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Return of the Living Dead Series – Review: Part II

2 Aug

The first three films in the Return of the Living Dead series work at varying degrees of success. The first film is a riot that boasted some excellent special effects, the second film overuses slapstick, but provides enough entertainment to have some fun. The third film was kind of a departure and worked with a more serious approach, which felt kind of funky at times, but I still loved the zombie action and special effects. Now we enter the world of direct-to-DVD where no one is safe and you really never know what you’re going to get. That being said, lower your expectations to the most basic settings and let’s see what these movie have to offer.

Both films were shot back to back and released in 2005, with the first being Return of the Living Dead: Necropolis.

Julian (John Keefe) knows his Uncle Charles (Peter Coyote) is into some shady business at his job in the multibillion corporation known as Hybra Tech, but he isn’t quite sure how deep down the rabbit hole he is. One day, Julian’s friend, Zeke (Elvin Dandel), injures himself in a motocross accident and is taken to the hospital but declared dead before he even arrives. Julian and his group of friends soon find out that isn’t the case and he has in fact been taken to Hybra Tech for testing and experimentation. The gang decides the best idea is to break into the company’s headquarters and rescue Zeke. While there, they find evidence that Charles and Hybra Tech has been experimenting with the deadly Trioxin gas to create zombies to use as ultra powerful bio-weapons. One thing leads to another and the experimental zombies are on the loose in Hybra Tech which forces everyone stuck inside to fight for their lives or join the undead horde.

I really don’t know where to begin here. This is one of the stupidest movies I’ve ever had the pleasure of watching, and I do say it was a pleasure because I laughed out loud at the unabashed idiocy this narrative had to offer multiple times. First of all, the fact that a group of teenagers think it’s a good idea to use their extreme sport skills to break into a highly secured building is something that I can’t suspend my disbelief towards. They come up with this idea so fast and unanimously without any hesitation. They’re also really skilled with all types of firearms, which is really convenient since they’ll need all the help they can get when the zombies finally break out. Oh, right. The zombies. Yeah, it takes forever for more than two zombies at a time to be shown on screen. This is a low budget movie that went straight to DVD then to the SyFy channel, but my god, this movie drags on and on with the stupidest characters I’ve seen in a while.

There’s just so little logic used in this movie that it numbs the mind to such an excessive degree. One of these teenagers WORKS SECURITY AT HYBRA TECH. What did they think was going to happen with employees like a teenager and three other inexperienced hacks being the only line of defense for the Trioxin gas and a horde of zombies? Were the writers thinking about anything at all? When the zombies do start showing up and the action gets going, there are a few moments of fun, but how many fist fights with zombies are there gonna be? Why can the be so easily killed while the zombies in the first three films proved to be so difficult? I just have so many questions for the writers that I seriously don’t know where to begin.

I could go on and on about Return of the Living Dead: Necropolis, but I just start running myself in circles with unanswered questions about direction, acting, editing, and how this could’ve been green lit in the first place. This is one of the most hilariously sloppy films I’ve ever seen and it completely besmirches the anarchic attitude of the first three films. This is so mind numbing and senseless that I can’t recommend it to anyone. It’s good for a laugh considering how terrible it is, but do you really want to waste an hour and a half of your life that bad?

Final Grade: D-

Here we are at the last film of the series. I just want to take a moment to look back to 1985 when the first movie was released, and the impact it had on audiences looking for something to have fun with. We’ve gone from cult classic to this, and this here is the bottom of the barrel. You can just tell by the title: Return of the Living Dead: Rave to the Grave.

A year after the events of Necropolis, Charles has the remaining Trioxin and plans to sell it to Russian Interpol agents whose job it is to destroy. Unfortunately, the Trioxin is released once again and the threat of a zombie apocalypse looms its undead head. Julian and Jenny (Jenny Mollen) find more Trioxin in Charles’ house and bring it to Cody (Cory Hardict) in the university science lab. It’s found that the Trioxin has similar elements as some hallucinogens, where Jenny’s raving DJ brother Jeremy (Cain Mihnea Manoliu) has the bright idea to try a bit of the Trioxin and sell it as a new street drug called “Z.” Much to Julian’s protests, the Trioxin is synthesized and sold to the students before the rave, and it doesn’t take long for the real effects of the gas to show. Now it’s up to Julian, his friends, a duo of bumbling Interpol agents to save the world from certain zombie doom.

This movie is the purest of garbage. It’s such an insult to what this series once was and the craft of film making in general. Let’s talk about the most glaring problem Rave to the Grave has, and there are plenty of them. I’ve never seen a movie with such a huge problem maintaining continuity. Ok, that’s not quite true. The Pink Panther movies are all over the place, but at least those films are enjoyable. This one has the audacity to name the characters the same names but completely wipe their memories of what they saw in Necropolis. Why are they surprised and completely unprepared when it comes to zombies? Why is Cody being such a jerk and fooling with Trioxin gas like he has no idea what it is? Why is Julian still living with his Uncle Charles? Is there any attempt to maintain continuity at all? I was so confused at first, not knowing if this was a sequel or what. I still don’t know, but why should I even care?

The creators of this film also try really hard to bring comedy more to the foreground with this movie and it’s an absolute failure. The comedic relief comes with the Interpol agents, but the extent of their humor comes from misunderstanding each other and shooting someone by accident while yelling “SORRY!” It’s the basest kind of comedy there is and a far cry away from the biting humor of the original film. We also just have characters that make the worst decisions of all time. Like, “We found this chemical in my uncle’s attic, so let’s synthesize it and sell it as a drug, or, “Let’s just fire our weapons in a crowd full of innocent people.” These have to be the dumbest people I’ve ever seen in a movie. I wish I could say their acting at least saved their characters a little bit, but I can’t. The acting is awful. That’s enough about that.

Return of the Living Dead: Rave to the Grave is one of the worst movies I’ve ever seen, and I’ve seen some real stinkers in my time. There’s nothing funny about it, there’s nothing even remotely scary, and much like the last film it’s just plain boring. What started out as such a fun series has devolved into this, and there’s really no redeeming it at this point. This film deserves the lowest grade I can possibly give, and that’s exactly what it’s gonna get.

Final Grade: F

These last two films are a huge disappointment in an otherwise solid series. The first three films are certainly worth the time of any fan of the horror genre. These last two, however, shouldn’t even deserve to exist. There’s barely anything worthwhile in Necropolis and nothing in Rave to the Grave. Skip these two entirely.

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The Return of the Living Dead Series – Review: Part 1

14 Jul

Zombie films, at this point, seem to have been done to death. There was a time however, where messing with the formula was providing audiences with some new and exciting content, and one of the most popular blends of genres just so happens to be the horror/comedy. Enter Alien screenwriter Dan O’Bannon into the mix, and you’ve got yourself a cult classic from 1985 called The Return of the Living Dead, which despite what the title will have you believe, is not related to George Romero’s series of films. It didn’t end there however, with four sequels being spawned to create a series that has lasted over a couple decades, with varying results of course. In this review, I’m going to be looking at the first three and will finish up with the last two in the second part.

Let’s kick this off with O’Bannon’s cult smash.

Freddy (Thom Matthews) is a bumbling punk kid who just got a job at a medical supply warehouse and is being trained by the equally bumbling foreman, Frank (James Karen). While trying to impress the new hire, Frank shows Freddy a container in the basement which contains a corpse and a toxic gas, which was part of an experiment that reanimated the dead and inspired George Romero to make Night of the Living Dead. After fiddling with the container, it springs a leak which released the toxic gas into the warehouse and reanimates the corpse within it. After calling their boss, Burt (Clu Gulager), to help destroy the corpse with the mortician next door, Ernie (Don Calfa), the groups actions poison the rain outside that is falling over a cemetery which causes all of the dead resting there to come back to life. Of course, a group of Freddy’s friends happen to be loitering there at the time and make a quick escape to the mortuary. From this location, the group must get innovative with their surroundings if they are to survive, but chances begin to get slimmer and slimmer as members of their party start falling victim to the zombies.

The Return of the Living Dead is a special kind of movie. It’s just the right blend of horror and comedy that is so hard to come across. Everything from the poster to the characters and even the way the zombies are design and behave just scream of a punk rock attitude, and that’s exactly what writer/director Dan O’Bannon was going for. It’s so funny to think that the mastermind behind the original Alien would go on to write and direct a movie like this. I’m not saying this is a bad movie at all, it’s just such a departure from what I’ve already seen of his work. So anyway, what this movie is is a comedy with horror elements, and boy can it be funny. What really helps the humor is that this movie takes place in a world where George Romero’s zombie films are around and just as popular. This fills the character’s heads with useless knowledge about zombies that don’t apply to these zombies in the least. In fact, the zombies from Return of the Living Dead are responsible for all the impressions of the undead that involved someone yelling “BRAAAAINS!” Even if you haven’t seen this movie, it’s reach still extends to you through the powers of cult film references that abound.

While The Return of the Living Dead holds up well as a comedy, it also has to hold up as a horror. In that respect, it also succeeds. This isn’t really a creepy movie, but more of what you’d expect from a zombie film. That’s lots of gore and some really great special effects, like on the Tarman zombie that hides in the basement of the warehouse. The other zombies also look great, with some really great make up and practical effects used to complete the illusion. I do have a couple minor complaints with the film as a whole however. For one thing, the set goes on for way too long and it really takes a while for the movie to really get going. Once it does, it’s off the walls, but I was surprised that so much time was used up in just laying the ground work of the story. A story that isn’t really that hard to understand, I might add. The ending also isn’t that spectacular. It is admittedly funny and does work with the nihilistic punk sensibilities, but it all happens way too fast and then the credits just begin to roll. Kind of an odd way to end the film, but it does leave me wanting more.

The Return of the Living Dead shouldn’t have to be compared with something like Dawn of the Dead, but it is possible. This isn’t a perfect zombie film, but it does reinvent the formula in such a way that makes it stand out from the massive amount of other works in this subgenre of horror. This is also a really funny film with a cast of faces you will probably recognize from some other cult favorites. The make up and effects are on point and the gore will leave any horror fan satisfied. If some of the pacing and storytelling issues were cleaned up, you’d have something close to being a perfect horror comedy. Even with those flaws, The Return of the Living Dead has rightfully succeeded in standing the test of time.

Final Grade: B

When The Return of the Living Dead proved to be a critical and box office success, it’s pretty easy to look back now and see that a sequel was inevitable, only this time without Dan O’Bannon. Instead, Lorimar Pictures took a script by Ken Wiederhorn and said they would fund it if he turned the story into a sequel of Return of the Living Dead. He did just that, despite wanting to get out of the horror genre, and it’s certainly weaker than the first film but it isn’t without its charms.

After a barrel of Trioxin falls off of a military transport truck and lands in the river a small town, it’s pretty clear that something very bad is going to happen. After being bullied by a group of neighborhood kids, Jesse (Michael Kenworthy), and his tormentors find the barrel and accidentally open it. Jesse was long gone at that point, but the other two kids weren’t so lucky. Meanwhile, two inept grave robbers, Joey (Thom Mathews) and Ed (James Karen), witness firsthand the dead begin to rise from their graves after a rainstorm sends the gaseous Trioxin underground. Joey and Ed soon meet up with Jesse, his sister Lucy (Marsha Dietlein), and their cable man Tom (Dana Ashbrook), who have also been slowly learning the truth about the undead crisis. With the military surrounding and barricading the town, this unlikely group of heroes have to fight for their lives against the zombies at any moment while also looking for anyway to stop this disaster before it gets any further.

The first thing I noticed about this movie is that it’s shameless about ripping off major plot points of its predecessor. If you go into this movie expecting a sequel that builds off of the events of the first film, then you’ll be let down by this movie on a major level. Return of the Living Dead Part II is a watered down retelling of the first film on a bigger scale. While the first film just took place in a very contained area, this one takes place in an entire town. This change doesn’t necessarily make for a better movie and it just makes the zombies seem stretched thinner. The first movie was tight and made it a lot harder to avoid the undead, where in this one there’s plenty of places to hide. The humor in this one is also watered down big time, which was done in order to attract a wider audience. This backfired miserably since it only made $9.2 million while the original grossed $14.2 million. The zombies in this movie are utter buffoons. This choice sacrifices the wit and anarchic attitude of the first film for zombies that fall all over each other and just meet whacky demises. I really did miss the clever dialogue and original humor that the original offered, but there were still some laughs to be had in this sequel.

I’d be lying if I said this wasn’t an entertaining movie. It definitely had its moments, and they can’t be forgotten just for the sake of railing on the film. The kid that played Jesse was actually very good and it was fun to see Thom Mathews and James Karen practically revive their roles, even though other actors probably could have been chosen. James Karen is absolutely hilarious though, and its a better movie with him in it. There’s also some really good special effects that stand up well with the effects of the original film. Return of the Living Dead Part II is a very light hearted film that relies way more on the comedy than the horror, instead of finding a balance between the two. This is a pretty bad movie, but it’s a bad movie that’s easy to like just for its absurdity and self awareness. Just don’t go into this movie expecting quality.

Final Grade: C-

Return of the Living Dead Part II was the last of the series to be released in the 1980s, and also the last to have a wide release in theaters. In 1993, Return of the Living Dead 3 was released in select theaters and admittedly has the worst box office results of the first three films. Other than financially, how well does it hold up with the others that came before it.

After stealing his father’s high class military key card, Curtis (J. Trevor Edmond) and his girlfriend, Julie (Melinda Clarke) sneak onto an army base and witness a group of scientists and officers reanimate a corpse with the Trioxin gas. Col. John Reynolds (Kent McCord), Curtis’ father, is part of the project and when it ultimately fails he is reassigned to another state, much to the devastation of Curtis. Curtis decides he isn’t going to leave and runs off with Julie, but the two get into a motorcycle accident that kills Julie. Curtis soon realizes that he still has the key card and uses it to get back onto the base to reanimate his girlfriend. As the two lovers start realizing that this new life (or afterlife in Julie’s case) isn’t going to be easy, Julie’s need for human flesh and brains causes an out of control situation of undead flesh eaters that could cause the next apocalypse if not contained quickly.

The mood of Return of the Living Dead 3 is way different from the mood of the first and second. The first film is a witty dark comedy/horror film while the sequel is mostly an exercise in slapstick. This entry totally does away with the comedy, while still retaining the sense of punk rock, even more so than the second film. I’ll get into the positives of that later, but I do want to focus on some of the not so great elements of this movie. For one thing, it’s kinda boring. Compared to the craziness of the first two, this entry is really tame. I could easily count the number of zombies in this movie and there’s never really a moment where they seemed to be overpowering anyone. Zombies work best as a horde, not a clump. We’re also meant to really buy the romance between Curtis and Julie, but Curtis is such a selfish idiot, it’s really hard to root for him in any circumstance. I ended up feeling bad for Julie having to be stuck with him and his awful ideas.

As a whole, though, this is a pretty solid movie. It isn’t anything grand, but it has some strong redeeming qualities. For one thing, and this is probably the most obvious thing to praise, Julie’s design for when she gets progressively deeper into “zombie mode,” if you will, is awesome. This make up and costume design is an under appreciated gem of the horror genre, and it’s something that needs to be revisited. This film also feels like it can stand on its own. The second film relied on the first one so much that it felt like a crutch. Return of the Living Dead 3 has its own style, mood, and storyline that is, for the most part, completely its own and unique. I also have to once again give props to the special effects department for once again showing that practical effects is the only way to successfully craft a zombie film.

As I already said, Return of the Living Dead 3 is a solid movie that does have some major flaws which will surely annoy viewer. It’s a tad boring and feels much smaller and less suspenseful than a zombie movie should. It does, however, have a cool concept to work with and it does try to make its two leads something more than just generic horror characters. This isn’t a movie that will ever be seen as a classic, but it does have some neat effects and costume design. For fans of the genre, I’d say give it a try.

Final Grade: C

So there’s the first three films in the Return of the Living Dead series and the only ones to be released in theaters. When I return with this series review, we’ll be heading back to the wonderful, yet often startlingly absurd world of direct to DVD.

Starship Troopers Series – Review: Part 1

15 Sep

Science fiction is one of my favorite genres of film, and when you add the themes of war and militarization along with the enemies being giant bugs from another planet, I’m completely on board. This makes the Starship Troopers movies right up my alley, but not all of them have gotten much praise. Based off of a 1959 novel by Robert Heinlein, the story of humanity in a utopian, yet oddly fascist, world in the 23rd century who go to war against a race known as the Bugs provided a lot of heavy handed messages that the author believed in. It seems pretty ripe for feature film story telling, and in some ways it worked. This series, like many others, certainly has its fair share of ups and downs.

Let’s start with Paul Verhoeven’s original cult classic from 1997, Starship Troopers.

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By the 23rd century, the Earth is now classified as a federation that is ruled in a fascistic and militaristic way. It’s a strange utopia that condones violence to survive and the only way to become a citizen is to serve in some branch of the military. That’s exactly what Johnny Rico (Casper Van Dien) intends to do once he graduates high school. Along with his friends Carl (Neil Patrick Harris), Carmen (Denise Richards) and Dizzy (Dina Meyer), Rico joins the military and is assigned with Dizzy to Mobile Infantry. After a race of giant insects called the Bugs shoot an asteroid across the galaxy and completely wipe out Buenos Aires, the Mobile Infantry and the Federation’s air fleet mobilize to the Bug planet of Klendathu, where a bloody war begins for the survival of the human race.

When it was first released, Starship Troopers was not met with too much success critically and the box office return was less than what was expected. Over the years, however it’s gained a status as a cult classic. When the film first begins and a lot of time is spent at the high school and basic training, I was worried that this would be an uneven mess with a disappointingly low amount of action. The first 45 minutes seemed to drag, but when the action does begin, I became thankful for all the time setting up the characters’ personalities and relationships. This makes the war scenes all the more impactful, and when someone gets hurt or is killed, I really felt like something was lost. Believe it or not, this is not a mindless movie and does evoke some real emotion, even though the acting is less than stellar.

Let’s face it, though, this is a sci-fi war film, so let’s get into the real nitty gritty. Paul Verhoeven may have had some missteps as a film maker, but it’s much easier to remember his films like Starship TroopersTotal Recall, and RoboCop. This movie stands as one of his achievements. The special effects are out of this world for the time and were even nominated for an Academy Award. When the Bugs swarm the soldiers, the movie gets so intense and action packed, which is where it really shines. There’s also lots of what I like to call “Verhoeven gore,” which, if your like me, adds some fun to the movie. He just seems to love blowing people up. Finally, this film works great as a satire of fascism and blind love and devotion to the military. The 1959 novel this film is based on got a lot of flack for seemingly glorifying a Nazi-like utopia. Verhoeven used this, flipped it on its head, and created bitingly funny satire that’s the backbone of this entire movie.

While I was planning on not really liking this movie when it first started up, I ended up loving it as the credits began rolling. It’s such a fun movie loaded with action, great special effects, and hilarious satire that starts in the very first scene. I was even surprised with how much I cared for the characters, despite some rather tone deaf performances. This is a movie I wish did better when it was first released so Verhoeven would have returned for a sequel. Nevertheless, it is what it is and this particular movie is a total sci-fi blast.

Final Grade: A-

I feel like I was just talking about direct to video movies with my review of the Darkman films, and here I go again. The original Starship Troopers was the only film to make it to theaters, and all the sequels went right for the home viewers. Starship Troopers 2: Hero of the Federation premiered on Encore (now known as Starz Encore) in 2004, and then went on DVD a few months later. The reasons can not be more clear.

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The war against the Bugs has been raging for nearly 5 years, and while the humans are victorious in many places, there are fronts where the Bugs have the clear upper hand. On one such planets, a group of troopers are overrun by a swarm of Bugs and are forced to retreat to an abandoned outpost called Hotel 1-8-5. With their commanding officer, General Shepard (Ed Lauter), missing, the squad is under the new leadership of psychic Lt. Dill (Lawrence Monoson) and Sgt. Rake (Brenda Strong). As the Bugs find the outpost and prepare to attack, Pvt. Sahara (Colleen Porch) releases an imprisoned officer, Captain Dax (Richard Burgi), in the outpost to help fight against the swarm. What these troopers don’t know is that the Bugs can now infect people and infiltrate squads from within, which spells danger for these soldiers confined to this small area.

With Hero of the Federation, we go from the knock out action, special effects, and satire from the first one and just downgrade it to what comes close to the lowest it can possibly get. I understand that a t.v. movie isn’t going to have the budget of a Hollywood feature film, but my goodness this movie looks hideous. Aside from the fact that it was shot on HD video, it’s just a dark and colorless film. All of the exterior shots are filmed at night with only a small area lit or sand completely covering up any scenery that could’ve given me an idea of where everything was taking place. Once the soldiers get into Hotel 1-8-5, things remain dark and colorless, but everything now just looks old and gross. I give the film makers credit for the claustrophobic feeling, which is nailed really well, but this is just not an easy movie to look at.

Phil Tippett, who is known for his special effects work on Jurassic Park and the first Starship Troopers, returns to direct this film which helps in a lot of ways. For one thing, for a t.v. movie that’s then released right to DVD, the special effects are really good. They aren’t stunning, but there are some scenes that had really impressive practical work. I can’t really say the same about his work with the actors. The acting in the first film really wasn’t anything special, but this is a different story completely. There are some line deliveries that made me either cringe or burst out laughing. The fact that this isn’t a big budget film really isn’t much of an excuse since I’ve seen t.v. movies with impressive performances. I feel like the ambition of this project just didn’t meet the standards of what was actually possible in making a good movie.

Starship Troopers 2: Hero of the Federation is more than a disappointing sequel. It hardly even registers as a sequel. Not only was it released almost 8 years after the original, but it was also a t.v. movie that loses a lot in translation to the small screen. The acting is subpar, the cinematography is bland, and the only saving grace is some cool special effects and an action filled ending. If you want to watch a movie with close to the exact same storyline, watch The Thing, or forget this storyline and just put on the original Starship Troopers.

Final Grade: D

So far we have a one great movie and one that really bugged the hell out of me, pun definitely intended. We still have a few more movies to go with this series, but that review will be coming soon. For now, stick with the original.

The Courier – Review

23 Oct

While I may not be perfect at this, I like to think I’m the kind of guy that usually has good faith in movies that many consider to be awful (much like the second and third Matrix films, but we shouldn’t get into that). Case and point here with Hany Abu-Assad’s direct-to-video release, The Courier. I heard absolutely nothing on this, so much so that I really couldn’t have any opinion on it at all going in. Needless to say, I think, this is a very independent movie and that shows, but this isn’t a completely terrible film. It isn’t really all that good of one either.

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If you ever need a package delivered, no questions asked, the first person to call would be Frank from The Transporter, but that’s not this movie. In this case, you would call the Courier (Jeffrey Dean Morgan), a mysterious man that delivers packages, and that’s all you need to know if he is to be hired. One day, he is approached by a rather hostile client (Til Schweiger) who demands that he deliver a suit case to a man long thought to be dead named Evil Sevile, who became one of the most notoriously violent gangsters in New Orleans. With the help of his new partner, Anna (Josie Ho), the Courier begins his 60 hour long mission, only to be attacked on all sides by FBI agents and another gangster that wants him dead (Mickey Rourke).

At first glance, and second glance, and probably even third glance, The Courier seems like a disgusting rip off of the much superior Transporter films. Well, that’s because it kinda, sorta…well…is. There is a lot that happens towards the end that adds some flair of originality, but the entire time I was watching this movie, I really wanted to be watching something else. That is not a sign of a good movie, especially one that rips off a whole idea from another film. If you’re going to rip something off, you might as well make it better. Not only was I put off by this, but the movie itself is just really boring.

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This movie is pretty much made to sound like an action thriller, but it is clearly lacking in action. I understand that this movie was pretty low budget for what it is, and you can see that the film makers really try, but I feel like film makers have to realize what they are capable of with the resources that they have. The director even said in the special features how limited they were while making this film. This makes it feel like a slow moving thriller with the story of a mindless action film. It makes for a really awkward combination. There was one scene in particular where I was really ready for the climax of the film. The set up was actually really cool and the setting was fun, but then the climax and the reveal happened. All I can say is that for all of that build up, it was pretty sloppy and all together uninteresting.

I can’t say that I completely hated this movie or call it a piece of shit, because it really isn’t horrible. I really enjoyed Jeffrey Dean Morgan in The Losers, and I enjoyed him again here. The cast really is great. There’s Mickey Rourke, Til Schweiger (Inglourious Basterds), Miguel Ferrer (Twin Peaks), and Mark Margolis (Breaking Bad). That’s a pretty cool cast for a movie that is really underwhelming. The acting from these people aren’t the problem and the cinematography is actually pretty darn good, especially considering the director is an award winning film maker.

The Courier is one of those weird movies that really isn’t very good, even though it’s close to being something. It really is painful how much it rips off The Transporter and other action film cliches, even though there are many times where this doesn’t feel like an action film. It has to be hard making a film like this on such a low budget, and it unfortunately shows at times. I really can’t recommend this movie at all because it is so nothing special and bland that I really have to much to say about it. I guess I can just say, it’s a direct-to-video movie that is exactly what you’d expect from something like that.