monsters that he fights. Hell, the movie even starts with him fighting a demon, but then we only get to see that a few more times, so it better have been cool. Well, sorta yeah but not really. There was no action in this movie that makes it stand out from other wuxia movies, scenes that really stick with you and make a lasting impression. Instead it’s just a jumbled mess of Jet Li, monks, and poorly computer generated creatures just kind of hitting each other…sometimes. The amount of dumb in this movie outweighs the cool stuff in a huge way.

I’m really upset that I didn’t like The Sorcerer and the White Snake because everything about it sounded so cool, up until I actually watched it and saw what it was all about. Listen, I don’t mind a good love story, in fact I really enjoy a good love story, but this is not one of them. This is a love story that you’ve seen a thousand times combined with a martial arts movie that has no dazzling choreography and a fantasy movie with effects that a fourth grader must have done. Some people out there seen to really enjoy this movie, and I just don’t get that. This one was an absolute mess and altogether just a train wreck.

Ip Man and Ip Man 2: Legend of the Grandmaster – Review

29 Nov

Nowadays, there seems to be a new movie about Ip Man coming out every year. With Wong Kar-wai’s The Grandmaster and Herman Yau’s Ip Man: The Final Fight, people just can’t seem to get enough of the legend of the iconic wing chun grandmaster who went on to mentor Bruce Lee. Before all of these movies, though, Wilson Yip made Ip Man, which was a huge success with both critics and audiences. Before the first film was even released, a sequel was planned and in 2010 Ip Man 2 was released. While the second doesn’t quite reach the greatness of the first, both of these films will go down as two of the greatest martial arts movies ever made.

First, let’s look at the 2008 film that started it off.

2008_ipman_poster_hk

In the city of Foshan during the 1930s, legendary martial arts schools keep the city running and even attracts students and competitors all over China. The man known the most through all of the city, though, isn’t even a teacher, but instead a grandmaster of the wing chun style of martial arts. This man is Ip Man (Donnie Yen), who spends his days practicing and sparring masters of Foshan. As time passes on, the Japanese violently invade China during the Sino-Japanese War, and Ip Man is forced to see his friends and neighbors brutalized and starved by the Japanese. One Japanese general, Miura (Hiroyuki Ikeuchi), begins challenging the Chinese martial artists to fight him to prove his Japanese fighting style is far superior. Ip Man bravely rises to the challenge, risking his life to give new breath to the Chinese spirit and respect for their art.

Ip Man is more than just a simple martial arts movie. It’s a movie about the honor and respect of the Chinese. Some of the most powerful scenes of the movie don’t even include action, but more so examples of how to live and treat others with Ip Man being the prime example. While this movie isn’t really historically accurate, it uses the legend of who Ip Man was to get a message across. This never would have worked if Donnie Yen wasn’t completely dedicated to the role. Luckily he’s not only just a fantastic martial artist, he’s also a very talented actor who is able to deeply understand the roles that are given to him.

Scene-from-Ip-Man-2008-001

 

But let’s be real. One of the reasons people are so into Ip Man are the brilliantly choreographed and executed martial arts action sequences, and there are plenty to really marvel at. What’s great is that Wilson Yip and action choreographer Sammo Hung really emphasize the different techniques utilized in the different fighting styles. Ip Man’s way of fighting is a lot different than Miura’s, which makes the climactic fight all the more exciting. To get away from really analyzing the movie, the action scenes are just really freakin’ cool. The punches seem like they can be heard a mile away and the aftermaths are always shown in vivid detail. It’s a dream come true in terms of martial arts movies.

Ip Man is one of the better martial arts movies I’ve ever seen, but it also works really well as a drama and historical picture. Wilson Yip seamlessly blends these genres together while Donnie Yen completely kills it as Ip Man. It’s just a fantastic movie, even if it is far fetched and historically inaccurate.

In 2010, the sequel to this smash hit was released and received a wider audience than its predecessor. That movie is Ip Man 2: Legend of the Grandmaster.

IpMan2Poster

 

Jumping ahead to the 1950s, Ip Man and his family have relocated to Hong Kong so that Ip Man can teach the wing chun style to any who are willing to learn. At first, business seems to be lacking, but he soon finds students. This angers another master working in the city, Hung Chun-nam (Sammo Hung), who is part of a guild of masters. Ip Man soon earns his place among the other teachers, but refuses to pay the fee to remain teaching. The fee is actually used to pay the corrupt British police superintendent (Charles Mayer), who is planning on hosting a boxing match featuring Britain’s number one fighter, Twister (Darren Shahlavi). When Twister insults the Chinese people and even goes so far as beating one to death, Ip Man  challenges the foreigner to a fight, which may prove to be Ip Man’s most deadliest confrontation yet.

Right off the bat, Ip Man 2 feels a lot different, but also very similar to its predecessor. The Sino-Japanese War is no longer happening, so we don’t really have that drama going on anymore. This one is actually very similar to Rocky IV, where Rocky challenges Ivan Drago, a Soviet, to restore faith to the Americans. Ip Man challenges Twister for almost the same exact reasons. This entry is also a lot heavier on the action than the original, which certainly isn’t a bad thing. Still, the story feels a little off kilter and undirected a points, like Ip Man 2 is a combination of a few different movies. But don’t get me wrong, I really enjoy this movie.

ipman2

 

What this movie does have that the first one didn’t is a much stronger villain. It’s so easy and fun to hate Twister, and so satisfying when Ip Man finally steps in the ring with him. Much like the first one, Ip Man 2 focuses a lot on the differences between the ways of fighting, in this case the differences between eastern martial arts and western boxing. It’s a cool combination that makes for a very interesting and intense fight. Even the other scenes where Ip Man takes on multiples people with his superior knowledge of wing chun is awesome. Again, every punch can be heard and every breaking bone is highlighted in excruciating detail. It’s almost too much fun.

Ip Man 2 doesn’t quite reach the level of greatness as the first one, but it’s still a superior martial arts movie. Donnie Yen kills it once again as Ip Man, showing his talent both in fighting and acting. A great addition to the cast is Sammo Hung, himself, who also did the choreography for both films. This movie is essential for any fan of the first film, and pretty much just any fan of the martial arts genre.

All in all, these aren’t movies to be missed. I recently saw The Grandmaster, and while it was a really cool movie, it didn’t quite hook me as much as the Ip Man films did. These movies pack a punch in both action and drama, while creating a legendary view of the actual Ip Man. As I said before, these movies aren’t historically accurate, but that doesn’t mean you can’t love them for what they are.

The Assassins – Review

28 Oct

Historical epics can make for some of the most entertaining and cool movies you could ever see. Just think of movies like Gladiator and Spartacus. These are just two examples that really stick out in my mind. However, there are some that really just suck the big one, and The Assassins is one of those movies. It really hurts to say this because it is such a beautiful film and the history involved is really cool, dealing with the end of the Han dynasty. Unfortunately, a lot of the film just feels boring and disconnected, characters are wasted, and I feel like I’m not getting all of the history that I should be getting.

ac895242f514409a88422d1bc103ffe6

Set during the end of the Han dynasty, Lingju (Liu Yifei) and Mu Shun (Hiroshi Tamaki) are two assassins sent to the Bronze Sparrow Terrace to kill the King of Wei, Cao Cao (Chow Yun-fat). While dealing with their own feelings towards each other, they are also witness to a volatile political and familial conflict between the ruling powers. As Lingju becomes closer to Cao Cao, she sees him less as a god among men, but as a man surrounded by corruption and betrayal, which forces him to heighten his guard as attempts on his life come from all sides.

This is a time period that I’m not too familiar with, but one that I’ve always wanted to know more about. I thought that this was going to be a good opportunity to start learning more, but there really isn’t a lot of legit history going on in The Assassins, more so a really bland romantic version of what sort of happened. There are moments that are taken from actual history and is completely changed into something a lot less exciting than how it all went down. I understand that many film makers take dramatic license with fact, but that’s usually to make a movie more intense. The license taken with the history in this movie actually made it more boring than it should have been.

Chow-Yun-Fat-in-The-Assassins-2012-Movie-Image-2

 

I have to say, that this is am amazing looking film with excellent production values and talent that went into the visual aesthetics of the movie. The costumes are flawless and really help capture the period that this movie takes place during. The sets are also great. The design of the Bronze Sparrow Terrace is very believable and all of the other scenery outside the Terrace looks beautiful. There aren’t to many action sequences, but when they do happen it’s a wonder to look at. One scene at the end uses slow motion very well, but still remains believable. Unfortunately, for all of this good stuff, it isn’t part of a better movie. Still, it does save the movie from becoming a total waste.

I can’t even buy a lot of the performances. Chow-Yun-fat seems into his role as Cao Cao, but the two assassins, who I assume the movie is named after, are completely wasted. The whole romance between the two is completely unnecessary and it seems like the film makers knew that because they don’t spend to much time on it. The most interesting stuff is the political intrigue concerning Cao Cao and the emperor, but the intrigue is pretty much all fabricated so that makes what is actually interesting feel wasted as well.

The Assassins is pretty much a waste of a movie that had so much potential. The only thing the film has going for it is the visuals, costumes, and Chow Yun-fat’s performance. Even these things can’t completely save the movie. Before seeing the film, I read that it really wasn’t anything impressive, but considering the subject matter, I couldn’t really believe it. Well, after seeing it, everything I read was true. If you want a blandly romanticized version of history, check out The Assassins.