Tag Archives: daniel craig

Logan Lucky – Review

17 Sep

Steven Soderbergh has always been something of an inspiration to me. He helped start the indie craze of the 1990s with Sex, Lies, and Videotape, has made some excellent mainstream films like Ocean’s 11, dabbled in the world of surrealism with Schizopolis, and also was the creative force behind one of the most chilling television shows in recent years, The Knick. He’s a film maker that can pretty much tackle anything, even though I’ll be the first to admit he doesn’t have a spotless filmography. After taking time away from the big screen following 2013’s Side Effects, I was excited to see him return with another heist movie, this one being Logan Lucky. This has been a movie I’ve been anticipating for awhile, but I never really got my hopes up for it. After seeing it, I can say that while it’s far from Soderbergh’s best, it’s still a damn fun movie.

Sometimes it seems that certain people have all the luck, and they could really share some if they wanted to. That’s a description that is far from fitting for the Logan family. Jimmy Logan (Channing Tatum) had a promising football career, but an accident killed that dream and left him with a limp. His brother Clyde (Adam Driver) had his fair share of luck after his time in Iraq left him with a prosthetic arm. Still, the two seem to be surviving just fine, that is until Jimmy is fired from his construction job and begins scrambling to find a way to provide for his daughter, who he still keeps in close contact with after his divorce. This prompts Jimmy to dig deep into his plans and reveal a scheme to rob the funds from the Coca-Cola 600 race, and the only time to do it is on Memorial Day, one of the biggest races of the year. In order to do this, the brothers enlist the help of local ne’er do well, Joe Bang (Daniel Craig), who they have to sneak out of jail with just enough time to pull off the heist. With the old Logan bad luck facing them down, the team have to use every ounce of ingenuity to get through this unscathed.

Right off the bat, the best thing about Logan Lucky is its characters. Jimmy and Clyde are such a believable pair of brothers, and part of the reason they work so well is the chemistry and dynamic between Tatum and Driver. Channing Tatum works great as a leading man in this movie, and it’s really cool to see a down to earth, blue collar guy leading a major heist. There’s such a difference between Jimmy Logan and Danny Ocean, but both characters work great. Driver is one of my favorite elements of this movie, and every line he delivers was spot on and hilarious. Daniel Craig also goes against the mold here as the gung ho Joe Bang, and his brothers played by Brian Gleeson and Jack Quaid match his level of slightly unhinged mania. It’s a motley crew of people that make such a fun ensemble cast. I also have to give a lot of credit Farrah Mackenzie, who plays Jimmy’s daughter. She is awesome in this movie and performs way better than your average child actor. I see a bright future there.

While I do really like the blue collar element of this movie, I couldn’t help but thinking this movie was lacking in what I will call the “AHA department.” This is where you watch a heist movie and you think you’re seeing everything, but there’s more going on than meets the eye. That’s a staple of modern heist movies, and it almost feels like you’re witnessing a magic trick. There’s a feeble attempt at this in Logan Lucky, but for the most part what you see is what you get. There’s nothing terribly complicated or interesting about the heist, and that’s something of a disappointment. There’s also a lot of suspension of disbelief that has to happen for this to seem credible. For some people, it’s more than can be tolerated. If someone said they had a hard time buying everything they saw in this movie, I wouldn’t argue. Even I did at times. What saved the movie for me was the level of chemistry between the characters and the depth that they each individually had. You want all of them to succeed in their own ways, and because the character are so likable, it’s possible to look past some of the glaring storytelling flaws.

What Logan Lucky did have plenty of that surprised me is humor. I knew going in that this was going to be a light hearted and fun film, but there are moments that are just downright hilarious. Adam Driver and Daniel Craig are very funny, but the real comedic stars of this one are Jack Quaid and Brian Gleeson. They are just so over the top and relishing the characters they are playing. They had potential to be really annoying, but they were just the right amount of goofy. There’s also a near unrecognizable Seth MacFarlane in here as well, and his scenes were some of the highlights of the entire movie. The writing may be lacking in terms of cleverness in the heist, but it more than makes up for it with the genuine laughs it provided.

Logan Lucky isn’t Soderbergh’s best film and it isn’t the grandest return he could’ve made to the silver screen, but I will say it’s clearly a project he wanted to do. This movie has a lot of heart, a lot of humor, and a slew of great characters all bouncing off of one another. This is pure, lighthearted film making that offers up plenty of feel good energy. The actual heist could have been more creative and the third act feels a little rushed, but this was still a fun film. I doubt it’s going to make anyone’s list of best films of the year, but it’s one that may be worth checking out.

Final Grade: B

Advertisements

The Jacket – Review

4 Apr

There are times when I put on a movie that I know nothing about, and I end up being blown away and wonder to myself why I haven’t watched or known about these movie before. Then there are times where I put on a movie of which I have no knowledge of and wonder why I even bothered watching it in the first place. I can’t say I really shouldn’t have bothered watching The Jacket, but I can’t say that it meets these two feelings halfway. This a movie that thinks it’s smarter than it actually is, but actually leans to the side of generic ludicrous.

71631

After receiving a head wound in the Gulf War, Jack Starks (Adrien Brody) returns to America with severe amnesia. As luck would have it, Jack is inadvertently involved in the murder of a police officer and is sentenced to a mental institution after he can’t remember what happened or the level of his involvement. While at the institute, Jack becomes part of a sadistic psychological treatment created by Dr. Becker (Kris Kristofferson). The treatment has Jack getting put in a straightjacket, strapped to a table, injected with experimental drugs, and being locked in a morgue locker. While inside, he begins hallucinating and even travels 15 years into the future where he meets Jackie (Keira Knightley), who he met when she was young. During his trips through time, Jack learns that he will die in 4 days, which leads Jack and Jackie investigating the hospital and the legality of the treatment.

If you take a look at the poster that I put up here you’ll see that one of the taglines is “If you liked Vanilla Sky, Donnie Darko, and 12 Monkeys than you’ll love this film.” OK, lets think about this. I’ve never seen Vanilla Sky, but if you want to compare it to the two other films mentioned, you’ll see some major differences. Donnie Darko and 12 Monkeys are both really intelligent, mind bending science fiction films that really demand the viewer to watch them at least twice. The Jacket really thinks it’s smart, but it turns out to be really convoluted and more so just rehashes the style and certain ideas that were already used in these movies That’s what’s really unfortunate. There is so much room to play around with the plot of this movie, but it turns out to be completely misused.

56

This film is the perfect example of a movie that fails almost solely because of the writing. Massy Tadjedin wrote a screenplay that is full of ideas that almost seem to be thrown away for drama that I really don’t care about because I don’t buy how the relationships of the characters form. At the risk of revealing a spoiler, for some reason that is completely beyond me, a romantic relationship forms literally out of nowhere between Jack and Jackie. This is one of my biggest pet peeves in movies. If there doesn’t need to be romance in a movie, don’t put romance in the movie! The relationship between Kristofferson and Jennifer Jason Leigh or Adrian Brody and Daniel Craig are much more interesting, but are practically thrown away.

I can’t fault the direction of John Maybury, any of the acting, nor the cinematography of Peter Deming. All of these people were on point with their jobs. The seedy, dirty look of the mental institution is awesome and Maybury gets good performances out of all of his actors, especially Brody, Leigh, and Craig. But let’s go back to the story. Because there isn’t enough focus on the mystery of the time traveling and treatment, nor the aftermath for Dr. Becker, I really can’t connect to the story. I just really can’t deal with the screenplay that Tadjedin has written. It’s really sloppy and I can’t believe George Clooney and Steven Soderbergh put their name on this as producers.

The Jacket is so disappointing because almost everything was in place for this to be a cool psychological science fiction thriller movie. Unfortunately, the screenplay is just so convoluted and often times generic that it all just turned into a bore. There was no attention payed to mystery or to leaving real hard questions for the viewers to answer. All we have is a weak ending that seems like it really wants to spark some debate. Ultimately, the ending and the entire movie is a lot less intelligent and original than it thinks it is.

Renaissance – Review

14 Sep

It’s important for a movie to have style. Style gives a film a unique mark that separates it from all the rest. Unfortunately, it isn’t a rare thing that a movie will become so overly stylized that it detracts from its success. Case and point: Renaissance.

 

Paris, 2054. The city has become a maze of streets, railways, and alleys that are carefully monitored by law enforcement.Ilona Tasuiev (Romola Garai), an employee for the mega-corporation, Avalon, is kidnapped for an unknown reason. Enter Barthèlèmy Karas (Daniel Craig), a street wise cop hired to track her down by any means necessary. During his investigation, begins to work with Ilona’s older sister, the mysterious Bislane (Catherine McCormack), and soon discovers the the web of corporate and moral intrigue runs deeper than he could have possibly imagined.

Everything about this film is part of a recipe for success. The stunning visuals, the interesting plot points, and just the way the story unravels is cool to watch. Just like if you were making any type of food, too much of one recipe will start to overbear the rest of the flavor. This is the main issue with Renaissance. The visuals are so stunning and overdone that I started just looking at the movie rather than watching it.

 

Other than the overwhelming visuals, the story was just not involving at all. Things moved on before I got a chance to really process what was happening, and there was little to no explanation of things. The crazy black and white effects also put characters in such ridiculous shadow, sometimes, that I had no idea who I was really looking at, and then the scene was over. Great.

I’m a little bent out of shape about this movie because I really wanted to like it. There were times where I finally got adjusted to the animation and effects and then the scene would change. Once the scene changed I would get lost in the animation again and spend more time adjusting to the surroundings. Again, the animation is absolutely fantastic and very reminiscent of Sin City and A Scanner Darkly. Unfortunately, I was more into what the film looked like and not so much the story or the characters.

 

I feel like the story is definitely there. Like I said, there were times where I was really invested in what was happening onscreen, just not as much as I really should have been. The characters do have to make some interesting moral choices and there are a few good twists that had me legitimately surprised, but by the end of the movie, I was more than ready to turn it off and go do something else.

I can’t say that I’ve ever really had this problem before. Normally I really enjoy an overabundance of style in movies. Any Guy Ritchie (except one that will go unmentioned) has a crazy amount of style that, when mixed with the plot and characters, make the films worthwhile. In Renaissance, there was too much style and not enough good characters or plot elements. I’d definitely say check it out for the visuals alone, but there really is no need to see it twice.