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X-Men: Apocalypse – Review

13 Jun

Ever since X-Men was first released back in 2000, there’s been a slew of movies added to this series to make it one of the biggest superhero franchises of all time. Some of these entries have been outstanding, like X2: X-Men United and X-Men: Days of Future Past. Others have become something of a bad joke, like X-Men 3: The Last Stand and X-Men Origins: Wolverine. It really seems like the makers had absolutely no idea what to actually do with the material, and what we have left is a storyline filled with time travel, alternate universes, and people dying and coming back to life. It’s all very hard to keep track of. Now we have X-Men: Apocalypse, a film that tries to tie up a lot of loose ends while also introducing some of the most badass characters to the universe to date. This movie may be a bit of a mess, but it’s still a strong installment in the series.

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Thousands of years ago, En Sabah Nur (Oscar Isaac), also known as Apocalypse, is betrayed and buried hundreds of feet below ground. Jump to 1983 in what is now Cairo. Apocalypse finally awakens and moves to the surface to start a plan that will rid Earth of the humans who have “destroyed” the planet so that the “strong” can keep living. This presence is soon felt by Professor Xavier (James McAvoy) who is still running the ever growing school for mutants to learn how to harness their abilities. As Xavier tries to pinpoint and identify what’s cause this disturbance he’s feeling, Apocalypse begins recruiting his soldiers including Psylocke (Olivia Munn), a young Ororo Monroe/Storm (Alexandra Shipp), and a completely broken down and hopeless Erik Lensherr/Magneto (Michael Fassbender). As the might of Apocalypse is being wrought all throughout the world, Mystique (Jennifer Lawrence) and a group of young mutants find their way to the Professor in order to stop En Sabah Nur from fulfilling his ultimate plan.

While this movie features many of the same actors we’ve seen in First Class and Days of Future Past, there are also a good amount of new faces. I’ve already said that I love James McAvoy and Michael Fassbender as Xavier and Magneto, and while I don’t like what’s happening to her character, Jennifer Lawrence plays Mystique very well. I’d much rather look at some of the new faces. Sophia Turner is note perfect as a young Jean Grey, as is Tye Sheridan as a young Scott Summers/Cyclops. Alexandra Shipp is also perfectly cast as a young Storm, complete with an accent and back story. Let’s be real though. The stand out of this movie is Apocalypse, himself. Apocalypse is one of the coolest villains Marvel has ever created, and Oscar Isaac is absolutely menacing. He doesn’t even need to be speaking to be terrifying. The looks he gives his enemies is so full of powerful confidence and violence, mixed with the excellent make up that was applied. He steals the show and is one of the stand out characters, for me, in the entire franchise.

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X-Men: Apocalypse has some of the coolest moments in the entire series, which I will most certainly get to later. I also would like to point out that it also has some of the most tedious and pointless moments in the entire series. The movie starts out well enough and there’s more set up that happens than you might expect, but that’s ok. I was going with it for a while. However, there’s a part in the middle that is completely unnecessary to the plot concerning Apocalypse. Anyone who’s seen this movie knows what scene I mean, and it definitely is a cool scene, but I couldn’t help but feel like I got off at the wrong exit and had to turn back around to get back to where I wanted to be. It would’ve been fine, but once that whole section was over it was never discussed again and had no effect on the main story. Plus, I have to say that the X-Men timeline and continuity has gotten so out of control it’s best to just watch these movies and not think too hard about how they all lead into each other.

Now that we got all that garbage out of the way, I’d like to get back to all the awesome stuff. I’ve already mentioned how epic I think Apocalypse is, so let’s move on to more. Evan Peters returns as Quicksilver, and if you thought he was cool in Days of Future Past, you ain’t seen nothing yet. Not only does he get a cooler slow motion scene, but he also gets to do more with the X-Men and has a dramatic arc that brings a lot to his character. I also have to give a huge shout out to the people who worked on the sound and visual effects. Apocalypse’s awakening made the ground rumble and got me so pumped for the rest of the movie. Meanwhile the CGI in the final battle was epic. Things were flying all over the place, buildings were collapsing, and all hell was just breaking loose. This is a really well made movie and acts as further proof that Bryan Singer is the X-Men guy.

X-Men: Apocalypse isn’t the best entry in the series, but it’s also far from being the worst. In fact, it’s a perfectly competent and often times exhilarating exercise in the super hero genre. This series seems to have gone on since the beginning of time, and after seeing this one I’ve realized that I’m nowhere near ready to see these movies cease to exist. They’re just too much fun to forget about.

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X-Men: Days of Future Past – Review

11 Jun

The X-Men franchise, which has been around for over a decade (their movies at least), is a franchise that has had some strong up and some really strong downs. Bryan Singer’s X-Men and X2: X-Men United were both triumphant examples of how a superhero movie should be made. That’s when tragedy struck. X3: X-Men United was a complete disaster that ruined everything Singer had done, X-Men Origins: Wolverine was a mediocre entry, and The Wolverine was downright boring. Only with Matthew Vaughn’s X-Men: First Class did the series seem to get its footing once again with one of the best entries of the franchise. Now, Singer’s back in the director’s chair and has created the most exciting, dramatic, and action packed entries yet, X-Men: Days of Future Past.

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The future is a bleak place for both humans and mutants. Giant robots called Sentinels have ravaged the planet killing both mutants and normal people who have the mutant gene, leaving the world completely devastated. It is revealed that the cause of this is because the mutant Mystique (Jennifer Lawrence) assassinated the designer of the Sentinels, Boliver Trask (Peter Dinklage), and prompted the government to capture her and use her genes to create the murderous robots and making Trask appear as some sort of martyr for humankind. Now, the only chance of survival lies with a small group of remaining X-Men, particularly Wolverine (Hugh Jackman), whose consciousness is sent back in time by Kitty Pride (Ellen Page) to bring together the young Charles Xavier (James McAvoy) and Magneto (Michael Fassbender) and find Mystique to stop her before she can carry out her assassination. Meanwhile, in the future, the Sentinels are closing in on the X-Men’s hide out, forcing the survivors to fight for their lives so Wolverine can complete his near impossible mission.

Of course, I’m leaving a lot out of that quick little plot summary because there really is so much going on in this movie, to the point that it’s almost mind boggling. Time travel movies are rarely simple, but I found that this one was not too difficult to understand, and that has a lot to do with the writing and directing. I could tell, right from the opening scene (which might be one of the most violent scenes in this entire series) that this movie was not only going to be entertaining, but it was also going to impress me. There’s so much to love in this movie from the action and drama to its strong sense of style and humor. Finally, but the end, it becomes obvious that Bryan Singer fixed everything that was ruined, at least for the most part.

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One of the most impressive parts of this movie is the cast, but I feel like that really goes without saying. When I first heard that the casts from both the original X-Men movies and First Class were going to be in the same movie that involves Sentinels and time travel, I was immediately down with the entire idea. Everyone really brings their A-game to this film as well. Hugh Jackman gives his expected performance as Wolverine, which has really been a perfect combination right from the start. Patrick Stewart and Ian McKellen also give their expected performances as well, which says a lot because I’ve never seen them off their game in anything that they’ve been in. In my opinion though, the real scene stealers come from the people in the past. James McAvoy and Michael Fassbender have difficult jobs in this entry, being that both of their characters appear to be at the lowest points in their lives. McAvoy, especially, delivers his lines with such emotion and power, it’s hard not to get just a little choked up. How could I forget Evan Peters, though, and his brief role as Quicksilver? Not only was his brief role one of the most memorable parts of the movie, but it also showed Singer’s strength as a film maker.

To go off from the main story a little bit, this movie got me very curious for what’s to come with the X-Men movie franchise. The post credit scene was crazy enough, but I just mean with things that were added in the plot itself. It’s almost as if Bryan Singer was standing on the side, wiping off his hands, and proclaiming “There. I fixed it.” Not only is the story put completely back on track, but there’s finally some style that’s returned in both the writing and the directing. That being said, kudos have to be given to the screenwriter, Simon Kinberg.

X-Men: Days of Future Past is, without a doubt, the best entry in this franchise and is also a refreshingly awesome and dramatic summer blockbuster. There’s a lot to marvel at with the outstanding special effects that add a level of epicness, but the dramatic story and social critique is just as excellent. The characters aren’t stupid and neither is the story, which only makes this film all the better. If you’re looking to just be mildly entertained, watch X-Men Origins. If you want to be blown right out of your seats with pure amazement, check out Days of Future Past.