Tag Archives: dream

Inland Empire – Review

11 Aug

Recreating nightmares and mental decay is not an easy task, but David Lynch has always stepped up to the challenge. EraserheadLost Highway, and Mulholland Drive all have the same nightmarish feeling, as if you might fall asleep later that night and have a dream that plays out exactly like these movies. Of all of Lynch’s films, I feel like Inland Empire encompasses his career perfectly and really makes you feel like you are part of a nightmare. That being said, this isn’t his best film, but it certainly can be said that this might be the strangest movie I have ever seen.

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Nikki Grace (Laura Dern) is an actor whose time in the spotlight has ended, so when she lands a roll that might restart her career, she is ecstatic. The film is called On High in Blue Tomorrows and is being directed by Kingsley Stewart (Jeremy Irons) and her costar is Devon Burke (Justin Theroux), a man with quite a conspicuous sex life. As she gets deeper and deeper into her character, and her relationship with her costar seems to be getting closer, Nikki starts losing track of what is happening first, now, and later. Soon she can’t even begin to tell her life from the character’s leading to a complete psychological breakdown.

I’ve been putting off this review for a little while because the thought of reviewing a David Lynch movie and really giving it justice is a little intimidating. Much like his other movies, Inland Empire has many different interpretations and themes to explore, and everyone’s view of the whole can be very different. The first time through, it may seem like this movie makes absolutely no sense, but in the days to come and you think about it more, or even watch it again, things in the movie start to piece together and an idea will begin to form. Like Eraserhead and Mulholland Drive, I found Inland Empire to be quite frustrating.

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All interpretation aside, I have to say that I have a newfound respect for Laura Dern as an actor. Her performance demands a lot, from screaming and crying to manic laughing and then to calmness, maybe all in one scene. I can imagine that David Lynch is not the easiest director to work with, being in his own head and all, and even Dern has said that she isn’t entirely sure what the movie is about. Justin Theroux has said the same thing. Imagine acting on a movie where you really don’t know what it is about. That’s a tricky thing to do but they both pull it off very well and pull you into the “story,” despite how difficult it is.

This is where the review might get a little spoiler-ish because I want to talk about things in the film. You have been warned. Ok. In my opinion, Inland Empire is the story of a woman who is struggling to find a character that she is unable to tap into. Much like in Black Swan, she gets so obsessed with finding the character, that she sees herself becoming the character. At first it starts with scenes where we don’t know it’s the movie within a movie until the end of the scene to the point where nothing is really decipherable. This leads to the nightmarish world of Nikki’s mind. There’s still a lot that I’m not sure about, like the woman watching the television and the rabbit sit-com that we keep seeing. This just means the I’m going to have to watch it again.

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I can’t really say if Inland Empire is good or bad. It’s sort of one of those movies that redefines your definition of a good or bad movie. I will say that Inland Empire is art, through and through, but saying it’s entertaining wouldn’t be doing it justice. This is a terribly uncomfortable experience that you can’t help but staying focused on it, no matter how difficult it is. Fans of David Lynch will love his deepest, darkest trip into the fractured human mind, but anyone looking for a narrative that makes perfect sense will find no happiness with Inland Empire.

Vampyr – Review

12 Jan

An unusual feeling washes over me during each viewing of Vampyr. It’s a feeling I get after waking up from a bad dream and I start piecing together everything that happened, even though it doesn’t make too much sense. Like my bad dream, this film follows a different sort of logic. It’s a type of logic that only exists to disorient and confuse. Vampyr may not have the best plot or characters, but that’s not really what the movie is about. It’s about a superstition brought to life or it’s about a man experiencing a real life nightmare. Whatever it is, it can not be forgotten.

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Allan Grey (Julian West), a man very interested in the paranormal, arrives in the village of Courtempierre and finds a lot more than he thought he would ever come across. Dancing shadows lead Allan to a mansion where the master of the house (Maurice Schutz) is shot and his daughter is afflicted by a mysterious ailment. Grey begins reading a book left by the deceased master in which he learns of the vampire, a evil being who survive on the blood of the living. Matters are made worse when the village doctor (Jan Hieronimko) arrives and corrupts the young woman even more. Allan is forced to face the terror to save the girl and her family from the curse of the vampire.

From the very beginning of the movie, the viewer is bombarded with strange imagery and creepy figures who serve a purpose unknown, and will never be figured out. Like the purposes of these mysterious figures, the whole universe of the movie is hard to figure out. The story starts almost immediately, and we along with Allan have to slowly try to piece together everything that is happening. Too bad it’s like trying to piece together a nightmare that you had when you were sick with a 102 degree fever.

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I find the special effects in this movie much more interesting than the big blockbuster films of today. For 1932, these effects are out of this world. The most impressive scene is a party of dancing shadows that seem to fill an entire wall. To this day, I can not figure out Dreyer pulled this off so well. The other effects are also brilliantly executed, including one character having an out of body experience that was shocking the first time I saw it. I don’t know if I would call this a “special effect”, but to create the otherworldly atmosphere, a thin layer of gauze was put over the lens. That would be easy to fix in post production nowadays, but back then I can certainly recognize the ingenuity.

Speaking of ingenuity, let’s talk about the camera work. The panning and tracking shots are so precise and interesting, especially compared to the quicker editing style of the 20s and 30s. Instead, Dreyer prefers the long shot method and instead of cutting he simply pans to or tilts. It certainly fits better with the slow pace of the movie and is easy to love. This is also a very early sound film, and this is both good and bad. It’s bad because the audio when someone (rarely) talks sounds pretty terrible. I will say that it does kind of add an unintended creepiness to the entire movie.

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I would put Vampyr in my top 5 favorite movies for a number of different reasons. It’s creepy atmosphere has held up great for the entire 81 years it has been around, and the audio/visual advancements that this movie displays are beautiful. If you aren’t a fan of silent films or films that have a pretty loose plot, than Vampyr probably isn’t for you. If you can enjoy these kinds of movies, than Vampyr is one of the best of its kind.