Tag Archives: cyborg

Justice League – Review

28 Nov

The DCEU, or the DC Extended Universe, hasn’t quite had the smoothest of runs. Man of Steel was a good debut, but Batman v. Superman was a complete and utter flop and I still can’t get over how they were comfortable releasing that. Suicide Squad was super divisive, and the only one we can all agree was awesome is Wonder Woman. Now we have what is ultimately the culmination of everything we’ve seen so far (except Suicide Squad it seems), Justice League. This was DC’s chance to stand up to Marvel and show that they’re capable of making something that can challenge The Avengers. Well, all I can say is that Justice League is good. It’s a good movie. I just wish I had more of a response to it than that, but I honestly don’t.

After the death of Superman at the hands of Doomsday, the world mourns the loss of their greatest hero. Meanwhile in Gotham, Batman/Bruce Wayne (Ben Affleck) has an encounter with an otherworldly force that prompts him to contact the only other otherworldly force he is familiar with, Wonder Woman/Diana Prince. Diana tells Bruce about three devices called the Mother Boxes which were hidden after a grand battle with Steppenwolf (Ciarán Hinds), who wanted them to take control of the Earth and ultimately destroy it. Now with fear at an all time high on Earth, the Mother Boxes have been reactivated which brings Steppenwolf back yet again to continue his plan. As it becomes clear that Steppenwolf can’t be brought down just by Batman and Wonder Woman, the two set out to contact other metahumans who can lend their assistance. These are the fast talking and fast moving Barry Allen, aka the Flash (Ezra Miller), the cybernetically enhanced Victor Stone aka Cyborg (Ray Fisher), and a defender of the underwater city of Atlantis Arthur Curry aka Aquaman (Jason Mamoa).

Justice League is a totally serviceable superhero film, but as many people have said, this is a time where superhero movies are judged to a certain standard. When Spawn came out in 1997, the market wasn’t saturated with so many movies to compare it to. Granted, Justice League is far and away a better movie, but I needed an extreme example. What this movie did do very well is the chemistry between the characters. While Ben Affleck and Gal Gadot and some of the other players in this story are characters we’ve seen before, we’ve only seen glimpses of the Flash, Cyborg, and Aquaman. These newcomers step up to the plate with relative ease, and all of their characters are welcome additions. Mamoa, especially, had some of the best lines and coolest action sequences in the movie, which I was sort of surprised by. Unfortunately, these characters do feel very new and it takes the movie a while to set them up, and it feels very rushed. This is Zack Snyder pacing in a nutshell. Each of these heroes has a whole history that can be explored but it has to be glazed over to fit in a two hour movie. I felt it very jarring to keep jumping around and I was really itching to be let into the characters’ lives more.

Another part of the movie that is done very well is the action sequences. Yeah, the CGI is way overblown, but everything has that epic superhero feel that I’ve come to know and love. The film starts with a bang with Batman defending Gotham and then transitions to one of the best scenes in the movie of Wonder Woman preventing a terrorist attack. There is one scene on Themyscira which did look very bland and dull, which is a shame because it looked so great in Wonder Woman. Like I said, the CGI does go way overboard at times. Steppenwolf is a CGI mess and the same can be said for Cyborg’s facial features at times. There’s even a scene of Diana walking down a street that was all digitized. Did we really need that scene done in a computer? You couldn’t find a street you liked? Luckily when these effects do get started, we at least see some cool superhero action, and that’s part of what really saves this movie.

Finally, I have to talk about the plot. It’s about as generic as they come with a powerful villain returning to take over/destroy the world. How many times have we seen that one before? A lot of superhero movies do this but add something new to make it work, others don’t take the effort. Justice League does go cool places with this story, but it never feels as developed as it should. It also doesn’t help that so much time is spent introducing characters that should have probably been introduced before this movie was even released. Steppenwolf isn’t even that thrilling of a villain. He works fine, but he’s no General Zod or Ares. He does provide an insanely cool flashback, but he proves not to be all that during the finale.

It may sound like I’m giving Justice League a really hard time, but I did enjoy the movie. It’s a loud, action flick with some great superheroes, but I still expect more from a huge blockbuster like this. There was good humor in the screenplay so it never got overly dark, the action was really cool, and the chemistry between the characters was all there. Unfortunately, the story was weak, the pacing was choppy, and the villain was unremarkable. Justice League is far and away a better movie than Batman v. Superman and Suicide Squad. It doesn’t quite meet Wonder Woman, so I’d stick it around where Man of Steel is. This is far from perfect, but it’s still a step in the right direction. DC can learn a thing or two from this and work to improve.

Final Grade: B-

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Ghost in the Shell – Review

2 Apr

Back in 1989 a three volume manga series called Ghost in the Shell was released and told a story concerning a dystopian future where it becomes almost impossible to see where humanity ends and technology begins. This short manga series paved the way for an entire franchise to thrive and grow on. First, there was the mega hit anime film from 1995, which totally floored me the first time I watched it and only got better when I revisited it. There was also a very popular anime series titled Ghost in the Shell: Stand Alone Complex, of which I have some experience with, but not as much as I’d like. There’s been a whole string of sequels and adaptations, and now Hollywood has thrown itself into the mix. Does it stand up with the original source material? Not quite, but it does work as engaging popcorn entertainment.

In the future, cybernetics have come so far that robotic upgrades to the human body has become something as normal as plastic surgery. The most extreme case of this blending of organic and artificial is Major Mira Killian (Scarlett Johansson), whose body is completely cybernetic but is controlled by a human brain. The Major, along with her partner Batou (Pilou Asbæk) and boss Chief Aramaki (“Beat” Takeshi Kitano), defend Section 9 again all sorts of criminals, but specialize in cyber terrorism. After an attack on a business meeting run by the powerful Hanka Industries, the Major and the rest of the Section 9 bureau go on the hunt for a new, powerful cyber terrorist who appears to be targeting scientists that worked on a specific project for Hanka. As the clues begin to add up, the Major is forced to take a good, hard look at herself and begins to learn about her past and the lies that she’s been being fed to keep her complacent.

When I first saw this version of Ghost in the Shell, I left the theater super excited. I was ready to go back in and watch the movie again, but as time has gone on, that excitement has sort of waned. Don’t misunderstand me, though, I still really enjoyed this movie. The over the top hype has just died down a little bit. Let me get the best part of this movie out of the way first. This is a stunning film to look at. There’s so much going on in most of the shots of this movie that I found my eyes darting around the screen just to take in all of the little bits that make up the breathtaking whole. This is an achievement of what practical and CGI special effects are capable of. Along with the gorgeous city wide shots and the not so glamorous streets and alleys comes action sequences that are impossible to forget. Director Rupert Sanders and cinematographer Jess Hall have a very strong grip on how to make an action sequence seem to burst from the screen. The compositions, use of slow motion, and even the minor visual tricks make the action in Ghost in the Shell some of the best I’ve seen in quite some time.

So the special effects and action sequences are all way above average and stand out as something truly remarkable. Unfortunately, the same can’t quite be said about the story. The story isn’t bad, but it didn’t really grab me as hard as it should have. The plot about the cyber terrorist was engaging and his design is great, but there were parts that didn’t really do it for me. Part of the story is the Major investigating her past to find out what really happened to her. Those scenes don’t have the emotional or mysterious resonance as they probably should, because we already know something is amiss from the beginning just because of how certain characters are acting. I had a pretty good idea about what was going on, and it really didn’t break any new ground like the 1995 anime film did. Granted, the story in that film took a back seat to the grand philosophical discussions about technology and humanity, which made it clear that that’s what that movie was about. This one has a story that takes a back seat to the action, but it also doesn’t have the thematic strength of the 1995 film either.

Any fan of the Ghost in the Shell franchise will also have a good time picking out easter eggs sprinkled throughout the film, but they will also appreciate some scenes that have been meticulously recreated for this live action blockbuster. This isn’t really an objective part of my review, but it was kind of thrilling seeing some of the iconic moments from the franchise brought to life with a super large budget. It also helped that the actors were largely committed to their roles. Johansson does a great just as the Major, and does a great job at bringing a human side to the character while also feeling mechanical. She has truly established herself as an action star for this generation. Another stand out is “Beat” Takeshi Kitano as Chief Aramaki, but that’s really no surprise. It’s always a joy to see Kitano in anything.

Ghost in the Shell isn’t going to be the next Blade Runner or Matrix movie, but for me to sit here and tell you that it doesn’t provide a really entertaining couple of hours would be a down right lie. The story could have been beefed up to be actually mysterious and it could have raised more questions in the way the 1995 film did. In terms of its action and its role as being a big budget extravaganza, it succeeds more than it fails. I can see how people new to the franchise may be a little confused or uninterested in parts of it, but as a fan of the original anime film and what I’ve seen of Stand Alone Complex, I thought this was a damn good adaptation.

Final Grade: B+

RoboGeisha – Review

25 Jun

Citizen Kane, Gone With the Wind, Along the Waterfront. All of these are classics that are relevant in the studies of film history. Filled with dramatic performances and moving character arcs that cover the entire human emotional spectrum, these films pack a punch aimed right at the viewer’s heartstrings. But, do they have machine gun boobs, arm pit swords, and wig napalm? No, but RoboGeisha does. How can you honestly not be interested in this?

Yoshie (Aya Kiguchi) is a geisha assistant to her sister, Kikue (Hitomi Hasebe) until one day they are both chosen to become cyborg geisha assassins by a steel manufacturing corporation. Between her various hits, Yoshie must deal with not only her conflicting morals surrounding these assassinations, but also with two elite stripper assassins called the Goblin Squad (Takumi Saito and Taro Shigaki).

Be warned friends and fellow movie lovers, it is necessary to leave any common sense or harsh intellectual judgements at the door. RoboGeisha is not meant to be taken even a pinch seriously. That’s what makes this movie so ridiculously fun and memorable: it doesn’t take itself seriously. It’s easy to find films that would have been great if it weren’t for an overly serious storyline coating a ridiculous set up. Thankfully, this movie knows exactly what it is.

There is really nothing in this movie that is at all believable. The acting is pretty bad, the writing is way too expository, and the special effects can be downright laughable. But, let’s be real, who cares? While the dialogue may reveal way too much, it’s hysterical and almost self-aware. I laughed just as much at the ludicrous dialogue as I did with the ridiculous action sequences.

There actually is one thing in this movie that I liked not because it was silly, but because it was legitimately something that I appreciated as a film student, even though it’s nothing cutting edge. When there was an intense action scene or lots of frenetic fighting, the camera movement and the editing would become hyperactive. This really added to the scene and just made me get more excited and into what I was looking at.

I do have a few complaints, however. For one, I would get pretty bored with the long scenes of dialogue. The poor writing is funny for the short scenes, but when they go on and on, it gets kind of old and I get ready for the next scene of ridiculousness. That being said, the movie goes on a bit too long.  This would have been a perfect hour and a half movie, but it actually clocks in at close to two hours. That’s good for a drama, but not something like this.

Thinking back on RoboGeisha, I start to love it more and more. I had more fun watching this movie than I have in a while. Is it the best movie I ever saw? Certainly not, but it may be one of the most entertaining I’ve ever seen. I easily recommend RoboGeisha to everyone who doesn’t mind turning their mind off and forgetting all rules of common sense, because they are of no use here.