Tag Archives: drama

Tears of the Sun – Review

18 Sep

It’s always an exciting feeling to finally get around to watching a movie you’ve been trying to watch for years. I remember seeing the trailer for Tears of the Sun years ago when I was younger and first getting into war movies. I thought it looked excellent and I really wanted to see it, but never actually got a chance to. Now, 14 years after the movie was first released, I’ve gotten around to seeing it. I had high expectations going into it since it’s been a recurring thought to me for years and also the fact that it’s helmed by Antoine Fuqua. Unfortunately, these expectations were nowhere near met. Tears of the Sun does have its surprises and some truly gripping scenes, but it too often falls into the clichés of the genre which really just leaves it as a middle of the road war drama.

After a coup leads to a rebel uprising that results in the murder of the Nigerian president and his family, violence inevitably erupts throughout the entire region. U.S. armed forces are deployed off the coast, including a team led by Lt. A.K. Waters (Bruce Willis). After completing a mission, the lieutenant and his team are sent back into the hot zone Captain Bill Rhodes (Tom Skerritt) to extract Dr. Lean Kendricks (Monica Bellucci), an American citizen running a mission and hospital in the middle of the conflict. Nothing in Waters’ orders does it say for him to also extract the able bodied Nigerians staying at the mission, and at first he isn’t planning on it. After seeing a particularly brutal massacre, however, Waters decides to go against orders and lead both Kendricks and the civilians from the mission to the Cameroon border. With rebels hot on their tails, Waters and his team have to keep everyone moving as fast as they can, but a conflict with the rebels chasing them eventually becomes inevitable.

Tears of the the Sun is an extremely muddy movie and that’s what really holds it down. It starts off interesting enough, but once Waters, Kendricks, and everyone else start their journey through the jungle, it just turns into a mess. There’s scene after scene after scene after scene of just everyone hiking through various locations with an attempt to progress the drama. Unfortunately, the characters are so dull that this drama isn’t anything special and just gets lost in the uninspired performances and gray cinematography. There’s also plenty of lines of dialogue that I said before the character even had a chance to say them because this movie is loaded with your standard war clichés. A change of location might have changed things up after a while, but every scene looks almost exactly the same it felt like everyone was just walking in circles. This could’ve been an interesting element in the movie, how the immense jungle can cause confusion, but no.

Like I said before, the characters in Tears of the Sun are just dull. There’s very little to say about them because most of them lacked individual personalities. The men in Waters’ team were all pretty much the same person. They were all the hardened soldier that still had the wit to crack a joke from time to time. None of them stood out and anyone of them could delivered any line. When things get hectic during the climax and their lives are in danger, I didn’t really care because none of them really made me care about them. The same can be said about Willis’ character. His performance is so one note that it was hard to connect with him in the least. This role could have been played by anyone and he was just a boring protagonist. The only person that really stands out is Monica Bellucci who gives a very heartfelt and honest performance as Dr. Kendricks. She’s one of the only people who actually seems to be trying.

There are a few moments that do stick out in the otherwise muddled plot. The beginning was interesting and did pull me in to the setting easily enough. There’s a gut wrenching scene in the middle of the movie that shows just how truly horrible the situation is during this conflict and the prices that people trying to live their lives are paying because of it. The scene actually got me back with the movie and created a whole new layer of drama and suspense, but once the same old hiking through the woods started up again I began to drift once more. The climax is less than spectacular, but the very end of the movie features a scene of Willis actually acting like he wants to be in this movie. It’s a satisfying ending that wraps everything up well, but it certainly doesn’t make up for the rest of the movie.

Tears of the Sun is a watchable movie, but that’s all I’m really going to say about it. Besides Bellucci, the performances are one note, the cinematography is boring, and the constant walking through the jungle with characters I didn’t care about just became boring after a while. There are a few scenes that stick out, but they really are few and far between. Tears of the Sun is reminiscent of other movies that are just done better, while this one if meant to live in the realm of mediocrity. This isn’t a necessary movie nor is it one that will be remembered. It isn’t exactly bad, but there just isn’t too much to say about it.

Final Grade: C

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Logan Lucky – Review

17 Sep

Steven Soderbergh has always been something of an inspiration to me. He helped start the indie craze of the 1990s with Sex, Lies, and Videotape, has made some excellent mainstream films like Ocean’s 11, dabbled in the world of surrealism with Schizopolis, and also was the creative force behind one of the most chilling television shows in recent years, The Knick. He’s a film maker that can pretty much tackle anything, even though I’ll be the first to admit he doesn’t have a spotless filmography. After taking time away from the big screen following 2013’s Side Effects, I was excited to see him return with another heist movie, this one being Logan Lucky. This has been a movie I’ve been anticipating for awhile, but I never really got my hopes up for it. After seeing it, I can say that while it’s far from Soderbergh’s best, it’s still a damn fun movie.

Sometimes it seems that certain people have all the luck, and they could really share some if they wanted to. That’s a description that is far from fitting for the Logan family. Jimmy Logan (Channing Tatum) had a promising football career, but an accident killed that dream and left him with a limp. His brother Clyde (Adam Driver) had his fair share of luck after his time in Iraq left him with a prosthetic arm. Still, the two seem to be surviving just fine, that is until Jimmy is fired from his construction job and begins scrambling to find a way to provide for his daughter, who he still keeps in close contact with after his divorce. This prompts Jimmy to dig deep into his plans and reveal a scheme to rob the funds from the Coca-Cola 600 race, and the only time to do it is on Memorial Day, one of the biggest races of the year. In order to do this, the brothers enlist the help of local ne’er do well, Joe Bang (Daniel Craig), who they have to sneak out of jail with just enough time to pull off the heist. With the old Logan bad luck facing them down, the team have to use every ounce of ingenuity to get through this unscathed.

Right off the bat, the best thing about Logan Lucky is its characters. Jimmy and Clyde are such a believable pair of brothers, and part of the reason they work so well is the chemistry and dynamic between Tatum and Driver. Channing Tatum works great as a leading man in this movie, and it’s really cool to see a down to earth, blue collar guy leading a major heist. There’s such a difference between Jimmy Logan and Danny Ocean, but both characters work great. Driver is one of my favorite elements of this movie, and every line he delivers was spot on and hilarious. Daniel Craig also goes against the mold here as the gung ho Joe Bang, and his brothers played by Brian Gleeson and Jack Quaid match his level of slightly unhinged mania. It’s a motley crew of people that make such a fun ensemble cast. I also have to give a lot of credit Farrah Mackenzie, who plays Jimmy’s daughter. She is awesome in this movie and performs way better than your average child actor. I see a bright future there.

While I do really like the blue collar element of this movie, I couldn’t help but thinking this movie was lacking in what I will call the “AHA department.” This is where you watch a heist movie and you think you’re seeing everything, but there’s more going on than meets the eye. That’s a staple of modern heist movies, and it almost feels like you’re witnessing a magic trick. There’s a feeble attempt at this in Logan Lucky, but for the most part what you see is what you get. There’s nothing terribly complicated or interesting about the heist, and that’s something of a disappointment. There’s also a lot of suspension of disbelief that has to happen for this to seem credible. For some people, it’s more than can be tolerated. If someone said they had a hard time buying everything they saw in this movie, I wouldn’t argue. Even I did at times. What saved the movie for me was the level of chemistry between the characters and the depth that they each individually had. You want all of them to succeed in their own ways, and because the character are so likable, it’s possible to look past some of the glaring storytelling flaws.

What Logan Lucky did have plenty of that surprised me is humor. I knew going in that this was going to be a light hearted and fun film, but there are moments that are just downright hilarious. Adam Driver and Daniel Craig are very funny, but the real comedic stars of this one are Jack Quaid and Brian Gleeson. They are just so over the top and relishing the characters they are playing. They had potential to be really annoying, but they were just the right amount of goofy. There’s also a near unrecognizable Seth MacFarlane in here as well, and his scenes were some of the highlights of the entire movie. The writing may be lacking in terms of cleverness in the heist, but it more than makes up for it with the genuine laughs it provided.

Logan Lucky isn’t Soderbergh’s best film and it isn’t the grandest return he could’ve made to the silver screen, but I will say it’s clearly a project he wanted to do. This movie has a lot of heart, a lot of humor, and a slew of great characters all bouncing off of one another. This is pure, lighthearted film making that offers up plenty of feel good energy. The actual heist could have been more creative and the third act feels a little rushed, but this was still a fun film. I doubt it’s going to make anyone’s list of best films of the year, but it’s one that may be worth checking out.

Final Grade: B

Wind River – Review

24 Aug

Hollywood has had a new powerhouse writer storming the industry recently, and his name is Taylor Sheridan. In 2015, Sicario took everyone by surprise, and Sheridan followed up that success with another in 2016 with Hell or High Water. Both of these movies are absolutely fantastic, and I had no idea he had another movie coming out that he was also directing. This latest film, Wind River, filled me with high expectations before it was released and I really wasn’t worried that it wasn’t going to meet these expectations. I mean, it’s a Taylor Sheridan movie. How could it go wrong? Well it met my expectations and gave me some really visceral, shocking moments that I won’t be forgetting. Wind River is simply awesome.

After hunting for a lion that’s killing livestock on the Wind River Indian Reservation, Cory Lambert (Jeremy Renner) comes across a dead body of an 18 year old resident of the reservation, Natalie Hanson (Kelsey Chow). This discovery deeply affects Cory since he knew the girl and her family but also lost someone in his own life in a similar way. The nature of the crime attracts the attention of the FBI, and the closest agent, Jane Banner (Elizabeth Olsen), is sent to head the investigation. This kind of landscape is very foreign to Banner, however, so she enlists the help of Lambert to aid her both through the territory but also with the local Native Americans who may not speak so openly to an unfamiliar federal agent. As the mystery unfolds, a darker side to Wind River is shown that is filled with hatred and angst that clearly was the inspiration behind the ghastly murder.

I gotta be up front here. I really can not get enough of this movie. It’s taken me a while to write this review, but since I’ve seen Wind River, I haven’t been able to shake it from my head. This is definitely a film that demands multiple viewings because it is a bit unconventional in the layout of the story which may seem abrupt to some people. Above anything else, this film is a mystery and it even feels like something straight out of a classic novel from one of your favorite writers. It has a slow pace to it, but the way that the story curveballs makes everything worthwhile. I don’t normally try to solve the crime with the detectives in movies, but I couldn’t help myself with this one. When I thought I was on the right track, Sheridan hit me with a twist that felt like a punch to the jaw. So far, with three excellent movies under his belt, Sheridan has shown that he has the ability to write a story that will keep audiences shocked even when it starts to lull you with a seemingly simple storyline. It’s never quite as easy as it seems.

Something that Taylor Sheridan also has complete command over is the environment his stories take place in. Much like Hell or High Water takes place in a desert of sand, Wind River feels like one of snow. It’s an exposed in environment that just feels dangerous both due to the animals that Lambert hunts but also with all of the other hostility. This is not a happy movie, and it dives into some pretty intense themes that I haven’t seen in a movie that I can recall. At the end of the film, without giving anything away, a harrowing fact about Native American reservations is shown that brings total clarity to the movie. While this is a totally open area, the inhabitants feel trapped and this feeling isn’t something recent, but something that has been boiling for years. It’s never explicitly said that this movie is about the life of modern Native Americans, because the movie is truly about the mystery and Sheridan is dedicated to it. He also is smart enough to layer his stories to where this treatment of Native Americans is a huge part to what’s happening. Everyone that Lambert and Banner question sound like they’re at the end of their ropes. It’s an intense feeling to be shown onscreen and it makes for a captivating narrative.

This is a hard movie to find flaws with, but if I had to say anything I’d say that the acting is just good. There’s nothing really to say. Renner and Olsen have great chemistry and perform their parts well but there’s nothing really to write home about. They work very well, but never wowed me. That’s really where my complaints end, however. The merit in this movie that’s worth noting is in the writing, but also in the production design. This is a very realistic feeling movie. The homes and other sets feel very genuine and the scenes where people are navigating snowmobiles through heavily wooded areas was strangely hypnotic. This isn’t an extremely violent movie with only a few actual scenes of it, but when it gets down to it, it can be pretty rough. The climax of this movie made my jaw drop and stay dropped until the end.

Did this review sound like I was just gushing all about Taylor Sheridan? Probably, but I can’t really help it. He is, to me, one of my favorite screenwriters. He may even be my favorite, but that’s a pretty bold claim to make. Sicario and Hell or High Water were both excellent, and I’m thrilled to say that Wind River is also excellent. The mystery is deep and the consequences of everyone’s actions are felt. I was guessing until the very end and then the movie left me with a parting thought that is just chilling. This was a fantastic movie that I really can’t wait to watch again and again.

Final Grade: A

Sideways – Review

17 Aug

I like to think of myself as a pretty open minded guy when it comes to movies. I try to soak in all sorts of films from all around the world and from different points of view. That being said, some genres just don’t impress me as much as others. I like comedies as much as the next person, but I’d much rather watch a mystery or a crime thriller. Comedies have to work really hard to win me over, and a good place to look is the work of Alexander Payne. Throughout the years, Payne has walked a thin line between comedy and drama and has garnered a lot of respect. The first movie I’ve seen of his was Nebraska, and I have to admit that I really couldn’t get into it. I’m revisiting his work with an earlier movie from 2004, Sideways, which was also met with many accolades. While I do like this one better than Nebraska, I still just don’t think his movies are for me.

Miles (Paul Giamatti) and Jack (Thomas Haden Church) have been best friends since they were room mates in college. They’ve been through various ups and downs together and, despite their efforts, haven’t really made much of an impact on the world. With Jack finally getting married, Miles sees this as a time to take him on a trip through California’s wine country where they will spend quality time together and drink a whole lot of wine. Along the way, the two come across Maya (Virginia Madsen), a waitress at one of Miles’ favorite restaurants, and they also meet Stephanie (Sandra Oh), a wine pourer at a local vineyard. Jack immediately starts an affair with Stephanie who is oblivious to the fact he’s getting married that weekend. Meanwhile, Miles becomes close with Maya, but has a hard time holding in the secret that Jack is keeping from Stephanie. This affair in the middle of wine country will force these best friends to examine who they are, what they are becoming, and how to finally feel fulfilled.

I want to go ahead and talk about what I really loved about this movie, and it has more to do with the way the characters are written than the actual story. Paul Giamatti’s character has been through a lot of terrible things, and a lot of it has to do with decisions he’s made. By the time this movie starts, he’s a broken man trying to find something special to hold onto, which is why this week long trip with his best friend means so much. Thomas Haden Church’s character is the exact opposite. He’s a loose cannon who feels like he hasn’t lived his life to the fullest, and he doesn’t realize that his bad decisions are the same things that completely ruined his friend’s outlook. It’s an interesting friendship that I don’t think has been explored this well in movies like this. I feel like Payne really fleshed out these two characters to the point where I understand their feelings without them needing to vocalize them, which is a very strong film making technique. Miles sees a lot of his past in Jack which scares him and Jack sees a potential future in Miles which also scares him. I really can’t stress enough how much I enjoyed these two characters and the depth of their connection.

The setting for this movie also really helped put me into the story. Road trip movies now seem to always go for the extreme party cities where shenanigans are bound to happen. The fact that shenanigans occur in the California wine country is certainly different. While the setting is fun and different, I can’t really say the same thing about how the story progressed. While there are things that set Sideways apart, at it’s core it still follows the same formula set down by buddy and romantic comedies. The movie didn’t really throw me any curve balls or offer me any sort of dramatic surprises, which is weird considering how deep Payne worked to make his characters seem unique but he couldn’t really do the same with his story. There are some good moments of humor that do feel very original and that helps the story from becoming too stale. While I did chuckle at the movie and laugh out loud pretty hard once, it didn’t really strike me as hilarious. I can’t help but look at Sideways as a drama more than it is a comedy.

As far as the comedy did go, Giamatti was spot on as always. This is the kind of actor that can naturally find the perfect tone for a movie and strike it without even seeming to try. I wish the same could be said for Thomas Haden Church. I can’t really tell if his character annoyed me or his performance annoyed me. He just seemed over the top at times and, while it was a good foil for Giamatti’s character, he just didn’t have the same effect on me. Virginia Madsen is good in her role although there is one scene where the writing felt a bit too unnatural. Unfortunately, Sandra Oh’s character exists solely for an affair to happen. We get glimpses into her life, but she’s never really fleshed out to her potential, unlike Madsen. For a movie that’s so focused on character development, it’s easy to notice when one of them gets next to none.

Sideways is a good movie. I don’t think anyone will say otherwise. My only thing is that it isn’t really my cup of tea. I found it easy to find flaws because it just struck me as pretentious quite often and unfortunately predictable. Paul Giamatti and Virginia Madsen are excellent while Thomas Haden Church has moments of brilliance but also moments of over the top annoyance. I can’t say much for Sandra Oh since she didn’t have much to really contribute. Sideways works best as an examination of friendship, aging, and trust while also being a strong character study. It doesn’t really hold up quite the same way in the narrative department. As a comedy/drama it still holds up better than many.

Final Grade: B

Detroit – Review

9 Aug

In 1967, Detroit was shaken by the 12th Street Riots which lasted from July 23 to July 27. In just 4 days time 23 civilians were killed and 16 police and military members were also killed. The number of wounded on both sides go way into the hundreds. It was a very dark time in America’s past that was caused by racism, classism, and poverty and the tensions among the three being pushed to their very limits. In the middle of all this, an incident occurred at the Algiers Motel in which 3 people were killed under unknown circumstances. This is the focus of Kathryn Bigelow’s new film, Detroit, a shocking look at what has remained unseen for 50 years. While it’s true no one really knows what happened, it’s clear that Bigelow did a lot of research and investigating of her own, and Detroit will remain as one of the high points of film for 2017.

Amidst the 12th Street Riots in Detroit, multiple lives are affected while some are changed forever. Melvin Dismukes (John Boyega) is a private security guard and factory worker who is called to defend a small convenience store overnight, which is situated right beside a National Guard outpost. Larry Reed (Algee Smith), the lead singer of The Dramatics, and his friend Fred (Jacob Latimore) become separated from the rest of the group and end up at the Algiers Motel. It’s here that they meet Julie Ann (Hannah Murray) and Karen (Kaitlyn Dever) and try to hit it off. A prank involving a starter pistol attracts the attention of the National Guard where Melvin is and they all head over to the Algiers. It also attracts the attention Officer Philip Krauss (Will Poulter), a racist cop who believes he has complete authority over the streets of Detroit. At this convergence at the Algiers Motel, violence and hatred erupts which ends in the death of 3 people and a subsequent investigation that held the eyes of all in Detroit.

Detroit is a very intense movie that depict real life events, so it’s important that Kathryn Bigelow and the rest of her crew depict things in a very specific way. Luckily, Bigelow has shown herself to be just the person to portray very dramatic real world events with her other films The Hurt Locker and Zero Dark Thirty. With Detroit, a sense of environment is very strong and it succeeds at putting the viewer right in the middle of things, regardless of how chaotic and disturbing something may be. There are times where this film is a marvel to look at and listen to. It feels so genuine and authentic at times that I actually felt like I was transported back to a certain time and place. Part of this has to do with the excellent cinematography. Handheld camera work is something that can be completely overdone nowadays, and it’s often used in movies where it’s unnecessary and is just something to be seen as “artsy.” It’s used perfectly in this film and it never feels out of place. There’s also a very heavy usage of close ups where character’s faces are held in full frame for a good amount of time. It’s a risky move for Bigelow and it requires her to also have found just the right actors for the parts.

The performances in this movie are so good it’s almost scary. In fact, in a couple cases it is scary. John Boyega isn’t in the movie as much as I thought he was going to be but he gives such a natural performance that feels completely unlike his role in Star Wars, which is a good thing since it’s practically impossible to compare these two movies in any way shape or form. Will Poulter, who plays Krauss, is a force to be reckoned with in this movie and it’s by far one of the best and most complex performances of the year. His character is a complete psycho, and the frightening thing is that he doesn’t see that he’s doing anything wrong. Poulter gives a performance that is as horrific as it gets. Finally, the breakout star of this movie is Algee Smith, who I’d say is more of the focal point of the ensemble cast. His IMDb only has in credited in some random things and a part in Earth to Echo, which I think MAYBE three people saw. He is outstanding in this movie and has a bright career ahead of him. Seriously, Hollywood, keep your eyes out for this guy.

Detroit also had pacing that I wasn’t expecting, but it’s really the best way the movie could have been done. When I saw that the run time was about two and a half hours, I was a little concerned that it would be overstuffed with useless plot elements that could have easily been removed to turn it into a two hour movie. I really had nothing to worry about, however. The first part of the movie sets the stage for the riots and the characters for a while. Once we get to the Algiers, however, we remain there for a very long time. The whole incident is shot in real time and during this whole event we hardly leave the premises of the motel. This goes on for a really long time, but it never feels boring or overlong. Finally, the third part is the aftermath which keeps the stress from the time at the Algiers raised high. I hate using this word, but the storytelling really was riveting and I couldn’t peel my eye away from the screen for more than a second.

This has been a pretty wild summer for movies. There has been so much great stuff that it’s hard to keep track of it all. Amidst all of the cinematic joy, Detroit stands tall as one of the best 2017 has to offer, and yes I realize how often I’ve been saying that. This is a powerful movie about a really dark and tense time in American history and Kathryn Bigelow has the hard task of dramatizing it. The performances and film making are all top notch in this movie and it has to be remembered come Oscar season.

Final Grade: A+

Filth – Review

8 Aug

One of my favorite movies of all time is Danny Boyle’s 1996 film Trainspotting, which was based on a novel of the same name by Irvine Welsh. Welsh is an author who expertly weaves pitch dark comedy with serious drama that has made a major impact on my movie watching life. In 2013, another of his novels was adapted into a film, this time starring James McAvoy and the title being Filth. I recently had the joy of watching this movie and I have to say that it’s definitely an Irvine Welsh story and it’s also a really excellent character study. It is hard not to compare it to the two Trainspotting movies, which are superior, but even though it doesn’t reach the heights of those two movies, it’s a film that’s grown on me more and more since I saw it.

Bruce Robertson (James McAvoy) is truly one of a kind. As a highly respected detective for the Edinburgh police force (in his own mind anyway), Robertson feels sure that he’s a shoe in for the big promotion to Detective Inspector. What he fails to realize however is that his massive addiction to cocaine and alcohol, combined with his highly abusive sexual behavior and bipolar disorder may really put him at odds with other people in his task force. This shouldn’t pose much of a threat however, since Robertson is a master manipulator and likes to take part in what he calls “the games,” which is really just another form of psychological abuse where he uses other people’s insecurities and weaknesses to his advantage. After a foreign exchange student is brutally murdered, Robertson is put on the case and while investigating the death is faced with some insecurities and problems of his own which sends him deeper and deeper into a psychological and drug fueled meltdown that puts himself and everyone else around him at risk.

Let’s get the obvious out of the way. There are plenty of great actors in this movie that perform very well, but the movie belongs to James McAvoy and this is clear proof that he’s one of the most charismatic and versatile actors working today. Bruce Robertson is not an easy character to tackle for so many reasons. Like Mark Renton in Trainspotting, Robertson is troubled but unlike Renton there’s no reason to put any faith in Robertson’s character. Bruce is a drug addict, thief, Machiavellian manipulator, and endorses violence on a sociopathic level. He is a villain of villains, but he’s also the star of our movie and he’s also suffering from a severe case of bipolar disorder. This is quite a handful for McAvoy. He has to portray and evil man while at the same time portraying the same man that longs for the quiet life he once had where he was surrounded by people he loved. Along with his more recent role in Split, his performance in Filth ranks as one of his best.

While Welsh has stated that Filth serves best as a commentary on the corruption of Scottish institutions, I feel like it’s best experienced as a character study. Sure, there are plenty of strong opinions about Scotland that come through in the screenplay which I’m sure are in the novel, but I have to admit that I’m pretty unfamiliar with it all. I just found a lot of joy watching Bruce Robertson completely lose his grasp on reality. This didn’t just stem from him being a monster of a character, but just because of McAvoy’s performance and also from a strong storytelling standpoint. The story of Filth is very intriguing and it’s hard to look away from it even at its most depraved, and depraved it gets. I’ll get more to the positives of that notion in a moment, but I do want to touch on the negatives. Irvine Welsh isn’t one to shy away from crude humor, and that shows in Trainspotting to spectacularly memorable results. In Filth, it’s much more hit or miss. A lot of jokes fall completely flat or just don’t feel executed properly. This is a major hit since this movie is a dark comedy over everything else. At times it just felt a little too juvenile for what the story deserves. With source material like this, easy laughs are the least important ones, and this movie does go for plenty of easy laughs along the way.

While the film does lose its footing a little bit with some of the humor, I really have to commend Jon S. Baird for taking this shockingly ugly subject material and not backing down. Adapting this story into something marketable couldn’t have been easy, but he managed to do it. Not only is Filth not afraid to live up to its title and show some truly reprehensible behavior, it manages to do so using and abundance of style and flash that helps it fit right in with the two Trainspotting films. The different lenses used for different scenes mixed with some chaotic and rhythmic editing makes Filth an achievement in film making as a craft. When the story starts to slow down or wear a little thin at some parts, Baird keeps your attention with his film making techniques. This is the kind of movie that succeeds in making you feel a certain way using its style, and it’s also the kind of movie that may make you want to take a shower after viewing.

I had pretty high expectations going into Filth, and while some areas were clearly weaker than others, it was a memorable film that left me feeling gleefully disgusted. This is a double-barrel shot to the senses and it will leave you with lingering thoughts and feelings. McAvoy is excellent as Bruce Robertson and I’m very proud of writer/director Jon S. Baird for making the film that he envisioned. This isn’t always an easy film to stomach, but I definitely recommend Filth for anyone willing to run the gauntlet.

Final Grade: B+

Valerian and the City of a Thousand Planets – Review

26 Jul

Comic book movies are everywhere nowadays, but the only companies you really see flooding the market are Marvel and DC. There’s so many more companies with so many more stories to tell, so I always welcome a world that I’ve never had the pleasure of traveling to before. In 1967, the comic series Valérian and Laureline was created by Pierre Christin and Jean-Claude Mézières and ran until as late as 2010. This series tell the story of special spacial-temporal agent Valérian and his partner Laureline as the travel time and space protecting the universe. There’s so much material to work with and with someone like Luc Besson in the director’s chair, I was all for this. Besson’s work has been known to be hit or miss, and this one is a slight miss for me. He was on the right track with something that could’ve been a modern day space epic, but got way too distracted somewhere down the line.

After being awoken from a dream where a planet and its inhabitants are destroyed, Special Agent Valerian (Dane DeHaan) along with his partner Laureline (Cara Delevingne) are assigned to infiltrate a black market ring and extract an object called a converter. After completing the mission and being nearly killed in the process, the duo return to Alpha, a giant space station that is the home to millions of people from many planets, hence the nickname of the City of a Thousand Planets. The agents are informed by Commander Filitt (Clive Owen) that there is an infection spreading on the space station which is a major concern to all the races that live on the space station and that this converter may be the key to stopping it. During a meeting with the representatives of the station, Filitt is attacked and kidnapped by the same people that Valerian dreamed about. With the converter and their Commander missing, Valerian and Laureline have to travel into unknown territory on the space station, avoid the seediest of characters with ulterior motives for the agents, and uncover a major conspiracy that could potentially destroy Earth’s relationship with the other planets.

The first 40 to 45 minutes of Valerian and the City of a Thousand Planets had me hooked. I was loving the visuals and the world that was created for this movie. It was definitely a film to see in 3D, and I found myself easily getting lost in the environment. This is a stunningly beautiful movie with some of the best special effects you’ll see all year. There was a real sense of swashbuckling adventure that can easily serve as a reminder as to why I love action adventure movies, especially in heavy science fiction universes like this one. I was really prepped for a rollicking time at the movies with this, but we weren’t even an hour into this movie’s bloated 2 hour and 17 minute run time. Once we get to Alpha, things start going sour and that heavy feeling of disappointment began weighing down on my chest.

Let’s rewind a little bit here. While the first hour or so of this movie is solid action and adventure, I do have to talk about Dane DeHaan as Valerian. There’s something about how he delivers his lines that’s a weird combination of overdone and totally dry. It’s like he’s enthusiastically underperforming at every chance he gets. It was an awkward performance, and while he did fine at the more action oriented work, his lines with Delevingne were just awkward. Part of this may be because they had very little chemistry and the writing was just plain weird and on the nose. Cara Delevingne is a lot more tolerable than DeHaan, and her scenes provide some of the funnier and more memorable parts in the movie. There are a couple memorable performances by Ethan Hawke and Rihanna, but they are completely pushed to the wayside and forgotten about as soon as their minimal usage is complete. It’s unfortunate that some of the best characters get so easily forgotten about. I’d like to say something about Clive Owen’s performance, but it was so standard, there’s really nothing to comment on.

Back to the plot and all of its shortcomings. Once Valerian and Laureline make it to Alpha, I expected the plot to thicken from there. It does start to get intriguing, but after the Commander gets kidnapped the movie devolves into a series of scenarios that don’t really have a connection with the main plot involving the converter and the aliens from Valerian’s dream. First Valerian gets lost then Lareline gets lost and then the plot gets lost and I just started losing interest. I haven’t seen a movie this distracted in a long time, but to be fair there’s a lot of really cool stuff to look at on this station it’s pretty easy to get lost. Once the plot finally refocuses I was relieved but I kind of lost interest in it at that point. It took a while to really get myself invested in what was happening after being sidetracked for so long.

Valerian and the City of a Thousand Planets is ultimately categorized as a disappointment for me. The action is a lot of fun and the special effects are fantastic. There’s nothing wrong with the world that Besson created, but there is major problems with how he tells the story and the how he wrote the characters. Dane DeHaan is pretty bad as Valerian and it was hard to get back on the main plot after aimlessly running around Alpha for so long. I had much higher hopes for this movie, but it’s a classic example of style over substance used poorly and storytelling that is shot out of an airlock.

Final Grade: C