Tag Archives: debut film

Atomic Blonde – Review

2 Aug

In 2012, a graphic novel was released called The Coldest City, which tells the story of a spy operating in Germany during the events that lead up to the fall of the Berlin Wall. I have to be honest, up until recently, I’ve never heard of it, but it’s now been brought to my attention with its new big screen adaptation titled Atomic Blonde. I’ve been looking forward to this movie for quite a while, but I knew that it could really go either way, so I’d like to say I had my expectations in check. After seeing it, I have to say that I’m pretty surprised at a few things. First off, it’s a better movie than I thought it was going to be, which is pretty cool. Secondly, the marketing for this movie is completely off and it’s really not at all what the trailers make it out to be.

The year is 1989 and the Berlin Wall is close to falling which will bring together people on either side for the first time in years. Meanwhile, amidst the government turmoil, MI6 agent James Gasciogne (Sam Hargrave) is killed by a KGB agent and the microfilm containing the names and actions of every agent in operation is stolen from him. This concerns a lot of people and only the best of the best can be trusted to go in and retrieve this information before it is sold to the highest bidder. Enter Lorraine Broughton (Charlize Theron), a top level MI6 agent with a very special connection to the deceased. Her mission is to not only retrieve the microfilm, but also hunt down and assassinate a traitor known only as Satchel, who’s been selling information to different sources including a KGB associate and arms dealer named Bremovych (Roland Møller). Upon arriving in Berlin, Broughton meets with another agent, David Percival (James McAvoy) who’s been operating in Berlin for a long time, but as she spends more time with Percival and his associates, it becomes clear that no one can be trusted and people can be bought and sold no matter their previous allegiances.

The trailers for this movie made it seem like Atomic Blonde was going to be a non stop, kinetic thrill ride of a movie that relentlessly jumps off the screen and attacks the senses of the viewer. That’s not really what the movie was and after I adjusted to this realization I started to really enjoy the movie for what it was. Sure, there’s action in it, but this is more of a spy movie than anything else, that just so happens to be infused with the style and sensibilities of a graphic novel. It does feel over the top in terms of its characters and certain plot elements but it also feels down to earth at other moments. This is a really layered story, and covering anything in a paragraph long summary is just impossible. What really is done right with this movie is a sense of blurred motivations and it’s appropriate that this line of work is constantly referred to as “the game” because the film makers have turned this area of Berlin into something resembling a game board. The characters move about in certain areas as clandestine as possible while trying to weed out the actions of the other characters. It’s a web of deceit and lies that holds up until the very last frame of the movie and this tale of suspense and turncoats works just as well as the action sequences.

Over the past few years, Charlize Theron has proven that she can perform just as well as the other modern day action movie titans. She was great in Mad Max: Fury Road, but her performance in Atomic Blonde takes her skills to the next level. When the movie does shift gears into pure action mode, it gets nuts. There’s a few major action sequences throughout the film, and the wait building up to each of them is worth it with the payoff. Theron owns the screen in these sequences and the choreography of each of these scenes are unique and memorable. It’s also all shot very well so the action can be seen in full. A while into the movie, one of these sequences starts and appears to not break action for at least 10 or 15 minutes. This is one of the greatest action sequences I have ever seen, and despite the fact that it is edited together, the illusion is strong and I didn’t have a hard time believing it was one continuous shot. Major kudos goes to director David Leitch. This being his first full feature film, I am really surprised by his skill behind the camera and I can’t wait to see what else he has in store for us.

While Atomic Blonde does very well in most areas, I do have to touch on some problems that I had with the movie. The pacing of this movie does have a hard time at some points. There will be a hard hitting action sequence, but then it will feel like the plot hits a brick wall. This kind of stop and go narrative is jarring and there’s a whole plot line with a certain character that could have been left out all together. The movie is a good length but it would have worked better if the screen time with this particular character was spent building on something else. There’s also a bit of a weird clash of style and story. This is a very stylistic movie, but it also tells a very down to earth and real story. It often felt like the style and the substance were contradicting each other, which shows that Leitch does have some growing to do in how he presents his stories.

Atomic Blonde is not a perfect movie but it is a more than competent action/spy thriller that has a whole lot of style and some really great film making. As a debut feature film, it’s really impressive and I want to see David Leitch grow as a film maker. While he shoots action very well, he needs to work on elements of his story telling and his style before he can create a movie as hard hitting as I think he wanted Atomic Blonde to be. Still, this is a very entertaining movie with a great sense of location and plenty of suspense and action to keep audiences on the edges of their seats.

Final Grade: B

Fresh – Review

6 Feb

I remember sitting in my friend’s basement one night and we came across this movie playing on t.v. called Fresh. We had no idea what it was, but it seemed interesting enough. Little did we know that this movie was going to get seared into our minds and stick with us to this very day. There are plenty of movies that explore urban life, but none of them I think have come close to this debut film by Boaz Yakin. It’s gritty, emotional, and just really packs a punch that anyone who has seen this will agree exists.

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Fresh (Sean Nelson) is a 12 year old kid living the best way that he can on the streets. When he’s not in school, he can be seen running drugs for low level kingpins Corky (Ron Brice) and Esteban (Giancarlo Esposito). He can also be found in the park with his estranged father Sam (Samuel L. Jackson) who teaches his the strict rules of playing and mastering chess. Fresh is a smart kid, way too smart for the situation that he’s in, so when he witness a tragic shooting at the local basketball courts, Fresh begins concocting an elaborate game of “street chess” complete with his own human pawns, sacrifices, and ultimate victories. If he’s lucky, this will get him and his drug addicted sister (N’Bushe Wright) off the streets and safely hidden away.

This movie smacks you in the face harder than you could ever expect, but it also has a really intriguing story behind it. It’s not hard to find an urban movie about adults trying to survive, but finding one where it’s all seen through the eyes of a kid is much more impactful. Not only is he a kid, though, he’s a kid who’s way smarter than everybody else. It’s awesome seeing this kid stay one step ahead of the adults who are slowly but surely leading him to the grave. Then when you think of the movie as a real life game of chess, things get even more fun because you can sort of see the moves that he would be doing if it were on a board and he was in the park playing with his dad.

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Another really cool thing about Fresh is how immersed into the environment you can become. Every location is chosen to perfection to illustrate all the different aspects of life in the city, wether it’s in an upscale neighborhood, deserted landscapes, or the projects. As Fresh moves about the city, I felt like I was exploring different areas along with him to the point where the city almost becomes a character in the movie. When the environment in a movie can make you feel such emotion, it’s a clear sign that you’re watching a well made film, and Fresh is a perfect example.

One thing I will say about this movie is that it may not appeal to everyone. This isn’t a movie for the faint of heart, in fact the first time I saw Fresh I felt pretty uncomfortable myself. What this movie has to offer is, what I think, a very realistic look at some really terrible things. Yes, this movie is violent, but it isn’t violence for the sake of violence. It’s handled in a very matter of fact yet startling way, and that’s what really makes the film so powerful and memorable. When movies exaggerate, it’s easy to remember that you’re just watching a movie. When a movie takes steps to be as realistic as possible, it’s much easier to get completely sucked into what you’re watching.

Fresh is one of the most memorable movies I’ve seen, and I’m surprised it isn’t recognized as a modern day classic. When it was first released, it was met with critical acclaim across the board, but now it seems to have sunk back into obscurity. This is a fantastic movie with images and scenes that will not be forgotten, at least for a very long time. If you feel like you can handle some realistic depictions of terrible things, I’d check out Fresh as soon as possible.