Tag Archives: family

Good Time – Review

28 Sep

Every now and then, a movie comes along that completely destroys the conventions of its genre. Sometimes that works well, and other times it holds the movie back. It all depends upon the creative force behind the project. Ben and Josh Safdie have recently proven that they are more than capable to create a movie that defies all the rules expected in a feature film. Their newest film, Good Time, is the perfect example. The trailers for this movie had me really intrigued, but I didn’t get the proper feel of the style going into it. I honestly had no idea what to expect, but what I got was something so different and disturbing that I dare say this is a movie that should not be ignored. Good Time is a piece of art that defies all expectations and rules but also feels like one of the realest movies of 2017.

Constantine Nikas (Robert Pattinson) is a petty thief who is looking for a score that could potentially change his life. He’s careless in many ways, bust most of all by utilizing the help of his mentally challenged younger brother, Nick (Ben Safdie), with his crimes. After successfully robbing a small New York bank for $65,000, Constantine and Nick think that they’ve made it out scot free. That is until a police officer gets too close to Nick and scares him, which sends the two brothers off running with the police in hot pursuit. After a chase, Nick is arrested, while Constantine ultimately gets away. After hearing about the abuse Nick is forced to put up with, Constantine begins an odyssey into the underbelly of New York City to raise $10,000 to bail his brother out of jail. As the night progresses and more altercations keeps Constantine from the money he needs, his desperation starts to wear him down and reveal a side of himself he didn’t want to believe existed.

Something that I sort of guessed about Good Time is that it would feel very episodic. I had Collateral in mind before seeing this movie, but the two really don’t share many similarities. Good Time is very un-cinematic in the way it tells its story, and I found it a bit hard to grasp onto at first. The beginning of the movie really pulled me in, but it became hard to find the rhythm the story was moving at. After awhile, I decided to stop looking for it. I would simply let the film wash over me and wherever it went, I went. This is one of those movies that it all makes sense after it’s over and looking back on it, I appreciate it more than I did as I was watching it. Scenes lead into the next almost at random as small occurrences that seem minor are enough to shake up the lives of the few characters that share the screen. There’s little rhyme or reason as to why things happen, just that it’s the sole consequences of the characters and not for the sake of driving the plot forward. Some may say it’s anticlimactic. I say it’s brilliant.

Speaking of un-cinematic, the look of Good Time is really something to behold. It was sort of marketed as this neon lit trip down the rabbit hole like something out of the mind of Nicolas Winding Refn. There are a few scenes that do go a little over the top with the lighting, and sometime it was a bit distracting. For the most part, however, that is not the style of this film. This is a grimy, dirty, and highly unflattering film. The sets are run down and gross and the actors are made to look their worst. These are bad people operating out of bad places and the Safdie brothers really work to make that clear. A lot of scenes are also shot using off balanced angles with the foreground obstructing the view or close ups that come across as jarring. This is a disturbing film and this is really the only way this film could’ve been shot. Any other way would’ve robbed the audience of the proper tone. I do wish that some scenes toned it down with the lighting however. They didn’t always fit.

A while ago, I reviewed The Rover and I commented on Robert Pattinson’s understated but superb performance. Pattinson is one of those actors who can give an unexpectedly brilliant performance when paired with the right script and film maker. His understated performance in The Rover works really well, but his performance in Good Time is something else. This one is much more kinetic, dark, and completely devoid of innocence. His command of the screen is evident in this film and the weight of the character is clearly heavy, but he carries it all very well. Ben Safdie as his mentally challenged younger brother also gives a startlingly real performance that I wasn’t really expecting. There’s a strange cameo in the beginning by the always excellent Jennifer Jason Leigh to top off the cast of excellent performers. This may be one of the best acted movies of the entire year.

Good Time is a truly unique cinematic experience by the Safdie brothers. I’m unfamiliar with their earlier works, but if it’s anything like this I really need to check it out. That being said, I’d love to see more from them in the future because this felt like pure, in your face cinema. This is a darkly disturbing film that will make you long for the shower after the credits start to roll. If you have become overwhelmed with the summer blockbusters that have all come and gone, take a look at Good Time, but make sure you buckle in first.

Final Grade: A

Logan Lucky – Review

17 Sep

Steven Soderbergh has always been something of an inspiration to me. He helped start the indie craze of the 1990s with Sex, Lies, and Videotape, has made some excellent mainstream films like Ocean’s 11, dabbled in the world of surrealism with Schizopolis, and also was the creative force behind one of the most chilling television shows in recent years, The Knick. He’s a film maker that can pretty much tackle anything, even though I’ll be the first to admit he doesn’t have a spotless filmography. After taking time away from the big screen following 2013’s Side Effects, I was excited to see him return with another heist movie, this one being Logan Lucky. This has been a movie I’ve been anticipating for awhile, but I never really got my hopes up for it. After seeing it, I can say that while it’s far from Soderbergh’s best, it’s still a damn fun movie.

Sometimes it seems that certain people have all the luck, and they could really share some if they wanted to. That’s a description that is far from fitting for the Logan family. Jimmy Logan (Channing Tatum) had a promising football career, but an accident killed that dream and left him with a limp. His brother Clyde (Adam Driver) had his fair share of luck after his time in Iraq left him with a prosthetic arm. Still, the two seem to be surviving just fine, that is until Jimmy is fired from his construction job and begins scrambling to find a way to provide for his daughter, who he still keeps in close contact with after his divorce. This prompts Jimmy to dig deep into his plans and reveal a scheme to rob the funds from the Coca-Cola 600 race, and the only time to do it is on Memorial Day, one of the biggest races of the year. In order to do this, the brothers enlist the help of local ne’er do well, Joe Bang (Daniel Craig), who they have to sneak out of jail with just enough time to pull off the heist. With the old Logan bad luck facing them down, the team have to use every ounce of ingenuity to get through this unscathed.

Right off the bat, the best thing about Logan Lucky is its characters. Jimmy and Clyde are such a believable pair of brothers, and part of the reason they work so well is the chemistry and dynamic between Tatum and Driver. Channing Tatum works great as a leading man in this movie, and it’s really cool to see a down to earth, blue collar guy leading a major heist. There’s such a difference between Jimmy Logan and Danny Ocean, but both characters work great. Driver is one of my favorite elements of this movie, and every line he delivers was spot on and hilarious. Daniel Craig also goes against the mold here as the gung ho Joe Bang, and his brothers played by Brian Gleeson and Jack Quaid match his level of slightly unhinged mania. It’s a motley crew of people that make such a fun ensemble cast. I also have to give a lot of credit Farrah Mackenzie, who plays Jimmy’s daughter. She is awesome in this movie and performs way better than your average child actor. I see a bright future there.

While I do really like the blue collar element of this movie, I couldn’t help but thinking this movie was lacking in what I will call the “AHA department.” This is where you watch a heist movie and you think you’re seeing everything, but there’s more going on than meets the eye. That’s a staple of modern heist movies, and it almost feels like you’re witnessing a magic trick. There’s a feeble attempt at this in Logan Lucky, but for the most part what you see is what you get. There’s nothing terribly complicated or interesting about the heist, and that’s something of a disappointment. There’s also a lot of suspension of disbelief that has to happen for this to seem credible. For some people, it’s more than can be tolerated. If someone said they had a hard time buying everything they saw in this movie, I wouldn’t argue. Even I did at times. What saved the movie for me was the level of chemistry between the characters and the depth that they each individually had. You want all of them to succeed in their own ways, and because the character are so likable, it’s possible to look past some of the glaring storytelling flaws.

What Logan Lucky did have plenty of that surprised me is humor. I knew going in that this was going to be a light hearted and fun film, but there are moments that are just downright hilarious. Adam Driver and Daniel Craig are very funny, but the real comedic stars of this one are Jack Quaid and Brian Gleeson. They are just so over the top and relishing the characters they are playing. They had potential to be really annoying, but they were just the right amount of goofy. There’s also a near unrecognizable Seth MacFarlane in here as well, and his scenes were some of the highlights of the entire movie. The writing may be lacking in terms of cleverness in the heist, but it more than makes up for it with the genuine laughs it provided.

Logan Lucky isn’t Soderbergh’s best film and it isn’t the grandest return he could’ve made to the silver screen, but I will say it’s clearly a project he wanted to do. This movie has a lot of heart, a lot of humor, and a slew of great characters all bouncing off of one another. This is pure, lighthearted film making that offers up plenty of feel good energy. The actual heist could have been more creative and the third act feels a little rushed, but this was still a fun film. I doubt it’s going to make anyone’s list of best films of the year, but it’s one that may be worth checking out.

Final Grade: B

Midnight Special – Review

1 Jul

Science fiction is probably my favorite genre of film and literature because it can form such a huge spectrum of stories to be told. Recently, there’s been a huge influx of space films like the resurgences of Star Trek and Star Wars, but also completely original ideas like Christopher Nolan’s excellent work with Interstellar. If not space, the market seems flooded with science fiction via superhero films. What I don’t see a lot of are smaller films that still have a grand story to tell without all the bells and whistles of major Hollywood productions. This is partially why I was so interested with Jeff Nichols’ film Midnight Special, along with the fact that it stars my favorite actor, Michael Shannon. With my expectations raised pretty high, I’m thrilled to say that Midnight Special did not disappoint.

On a seemingly quiet night, and AMBER alert is issued for an 8 year old boy named Alton Meyer (Jaeden Lieberher). It’s revealed that he’s safe and sound in a motel with his father Roy (Michael Shannon) and Roy’s close friend Lucas (Joel Edgerton). As the trio hit the road during the darkest hours of the night, the FBI raid a religious cult’s farmland to interrogate its founder, Pastor Calvin (Sam Shepard), who raised Alton since Roy and his wife, Sarah (Kirsten Dunst), left the compound. The main interrogator is NSA communication analyst Paul Sevier (Adam Driver) who is more interested with how Calvin was able to get highly classified satellite communications through Alton. It’s soon revealed through Roy’s travels with Alton with the FBI and members of the cult hot on their tails that Alton may not be of this world, and while his origins are unknown to all parties involved, it’s evident that he’s about to reveal something that will change the world forever.

Let me just say, the way this story is told is fantastic. The structure that this narrative falls into is really the only way this story can be told. The film begins in medias res with Roy, Lucas, and Alton on the run and we as the audience don’t know why. This first part of the movie is so riveting because I really hadn’t the slightest idea of what everything meant. Was Alton an alien or some sort of experiment gone wrong? What was the deal with the religious cult? How powerful is Alton and what are his weaknesses. Nichols knows that with a story like this, there’s going to be some major questions and he uses that to the film’s advantage and creates this mysterious thread that totally morphs into a web. The atmosphere of science fiction blends well with the rural roads our travelers call home during the night, and the mystery of what is actually going on had me hooked from beginning to end.

My last review was of J.C. Chandor’s Margin Call, and I really liked that movie except for a problem with certain characters and their relevancy to the story. As much as I really liked Midnight Special, I feel like this film is a bigger offender of the same problem. Early in the movie we get introduced to the religious cult Alton comes from and its charismatic leader, Pastor Calvin. I really liked this element of the story in the way that it seemed to be blending science fiction and religion. It’s a theme that’s seen pretty frequently in the genre, but it felt really down to earth in this film. Unfortunately, this cult doesn’t really amount to much and the only impact they have on the story lasts a few scenes, one of them being quite intense. Still, I would have liked to see a lot more from the cult and especially from Sam Shepard’s character, Calvin, because he was really selling that role well.

Like I said, Midnight Special is science fiction brought down to earth. It’s something I felt like could be happening at this very moment, and I even thought about if I’ve ever driven past someone on a dark highway going through some extraordinary even like this, and I would never know. With these huge science fiction films taking us to different worlds and galaxies, it was refreshing to see a movie that just spans a couple of states with a story that deals with real people. While this movie isn’t action packed, it still has plenty of really unique special effects that I will forever associate with this film and some larger than life ideas that I feel pay off very well.

Midnight Special is truly just a wonderful story and I have to give Jeff Nichols credit for once again leading me down a road where I couldn’t have guessed the destination. This film works as science fiction, family drama, and as a mystery that’s wrapped in a very well shot and paced film. The only gripes I have come from some characters that feel underused or just completely forgotten. Still, this is some excellent science fiction that deserves more praise than it gets.

Final Grade: A

The LEGO Batman Movie – Review

22 Feb

Back when The LEGO Movie was released in 2014, I expected it to be one of the worst movies to hit theaters in a long time. I really thought I was about to sit through an advertisement for LEGOs that lasted over an hour and a half. Well, I couldn’t have been more wrong. The LEGO Movie was one of the funniest movies I saw in a long time, and repeat viewings only seem to make it funnier. I will say I also had some hesitation about The LEGO Batman Movie. I thought maybe this was just going to be a watered down version of the first film, which is not something I wanted to see. I’m happy to report that The LEGO Batman Movie is another frenetic and brutally hilarious trip into this world made of LEGO bricks, even though it doesn’t quite match the energy of the first film.

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Gotham City has a lot of problems, but none of them are a match for the awesomeness of the self proclaimed best superhero ever, Batman (Will Arnett). After stopping the Joker (Zach Galifanakis) yet again, he is taken aback when the Joker says he values the ongoing hateful relationship that the two share, but Batman quickly shoots down that thought which leads the Joker to plot his greatest attack on Gotham to date. Meanwhile, Barbara Gordon (Rosario Dawson) has been announced as the new police commissioner who vows to unify the police force and make it so that Gotham doesn’t need to just rely on Batman for protection. This comes much to the chagrin of Batman, who knows the Joker is up to something devious. With his new protégé, Dick Grayson, aka Robin (Michael Cera), Batman is forced to come to the realization that he is going to need all the help he can get when the Joker unleashes an absurd amount of villains on Gotham from the mysterious Phantom Zone.

The biggest thing I have to say about The LEGO Batman Movie, which is what I said about The LEGO Movie, is that I love its relentless style of humor. When a movie has so much humor and jokes jam packed into it that I have to watch it more than once is something I consider to be a strong positive. The days since I’ve seen The LEGO Batman Movie, I still find myself laughing because I’ll remember a scene or a line that didn’t stick with me right away, but came back to me nonetheless. This movie isn’t quite as hilarious as the first film in this new franchise, but it still made me laugh harder and more often than any other movie I’ve seen recently. It’s a pretty common misconception that just because something is animated and rated PG that it is something made solely for kids. This couldn’t be further from the truth, and it’s worth noting that there’s plenty of jokes and references in this movie that are made just for all the adults in the audience.

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Beneath all the humor and over the top energy that makes this movie so great, there’s a lot of really good messages that can be thought about after the movie’s over. Again, these are messages that both kids and adults can understand and this film never panders to any specific demographic. There’s themes of friendship, family, and a very important one about self worth and knowing when to ask for help. It’s something a viewer of any age can really understand and support. Speaking of what’s hiding behind the barrage of humor, there’s an outrageous amount of Easter eggs, self referential jabs, and pop culture references. There’s enough to make your head spin, and and pop culture freak, comic book nerd, or cinephile will have a blast picking everything out.

Much like its predecessor, The LEGO Batman Movie has a very cool style and is animated very well. Things still look as if they could be done through stop motion using LEGO bricks, but it’s really just a very well done piece of computer animation. There were actually a few scenes in this where I was downright shocked by just how good looking it was. There’s one quick scene of a villain walking along the top of a plane in the beginning of the movie that got me hooked on the visuals, but the action sequences are what really sold this movie to me in terms of its animation.

Simply put, The LEGO Batman Movie is another relentlessly hilarious movie that gives me more hope for the LEGO movies to come. It doesn’t quite reach the heights of the first film, but it’s a leg above a lot of the other comedies I’ve seen of recent. The jokes are non stop, the references and jabs at itself and other franchises is a lot of fun, and there’s even some good messages to take away from it all. The LEGO Batman Movie is a film that can lift anyone’s spirits and provide some much needed laughs.

Final Grade: A-

Moonlight – Review

4 Jan

One of the most talked about movies of this year is Barry Jenkins’ Moonlight. It has taken me way too long to see this movie, but I’ve finally made my way to the theater to go see it, and I was completely blown away. I had such high hopes for this movie because the praise from both audiences and critics has been unanimous. Having the high hopes that I did can sometimes be dangerous because it’s rare that a movie so perfectly matches your expectations. I’m happy to say that Moonlight, with its solid performances, story, and cinematography, stands with some of the best movies of this year.

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The story of Moonlight is broken up into three separate acts. In the first act, we meet a young Chiron (Alex Hibbert), a shy boy who is constantly being chased and bullied by his classmates. He can’t even find help at home since his mom’s (Naomie Harris) problems with drug addiction and prostitution often forces him out of the house and back on the street. His only solace is in a local drug dealer named Juan (Mahershala Ali) and his girlfriend, Teresa (Janelle Monáe), who let him stay over and give some of his first life lessons. In the second act, Chiron (Ashton Sanders) is in high school and is still being harassed. He knows something is different about him and finds a new kind of comfort in a classmate named Kevin (Jharrel Jerome). This comfort is soon destroyed and Chiron, himself, becomes pushed too far. In the final act, Chiron (Trevante Rhodes), now going by Black, is an adult drug dealer living in Georgia. He gets a call from Kevin (André Holland) one night in Florida and the two meet up in the restaurant that Kevin works in. This meet up once again rekindles something in Chiron which forces him to come closer to his insecurities and his true self than he may ever have before.

Right from the very first shot of Moonlight I was hooked. The film opens with a fantastic long take that circles a group of characters having a mundane conversation that’s made interesting by this stylistic choice. The whole movie is a visual and auditory masterpiece that uses these techniques to help tell the story instead of completely washing the story out with style. Barry Jenkins and cinematographer James Laxton find very unique places to put the camera or move the camera to get an image that is evocative and sometimes unexpected. This is easily one of the best looking movies of the entire year. The sound also helps better the story and sometimes isolate you into the mind of Chiron. There are moments when people are yelling and screaming but there’s this strange silence that fills the screen that is far more dramatic than anything that’s being said. There’s a few instances where the sound becomes more of a staccato which creates the tension necessary for a scene. This combination of sight and sound really gives this movie a special artistic touch, and I couldn’t imagine the story being told by someone else.

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Like I said, the style of this movie doesn’t overshadow the story, and that’s mainly because the story is so well told and so beautifully realized. Without giving anything away, the story of this movie takes a very real and relevant situation someone can be going through and puts this situation in a really harsh and unforgiving environment where only a few people around you really understand and care about you and what you’re going through. This can often times be a tough movie to sit through because it can be very unforgiving with what happens to some of the characters. By the end, however, I felt like the characters have all changed, matured, and learned. The only way this movie could be told is in the three part structure that it’s set up as. If the film only focused on one of these time periods, then Chiron’s character wouldn’t learn and change like he does in the finished product. This is a very real and down to earth film that doesn’t pull any punches but still leaves the audience feeling satisfied.

Like so many great movies, none of this would have the impact that it does if the performances weren’t as strong as everything else. This is also one of the best acted films of the year, right along with Manchester by the Sea. Mahershala Ali gives his best performance in Moonlight, and I really want to see more of this actor in feature films and not just television. The real stand outs for me, however, are all three actors that play Chiron. Trevante Rhodes and Ashton Sanders who play the adult and teenage Chiron, respectively, share very similar quirks and characterizations that really makes the audience feel like they’re watching the same person at different ages. Of course the different angsts and motivations of their ages come out as well. I especially want to talk about Alex Hibbert who plays the young Chiron. It’s rare that an actor of his age can make me believe so easily that I’m seeing a real person and not just a character onscreen, and he pulls it off with ease. It’s a great performance. The rest of the supporting cast featuring Naomie Harris, Janelle Monét, and André Holland are all perfectly casted and performed as well.

There’s been a lot of great and memorable movies to come out in 2016, and Moonlight is up there with the best of them. This is a very dramatic movie that never falls into the pit of melodrama while also exploring themes that may seem familiar, but never actually makes itself a cliché. It’s written and performed in such a way that feels very down to earth and organic. It’s also filmed in such a way that is very artistic and stylistic without ever going overboard. I highly recommend this movie for so many different reasons.

Final Grade: A+

Manchester by the Sea – Review

14 Dec

Sometimes it seems that a great movie can just pop up out of nowhere. I shouldn’t really be saying that about this one considering this is the time of year when a lot of the great movies come out and also the fact that this particular film was getting a fair amount of buzz. When I first heard of Manchester by the Sea I was determined to see it because of the praise that was being given to Casey Affleck, one of my favorite actors. I went to the movie not knowing too much of what the plot was or who was involved with the production, but looking back on it, Manchester by the Sea is one of the stand out films of the year and one of the most honest and down to earth stories I’ve seen in a long time.

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Lee Chandler (Casey Affleck) is a janitor for an apartment complex in Quincy, Massachusetts who is known by the tenants for his often volatile personality. One day he gets a call to let him know that his brother, Joe (Kyle Chandler), has died which forces Lee to return to his home town of Manchester-by-the-Sea for the services and to also look after Joe’s son Patrick (Lucas Hedges). This return to Manchester opens some old, deep wounds that Lee has been running from for years that are only made worse when he finally runs into his ex-wife Randi (Michelle Williams), and the two begin talking for the first time since a tragedy forcefully pulled them apart. As Lee starts to deal with his past and the problems he is presently facing, a bomb is dropped on him when it’s revealed that he is now the legal guardian of Patrick, a responsibility that seems so far from what Lee is capable of.

There are so many really impressive things about Manchester by the Sea from the way the story is told to the actors responsible for bringing all of the poignant scenes Kenneth Lonergan created to life. In terms of story, it’s simply beautiful and it’s so beautiful because it’s so real. There’s nothing glamorized in this movie and the drama feels like it could happen to anyone including yourself. The idea of having a death in the family, especially someone as close as Lee and Joe were, is a very upsetting thing to think about but the story never becomes so upsetting that all the hope is lost. People deal with loss in different ways including lashing out at other people or hiding behind a sense of humor. This movie explores all of these ways and it surprisingly made me laugh more than a few times. In one scene, Lee and Patrick are having an argument while they walk up and down a street looking for where they parked the car. This frustration of forgetting where they parked adds frustration to their argument and fuels the fire. This is a great scene that perfectly illustrates the real scenarios that are relatable to the viewer.

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Part of what made this movie connect with me so much actually had a lot to do with the location. Manchester is shot like it could be Anytown, USA. There’s something really familiar about the businesses and the homes that just put me at ease with where I was. Like I said, there’s nothing glamorous in Manchester by the Sea and that includes the way the settings and people are shot. None of the characters look like movie stars, but are made up to look like they could be anyone’s next door neighbor. It reminded me a lot of British realism in the sense that all of this could be happening next door from you and you may not even know. Lonergan has truly crafted a story that can speak to anyone, no matter how cold and jaded you’ve become.

On to the reason why I really wanted to see this movie. Affleck has been getting a lot of attention for his performance in this movie and he deserves every bit of it. He gives an understated and honest performance, but he also just fits right into the location like he’s been there all his life. There are some scenes that require him to really put energy into the drama, but there are so many great scenes that are much quieter and you can see just by his face that the gears in his head are turning and turning fast. Lucas Hedges also gives a surprisingly great performance as Patrick, and the two leads work great with each other. It’s a very real relationship they have and the conversations we get to listen to happen so naturally. Finally, Michelle Williams is always one to give a strong performance and her tragic character in this film is clearly and accurately brought to life.

Manchester by the Sea snuck up on my out of nowhere and has become one of the strongest and most memorable movies of 2016. It’s a pretty long movie and it can be argued that not much happens in the slow burn of a storyline, but I’d argue that. This is a very deep, complex, and emotional story that’s acted by some of the best in the business and realistically brought to life by writer and director Kenneth Lonergan. It doesn’t so much succeed as a drama as it does in showing life and humanity in the most organic way you can see on film. Manchester by the Sea is required viewing.

Final Grade: A

We Own the Night – Review

27 Oct

One of my favorite types of movies are crime movies or gangster movies. Anything like that, really, is worth checking out. There’s just something fascinating about the lifestyle, and it gets even more fascinating when the story is set in a time and a place that really adds character to the situations the characters find themselves in. James Gray’s film We Own the Night takes place in the late 1980s, which was a time in New York City when crime was at an all time high. This caused the rise of the NYPD’s Street Crime Unit, whose tagline was the title of this film. All this history and material should make this film an instant classic, but it unfortunately fell under the radar for some reasons that became very obvious as I was watching.

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Bobby Green (Joaquin Phoenix) is a manager of a popular club that is unfortunately a host to a nefarious criminal named Nezhinski (Alex Veadov). Despite this, Bobby is living the life he loves at the club with his girlfriend, Amada (Eva Mendes). What the club owners and employees don’t know, is that Bobby’s father, Burt (Robert Duvall), is the chief of police and his brother, Joseph (Mark Wahlberg), is a highly respected officer of the Street Crimes Unit. These separate lives intersect when Burt and Joseph ask Bobby if he is willing to inform on Nezhinski’s activities to them, but after Bobby declines and there’s a raid on his club, Nezhinski starts taking matters into his own hands and attacking police. As Bobby tries to resume life by any means, the gangsters operating out of his club start getting closer and closer to learning who Bobby and his family is which forces the police to start working faster and making rasher decisions.

There’s so much that material to work with to make this an epic crime film of this time, yet it falls very short of that epic scope it should have had. The first glaring issue is the uneven tone and pacing of the story. During the first half of the movie, Bobby feels very disconnected from everyone and everything, including his family and his club. Part of the reason why is because we’re just thrown right into his life without getting any history of the characters or why they behave like they do. Some set up would have really gone a long way. Once we get around halfway through the movie, things really start focusing up and the story really feels like it gets kicked off. There’s just so much jammed into the first half without any back story given, while the second half is the payoff from all of that which is done in a much more concise and focused way. It feels like this could have been a 3 hour movie instead of a 2 hour one.

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We Own the Night has an excellent cast, which is another reason that drew me to this movie. Joaquin Phoenix is one of the most powerful actors working today and he gets some really excellent scenes to show just how talented he is. Eva Mendes also gives one of her better performances, and Robert Duvall gives a very subtle yet sincere performance as Bobby and Joseph’s father. Now we come to Mark Wahlberg. I’d love to say he did great in this film since he is a fine actor, but he doesn’t get to do a damn thing. For a huge portion of the movie, he isn’t even in it, but when he is, he’s either berating his brother or sitting around in his office. When he finally does get to go out into the field, he still doesn’t do anything. I haven’t seen a character wasted like this in a really long time, and no other such egregious instances comes to mind in recent memory.

What really saves this movie from falling into the deepest pits of mediocrity are some scenes that show what James Gray is really capable of. One scene towards the beginning of the movie shows one of the most realistic depictions of street violence I’ve seen in a movie. It’s shocking and gut wrenching in its realism. Speaking of gut wrenching, there’s a car chase later on that is so un-cinematic and all the more intense for it. There’s minimal music in this scene and most of the action takes place inside one car with the the other action and sound just what can be seen and heard through the windows and the torrential rain. There’s a handful of other great scenes as well that really bolster this movie up higher.

I wanted to like We Own the Night a lot more than I did. It has all the makings of being a great movie, but the plot and tone can be so uneven and a potentially important and interesting character is completely wasted. While some of the pieces don’t fit very well, there are still some really memorable scenes and very good performances by the actors whose characters actually get to do some stuff. I was looking for a movie that was going to hopefully sit with the greats in the crime subgenre, but what I got was a movie that was a little frustrating and failed at reaching its true potential.

Final Grade: B-

Apocalypto – Review

10 Oct

 

Mel Gibson has become a name that is synonymous with controversy. In my opinion, regardless of what Gibson has said or did, it’s important to separate an artist from his work. For this particular film maker, he’s proven himself to be quite a talent with his most well known epic films being the modern classic Braveheart and the meticulously made Passion of the Christ. In 2006, Gibson took epic film making to a new level with his severely underrated film Apocalypto. Movies are a very exciting thing, and when one this huge is made with so much attention to small details along with a captivating and exciting story, I almost lose myself in thinking about it. This movie is a masterpiece.

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Jaguar Paw (Rudy Youngblood), who along with his father and many friends, is a hunter in the jungles of Central America during the collapse of the Mayan civilization. Jaguar Paw’s village is separate from all that as these people live a peaceful, secluded life. One morning, the village is attacked by a warrior named Zero Wolf (Raoul Trujillo) and his followers. They kill many villagers, but take many to bring back to the Mayan city either to be sold into slavery or be sacrificed to the gods. Jaguar Paw manages to escape from his Mayan captors and begins a chase through the thick Central American jungle to get back to his wife (Dalia Hernández) and son (Carlos Emilio Báez). With the vengeful Zero hot on his trail, Jaguar Paw has to think like a hunter once again if he’s ever going to see his family again.

From the opening shot of the jungle existing naturally without any interference to the very last shot that bookends the film both visually and thematically, Apocalypto is a gorgeous movie. Shot on location in Mexico, very little computer generated images were used in favor of showing the natural majesty that these jungles have to offer. It makes for exciting chase sequences through the thicket and roaring waters. A lot of credit has to go to the stunt team for making these kind of high speed chases through territory like this possible. When the characters are in the Mayan city about half way through the movie, it’s even harder to believe that most of what is seen is not computer generated. Like the epics of the 1950s, including Ben-Hur and The Ten Commandments, the towering structures were actually built by a team of set designers. It’s an incredible sight to behold and made me feel like I was looking through a portal to a time long since past.

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I said earlier that the attention to detail is extremely impressive in this movie. Much like with The Passion of the Christ, all of the dialogue in Apocalypto is spoken in an approximation of what language would have been used in that time or place. In this case, the language is Yucatec Maya. It’s a decision that makes it so much easier to immerse yourself in the world that has been created. It’s obvious that this was one of the main intentions of Gibson’s from the very beginning. Other than taking the time to get this language down properly and film all the scenes with it, it’s important to recognize the costume design and make up. It boggles my brain how this movie didn’t get any Oscars for its costuming and make up. There are hundreds of extras in this movie along with the handful of main players, and each one of these people have a unique make up and costume design. This is an enormous undertaking and it’s a cinematic feat that I’ve never seen anything like before.

While the story, itself, isn’t anything too groundbreaking or complex, it’s enough to keep the action and adventure moving at a quick pace. Apocalypto is not a short movie with it’s run time closing in on two and a half hours, but never was I bored throughout the entire movie. There’s a surprising amount of time building up the characters that will be present throughout the movie, and I was surprised by how much I really cared for Jaguar Paw and his family and friends. Once the attack happens the the villagers are taken to the Mayan city, the plot feels like it’s shot out of a cannon and the excitement doesn’t stop until the closing credits.

Apocalypto is one of those movies that reminds me why I love movies so much. It’s kind of a cheesy thing to refer to movies as magic, but sometimes I don’t know what else to call them. Apocalypto is pure movie magic and an achievement that is greatly under appreciated. The fine attention to detail mixed with loads of excitement, action, and adventure makes this a movie that I won’t forget for quite a long time.

Final Grade: A+

Deepwater Horizon – Review

2 Oct

On April 20, 2010, the offshore Deepwater Horizon oil rig exploded which caused the worst oil spill in American history. I remember hearing all about it on the news and in school and watching the aftermath that almost destroyed an entire habitat of life. A lot of people don’t seem to be on board with making a movie about this tragedy so soon after it happened, but I’m on the side that it’s a good way to honor the people who lost their lives while also raising more attention for the people responsible and showing the viewer the terror of what happened on that rig. I wasn’t too thrilled with the trailers for Deepwater Horizon, so I had no intention of really liking this movie, and now after seeing it I have to say that it’s a stand out film of 2016.

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Mike Williams (Mark Wahlberg) seems to have it all. He has a loving wife, Felicia (Kate Hudson), a daughter, and a good, respectable job on the Deepwater Horizon offshore oil rig. At the start of one of his 3 week shifts on the rig, there’s some tension between his boss, Jimmy Harrell (Kurt Russell), and BP representative Donald Vidrine (John Malkovich) over how fast they can get started extracting the oil. What Harrell and the rest of the crew are trying to get Vidrine to understand is the unsafe level of pressure in the tubing that can’t exist when they start excavating. Vidrine finds the tests run to be acceptable and pushes the job to start. This leads to a massive oil eruption which leads to an explosion that engulfs the entire oil rig. With time running out, Williams and the rest of the crew begin fighting for their lives to get to the life boats and help anyone on the rig that they possibly can.

Using words to summarize this movie really does no justice to how intense and thrilling Deepwater Horizon actually is. This is an expertly made film in so many different ways. Peter Berg’s directing style gives the film a very personal feeling and the intelligent use of handheld camerawork often gives the illusion that you’re walking with these characters on the Deepwater Horizon. What really puts this movie over the edge and turns it into a technical wonder is the sound design and visual effects. When the rig finally explodes the combination of the special effects and booming sound made my jaw drop. It was a wonder to look at, but never is anything over done. The goal of this movie obviously wasn’t to wow the audience with its technical achievements, but to create a realistic environment of terror and destruction to illustrate the danger these workers faced around ever corner. When Oscar season rolls around, I expect to see this film nominated for special effects and sound because it’s just outstanding work.

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One of the strengths of Deepwater Horizon is the realistic portrayal of the characters and how they succeed at getting the audience to relate to them easily. Mark Wahlberg gives a good performance as Mike Williams, and I’ll go on record saying that these types of roles are basically meant for him at this point. He’s great as playing a sort of everyman family guy that is thrown into situations he may be unprepared for. I also have to give major props to Kurt Russell, who I believe gives the best performance of this movie. I felt like I knew this guy, and that’s exactly what I’m trying to say about the characters being relatable. Finally, John Malkovich steals every scene he’s in as the BP executive that is just so easy to hate. Anyone who’s worked in a corporate company knows how off putting “corporate” folks can be, and seeing him manipulate and and put unreasonable pressure on the workers in this movie was infuriating. It’s hard to call him a villain in this movie, but a lot of his action and motivations can only be described as villainous.

The only possible fault I can give this movie is its pushing of a certain agenda. I understand that movies exist partially so film makers can have a voice and express their thoughts and beliefs, but when a movie has an agenda that is so clear and pushed so hard, it can become annoying. That’s mainly why I can’t really get into the work of Oliver Stone. This film is nowhere near as guilty as something like American Sniper, but it does have its moments where I felt like Berg was preaching to me and laying his beliefs on pretty strong in that obnoxious kind of way. The strange thing is that I agree with a lot of what this movie is trying to say, but some of it didn’t have to be done in such a heavy handed way. These are just a few instances, and overall I think it was handled pretty well.

I really wasn’t to keen on seeing this movie, but I’m so happy I did. Deepwater Horizon is an extremely intense movie that is a technical marvel and bolsters some pretty good performances. While it does push certain ideas pretty hard, it rarely gets bogged down in what it’s trying to say and it works best as a testament to the bravery and strength that can be latent in everyday human beings. This is an exhausting movie that will make you feel that you just got whacked with a sledgehammer, but it’s a film that shouldn’t be missed.

Final Grade: A-

Revolutionary Road – Review

2 Sep

To me, some of the coolest kinds of movies take subjects that seem completely normal and uneventful and completely flip them on their heads to show a much more unsettling look at normalcy. In 1999, director Sam Mendes graced the world with a masterwork of film making, American Beauty, which took a darkly comedic look at the sometimes tragic follies of suburban living. After this great success, Mendes would revisit similar themes with his 2008 film Revolutionary Road. While it does share similar elements to his earlier film, Revolutionary Road is a much more serious and unsettling look at marriage, mental health, and the idea of “settling down.” It’s an overwhelming experience that is bound to leave you drained by the end.

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After Frank Wheeler (Leonardo DiCaprio) meets April (Kate Winslet) at a party, it doesn’t take long for them to fall in love and start their life together. They move into a nice house on Revolutionary Road in the suburbs of Connecticut. Frank gets a job as a salesman for Knox Machines and April stays home taking care of their two young kids. It seems like the perfect nuclear family. What’s happening behind closed doors is less than perfect. Frank and April’s relationship is completely disintegrating, and this disintegrations is causing a lot of hate to boil to the surface. This hate has to remain hidden from their friends and neighbors. Their final solution to this is to pack their things, get out of the mundane life they created and move to Paris. While this idea brings them closer to the happiness they desire, a promotion offered to Frank once again puts their relationship in jeopardy as their desires and feelings become even more at ends and their lives begin to spiral out of control.

What Mendes did for more modern suburban life with American Beauty, he does for the nuclear family in Revolutionary Road. This film takes a tough look at what is labeled as the “perfect American life.” The Wheelers are a close family that live in a nice house in a nice neighborhood, and that’s ultimately what seems to be their downfall. Everything is just too nice. It also shows the long term consequences of decisions that seemed like a great idea at the time, like quickly getting married or hastily taking a job that you have no interest in. I feel like I’m rambling a little bit, but that’s one of the more interesting parts about this movie. Everything seems so mundane and ordinary at first glance, but this mundanity is what’s helping to tear this family to shreds. Revolutionary Road also takes a critical look at relationships. It doesn’t condemn them even a little bit, but it forces the audience to examine what makes them actually work and how too much focus on yourself, no matter how right or wrong you may be, can wreak the foundation a relationship is built on. In a nutshell, Revolutionary Road is a film about the extraordinary dark side to an otherwise ordinary life, which may seem all to real to some people.

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Revolutionary Road is an emotionally exhausting film, and I guarantee that by the end you’re going to need either eat an entire tub of ice cream or take a really long nap. There are scenes in this movie that are so intense and real and uncomfortable that I was looking at it through my fingers. When a movie isn’t a horror film and it elicits that kind of reaction, then something was done very right. While it is very intense and tragic in many scenes, there are times where it got to be a bit too much. That’s probably my only complaint with this film. It goes from being highly dramatic to too predictably melodramatic. This only happens a few times throughout the course of the movie so it really isn’t that big of a complaint at all. Most of the scenes hit the dramatic intensity just right, while a select few kind of just go too far. One major contribution to the drama is Thomas Newman’s excellent score that fits right in with the film’s onscreen action.

Watching this movie, it isn’t hard to believe that before working in film, Mendes was a prolific director of stage plays. He, along with the help of master cinematographer Roger Deakins, films this movie like something that could be found on stage. It works great for the film and really allows that actors to work with the limited space that is given to them DiCaprio and Winslet have already shown their chemistry in Titanic, and now show a much more matured version of that chemistry in Revolutionary Road. They give outstanding performances that, I feel, have become under appreciated since the time of this movie’s release. I was surprised to see Michael Shannon, who has grown to be one of my absolute favorite actors, shows up for a little bit. He’s only in a few scenes, but he absolutely owns the screen whenever he’s on, and for this small performance he was given a Best Supporting Actor nomination.

Revolutionary Road is one of those movies that really hits you where it hurts. At times, the drama could get a little heavy handed and the writing could stray into the “no one really talks like that” category. Even with the rare heavy handedness, this is a really interesting and upsetting film that succeeds in exactly what it was trying to do. Not only is this film shot very well, but the acting is superb and the production and costume design really get you into the era that the film takes place. Mendes is a film maker that understands the more subtle terrors of normal life, and he uses them very well in Revolutionary Road.