Tag Archives: Denis Villeneuve

Blade Runner 2049 – Review

18 Oct

One of the most influential films of all time is Ridley Scott’s Blade Runner based off of Philip K. Dick’s novel Do Androids Dream of Electric Sheep. This movie is a masterwork of visual effects, cinematography, setting, and ideas. It has the classic Philip K. Dick paranoia that made his works seminal in the realm of science fiction. What Blade Runner doesn’t achieve in is narrative. The plot is threadbare and glazes over a lot of information that could have been a handy tool in building more suspense. I think Blade Runner is an excellent film and deserves to be heralded as a masterpiece, but I can’t say it’s the best science fiction film ever made. I was concerned when I heard it was getting a sequel so many years later, and I really had no excitement whatsoever leading up to the release of Blade Runner 2049. After seeing it, it’s far and away one of the strongest sci fi films to come out in years and may even have a leg up on its predecessor.

30 years after the events of the original Blade Runner, newer replicant models have been reworked and used as servants and loyal employees. K (Ryan Gosling) is one of these newer models, and also works as a blade runner for the LAPD. His sole job is to hunt down the older, more dangerous replicants and “retire” them. After retiring a replicant named Sapper (Dave Bautista) who was running a farm in the middle of nowhere, new evidence comes to light of a child that was born from a replicant. With this knowledge posing a dangerous new way of thinking, K’s boss Lt. Joshi (Robin Wright) orders him to hunt down and destroy all evidence of this, including the child, now an adult, who was born from this replicant. As K follows the trail of evidence, he finds danger around every corner, especially from the founder of the Wallace Corporation, Niander Wallace (Jared Leto), and his enforcer Luv (Sylvia Hoeks). K also begins getting flashes of memories he thought were false, which brings his own existence into question, which ultimately leads him on the trail of Rick Deckard (Harrison Ford), a former blade runner who may be the connection that links the entire mystery together.

The original Blade Runner is a marvel of special effects and world building. While the story may not be there 100%, I dare anyone not to lose themselves in the world that Ridley Scott and his team created. The same can also be said about Blade Runner 2049, which matches Scott’s creativity in design. This is a feat I was not expecting from this movie. There’s a scene towards the beginning when K is flying through the city and the advertisements, buildings, and other structures are all larger than life, but it’s a city that seems like it lives and breathes. There are other areas that are more desolate, but that just shows the variety of the world the characters live in, especially after the “black out” that is constantly references in throughout the story. One setting that took my breath away was the interior of the Wallace building. Not only was it just great to look at, but it also helped define Niander as a character. Denis Villeneuve has shown his skill with visuals with his films before, but this takes it to a new level. I also can’t leave out the importance of Hans Zimmer’s booming score. It’s one of the coolest original scores of the year, and I listened to it immediately in the car ride home from the theater.

Blade Runner 2049 is a science fiction epic in every sense of the word. It features a world of androids, flying cars, and evil technology corporations whose goals threaten the existence that we have come to know. It’s a world that is recognizable, but still seems fresh. I love that about this movie, and again, it’s something I wasn’t really expecting. Where this film really got me though was its strong sense of mystery. This story is essentially a hard boiled mystery tale wrapped in a world of science fiction. The best part about it all is that it had me guessing until the very end, and when the ending finally showed, my mouth was agape. Philip K. Dick is no stranger to paranoia and twisted stories, and while this may not be an original of his, it still has the spirit. Is K a trustworthy protagonist? Who is Deckard really? What is the Wallace Corporation hiding? These are only some of the questions this movie poses, and watching it all unfold at a steady, yet slow pace is extremely gratifying. It’s hard for movies that are almost 3 hours long to grip audiences so  strongly, but Villeneuve’s strong direction makes it no problem.

It was hard for me to think of anyone else being a lead character in a Blade Runner movie that wasn’t Harrison Ford, but the fact that it was Ryan Gosling should have put my mind at ease. He is the hard boiled “detective” of the story and has all the makings of a traditional character. He’s quiet, but has an edge to him with undertones of understanding, and all of the elements make up his complicated character very well. Jared Leto unfortunately in the movie a lot, but his portrayal of Niander Wallace is menacing to say the least. Speaking of menace, Sylvia Hoeks is a character that I loved to hate, which is always the sign of an excellent villain. There’s also a surprisingly heavy performance from Ana de Armas who plays Joi, K’s holographic love interest. I know how that sounds, but they actually made it work.

Blade Runner 2049 surprised the hell out of me. I was feeling like it was an unnecessary sequel which kind of impeded me looking forward to it. Maybe it is an unnecessary sequel, but it’s a damn great one nevertheless. The slow pace of the narrative pulled me into the world that it was creating and the mystery of the whole thing locked me in tighter than many movies can. This is an amazingly shot film with gorgeous special effects, an awesome score, and a story that never lets up. I loved Blade Runner 2049.

Final Grade: A+

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Sicario – Review

23 Oct

I’ve seen plenty of new movies this year, each with various degrees of emotion, suspense, and tension. Looking back on everything I’ve seen, I can honestly say that Sicario is the most intense film I have seen and probably will see all year. Directed by Denis Villeneuve (Prisoners and Enemy), written by Taylor Sheridan (known for a performance on Sons of Anarchy), and filmed by Roger Deakins (who worked with Velleneuve and on many of the Coen Brothers’ films), Sicario not only looks beautiful and offers a very powerful and realistic story, it also features strong performances from all its actors. Sicario is definitely a stand out film of 2015.

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Kate Macer (Emily Blunt) is a young FBI agent with a bright future ahead of her. After a terrifying encounter with murderous members of the cartel, Macer is recruited by mysterious government agent Matt Graver (Josh Brolin) to be part of a strike force aimed at crippling those responsible. She soon meets Graver’s partner Alejandro (Benicio del Toro), who she can’t quite place on any particular side or agency, making him the wild card of the team. After joining this special operations team, Macer is plunged into the violent world of the Mexican drug trade where the reprehensible violence is done by the cartel as well as the Americans she is working for, and soon clear right and wrong becomes indistinguishable.

Sicario very much reminds me of Steven Soderbergh’s Traffic from 2000. Both films show the realities of the drug trade and the lives that are affected by all of the violence. While Traffic is most certainly unapologetic, Sicario feels like a behind the scenes look at something we’re not supposed to see. There’s crime, lies, torture, and murder on both sides of the spectrum, which forces the audience to find logic in the lesser of two evils. This isn’t really a film that will allow you to kick back and relax for a few hours. There is way too much thought that has to be put into the story and characters, plus it’s just way too stressful.

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There’s a scene in Sicario where the special forces team is attempting to cross the Bridge of the Americas to get back into the United States. The only problem is that they are caught in a gridlock and are surrounded by a few cars filled with cartel members. Instead of creating what could’ve been a run of the mill action sequence, Villeneuve and Sheridan create an incredibly suspenseful and low key scene that explodes in only a few seconds of realistic violence. This scene is the best example of the tension that this movie creates. Never does anything in this movie seem overblown or unnecessary. This also means that there is a lot of down time between missions that the team goes on, which may seem boring, but remember that this film is striving for realism.

Even though Sicario strives to paint an accurate portrait reality, never does it forget that it is still a movie and requires time for cinematic drama and character development. Sheridan’s screenplay is very down to earth and all of the actors play their parts very well. Emily Blunt and Benicio del Toro especially stand out as the scene stealers of this movie. Deakins’ cinematography is as beautiful as ever and deserves a possible Oscar nom when all is said and done. Speaking of Oscar noms, Jóhann Jóhannsson’s score is haunting and is certainly the best music I’ve heard in a movie all year.

Sicario is an unforgettable movie experience that feels like it sometimes bends the rulers of modern film making in order to create a unique story with real characters and situations. There have been a lot of great movies that came out this year, and this film stands up there in the upper echelons of my favorites of 2015. It can be difficult and unsettling at points, but it feels so authentic that it should be required viewing for anyone who loves movies.

Prisoners – Review

6 Jan

I can’t speak from experience, but I’m pretty sure that the thought of having your child or children abducted is every parent’s worse nightmare. It’s something traumatic enough to really mess with a person’s mind and body in such a way that they may resort to actions that they never would have thought possible. From this idea comes Prisoners, a morally heavy film that really shows that in extreme situations, morals lines may shake or disappear all together, but wouldn’t all of  us do anything to protect our children?

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Keller Dover (Hugh Jackman) is a deeply religious man with a loving wife (Maria Bello), a son, and a young daughter. On Thanksgiving, Keller and his family spend time with their neighborhood friends Franklin (Terrance Howard) and Nancy (Viola Davis), who also have two daughters of their own. After dinner Dover’s daughter and one of Franklin’s daughters go missing when they go outside to play. The police are called and Detective Loki (Jake Gyllenhaal), who is claimed never to have lost a case, is assigned to find their daughters. When a suspect is found in the man-child Alex Jones (Paul Dano), there appears to be hope, but there isn’t enough evidence against him and his Aunt (Melissa Leo) is determined that there is no way he could have done such a thing. As Detective Loki has to battle to stay within the realm of the law during his investigation, Keller decides to take matters into his own hands.

Emotionally, this is a very heavy movie. Right in the first fifteen minutes I felt an unbelievable dread. Not only is the subject matter heavy, but the look of everything is so gray and uninviting throughout the whole movie. It always seems to be raining. On top of how horrible this movie makes you feel, the run time of two and a half hours doesn’t make things any easier. But seriously, this movie is loooooooong. I’d say it’s a little bit longer than it needs to be. I could see it clocking in at a little over two hours, but two and a half going on three is kind of pushing it. There’s a surprising amount of things that happen in Prisoners which led the story to place I didn’t think it was going to go. This is cool and all, but a little but of trimming would do the movie a lot of good.

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The real draw of this movie is the performances. Just look at the cast. It’s unbelievable. Hugh Jackman gives an Oscar worthy performance as Keller and makes us sympathize, yet cringe at what he is doing and going through. Maria Bello and Viola Davis are both great, yet different, as the two grieving mother with Bello giving a more fragile performance than the strong willed Viola. Jake Gyllenhaal gives a very grounded performance as Detective Loki is what I may argue is his best performance and Terrance Howard, though not onscreen too often, gives a very quiet but tragic performance. Finally, Paul Dano and Melissa Leo are both excellent as always as they seem to have completely morphed into the characters they are playing.

Finally, I need to give a special nod to the cinematographer, Roger Deakins, who really gives his all with the dramatic lighting that is seen in Prisoners. A lot of what is seen seems pretty natural, as it should, and the exteriors all have a gray look, but there are times where the drama picks up that the lighting looks fantastic. There’s great exposures for silhouettes and very hard, foreboding lighting that really shows the gravity of a scene. Deakins has also been the cinematographer for a lot of the Coen Brothers movies like No Country For Old Men and The Big Lebowski and also did beautiful work in The Assassination of Jesse James by the Coward Robert Ford. I would check any of his movies works on.

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Prisoners is a very powerful and draining movie whose only hinderance is a run time that goes on a little bit too long. The content is very difficult, and to have to sit through that for such a long time may put some people off and that’s totally understandable. Still, this is a fantastic movie with some fantastic performers giving everything they have to their roles. This is not a movie that should be missed.