Tag Archives: fantasy

House Series – Review: Part 1

20 Nov

Horror and comedy go together better than most genre combinations. It’s fun to be scared at the movies and it’s also fun to laugh at yourself being scared, so why not mix both into one movie? In 1980, Sean S. Cunningham created one of the most iconic horror franchises ever with his movie Friday the 13th, and Steven Miner continued his franchise with two sequels. What some people may not know is that they collaborated again in 1986 with a horror comedy called House. It wasn’t as big of a success as their previous works, but it did spawn a series that I’ve never really heard anyone talk about. Could there be a reason for that? Let’s find out.

Roger Cobb (William Katt) is an author who is struggling to find inspiration for his new book about his experiences in the Vietnam War. After his estranged aunt (Susan French) commits suicide in her home, Roger decides to move in and take care of the place while also hoping to be inspired in the house he used to live in before a tragedy forced him and his wife, Sandy (Kay Lenz), to separate. What Roger wasn’t expecting was that this house would be a portal for all sorts of creatures and ghouls to come through and torment him during the night and threaten his very existence. Now, it’s up to Roger and his especially nosy neighbor, Harold (George Wendt), to stop the specters from threatening the rest of the neighborhood and completely destroying Roger.

There are plenty of reasons that make House an appealing movie to see. For one thing seeing the Greatest American Hero and Norm from Cheers teaming up to fight creatures in a haunted house is hilarious. Both William Katt and George Wendt bring their comedic chops to the table while also functioning well in the film’s more serious scenes. There’s also some clever special effects and creature design that don’t use any kind of computer effects, of course. I’m a sucker for things like that so any movie that utilizes these kind of costumes already has a leg up in my book. While House is definitely more of a comedy, it does also touch on the PTSD that many soldiers go through after a war, with this one being Vietnam. It adds a layer of drama that was a little unexpected, but certainly welcome.

While there’s plenty to enjoy with House, it really isn’t all that special. A lot of the comedy is very childish despite the movie being rated R, and I don’t feel like it really embraced the off the walls insanity it may have been going for. I just felt like something big was missing from this movie. There’s no scene that’s exactly memorable and it’s a movie I feel like I may not remember too much about as time goes on. It also takes quite a while for things to really start happening, which is kind of strange because this is a pretty short movie at just an hour and a half. There’s also a character who exists solely so that there can be a funny scene with a kid in the middle of the movie. It was a really entertaining bit, but this character was just useless and didn’t make any kind of impact on the story.

One of the first words I used to describe House after I just finished watching it was “cute.” It’s a serviceable horror comedy that can be easily watched and disposed of. I really wanted a lot more from the movie, however. For an R rated horror comedy, it’s really quite tame, and that’s surprising since it’s coming from the creative forces behind Friday the 13th and a few of its sequels. This is a movie that seems to have sort of faded into obscurity despite the fact that it has William Katt and George Wendt fighting demons. That in and of itself was enough for me to watch it. House isn’t a bad film, but don’t go in expecting too much.

Final Grade: C

While House wasn’t that much of a success, there was still a sequel released one year later, and I have to say I love the title: House II: The Second Story. Get it? Like the second floor? Story? Moving on.

Jesse (Arye Gross) and his girlfriend Kate (Lar Park Lincoln) are a well off couple who move into a mansion that has been part of Jesse’s family for generations. While they’re there, Jesse does some investigating into his past and finds that his great great grandfather found a crystal skull in an Aztec temple and it may or may not be buried with him in the graveyard on the hill next to the house. This prompts Jesse and his friend Charlie (Jonathan Stark) to head over and dig up the grave. What they don’t know is that the corpse isn’t a corpse, but is very much alive and insists on Jess and Charlie calling him Gramps (Royal Dano) after being dug up, crystal skull in hand. Now, Jesse, Charlie, and Gramps have to keep their secret from Kate and her nosy boss, John (Bill Maher), while also defending the skull and the house from extra dimensional beings and time travelers who want the skull for themselves, especially Gramps’ old foe, Slim Reeser.

Remember how I used the word “cute” to describe the original film? Well House II is even more so, and I may have to go so far as saying it isn’t even a horror movie. This film is heavy on the comedy and fantasy but very light on the scares. This works both for and against the movie. Let’s start with the negatives so I can focus a bit on the fun stuff later. House II is a follow up to a horror comedy, so I went in expecting a horror comedy. Since I didn’t get that I feel like the movie comes off as both a little unnecessary and kind of disappointing. For most of the movie the comedy also comes off as excruciatingly obvious and not delivered all that well. Arye Gross isn’t much of a heroic presence and his line delivery often times comes out very awkward. The same can be said for Jonathan Stark, which is a problem since he’s supposed to be the main source of the comedy for most of the movie.

If I’m going to be completely honest, this is kind of a hard movie to be overly critical with because it is such a light hearted film. In fact, in terms of it’s tone, it was more in line than the first House. Royal Dano as Gramps is hilarious and Bill Maher works great as the slimy boss with eyes for Kate. John Ratzenberger also has a small part towards the end and he is easily the best part of the movie. If I can be honest again, I have to say that this movie was very entertaining. There was some cool make up effects for Gramps and Slim Reeser and there’s also some fun puppet work when dinosaurs get involved. Yeah, I said it. Dinosaurs. This is a movie that knows exactly what it is and has fun with it, and it never gets bogged down with drama. Drama’s absolutely great, but House II was determined to be a comedy so it stuck with that.

I honestly can’t believe I’m saying this, and I may be in the minority here, but I enjoyed House II: The Second Story more than the first movie. Both have their positives and negatives, but my biggest complaint with the first one was that it didn’t go far enough. The second movie dives head first into weird and doesn’t stop to take a breath. It is a tame outing, but it’s fun and so light hearted it’s hard not to enjoy it just a little bit. If you’re going in expecting a horror comedy like the last film, you may be disappointed. This one is more of a fantasy adventure mixed with comedy. If that’s still your cup of tea, I recommend this one with a smile on my face.

Final Grade: C+

Well there’s the first two House movies for you. Both aren’t masterpieces, but they certainly aren’t bad. They’re both light comedies that blend horror, fantasy, and some adventure. They aren’t movies you have to watch right this second, but they’re completely serviceable entertainment. Check back soon for the second part of this review where I’ll be talking about House III: The Horror Show and House IV.

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Thor: Ragnarok – Review

10 Nov

In between Marvel movies, the MCU relies on its number of shows to keep the world alive. The Defenders was an excellent entry that united all of the Netflix heroes, but Iron Fist and Inhumans has been a slog through primordial mud. Because of this, I haven’t been having the best time with the MCU recently, so I needed a major pick me up. I was relying heavily on Thor: Ragnarok to really bring it, but was worried because this series has been one of the weakest in the MCU. I held onto the fact that the film was being helmed by Taika Waititi and went in not knowing what to expect. Well, Ragnarok succeeded at jolting new life into the MCU and has now placed itself at the top of the Thor movies as the best entry into the series yet.

After leaving the Avengers during the events of Age of Ultron, Thor (Chris Hemsworth) has been spending his time searching for the rest of the Infinity Stones. Upon his return to Asgard he finds that Loki (Tom Hiddleston) has been disguised as Odin (Anthony Hopkins) since he last saw him in The Dark World and has been running Asgard in his own devious ways. The two bickering brothers do end up finding Odin, only to be warned that his oldest child that neither Thor nor Loki knew about, Hela (Cate Blanchett) is soon to break free from the prison that Odin locked her in. She quickly does escape and throws Thor and Loki from the Bifrost and the two end up on Sakaar, a planet run by the Grandmaster (Jeff Goldblum) who forces his slaves, including the Hulk (Mark Ruffalo) to fight in gladitorial matches. With Thor and Hulk/Bruce Banner finally reunited, they meet up with another Asgardian, Valkyrie (Tessa Thompson), who vows to have revenge on Hela. Now a team of their own, the group must find their way back to Asgard before Hela completely resumes control and spreads her evil all over the known worlds.

There is a lot jam packed into this movie that just runs a little bit over two hours, but that never really gets in the way. More on the pacing later. For now I want to start with why this movie works so well. It is the perfect blend of action and comedy, which is something the Thor movies have seriously been lacking all these years. The movie begins with a joke, which kind of had me worried. Was this going to be an all out comedy with the action taking a back seat? Not even a little bit. The comedy never overwhelms the stellar action sequences, but they provide a lot of great fun in between these set pieces. When the action does pick up, it really blows the roof off. The final battle on Asgard is hands down one of the greatest sequences in the MCU and features a striking image that totally sums up everything the action in Thor’s movies should be.

Everyone really looks like their having the times of their lives in Ragnarok, which really gives this film even more life. Chris Hemsworth gives his best performance in the franchise yet and works great with both Tom Hiddleston and Mark Ruffalo, who also bring a lot to their performances. Cate Blanchett is excellent as Hela and continues to show that the MCU has had a very good year with their villains. Jeff Goldblum is almost too funny here, and speaking of too funny, Waititi himself has a pretty hilarious part in the movie if you can spot him. While this movie is a great time all by itself, it’s also a solid connection to the rest of the cinematic universe. It links together multiple films and a handful of different characters to add more depth to the universe Marvel and Disney have been building all these years.

If I had anything to complain about, it would have to be some of the pacing. Like I said before, there’s a lot in this movie. So much so that you’d think it would slow the movie down. Quite the opposite actually. The beginning of the movie sets up all this important stuff so fast that I was begging for it to slow down just a little bit and let me feel the weight of it all. By the time Hela escapes and Thor and Loki find themselves on Sakaar, things find a very steady pacing. By the final part of the final battle, however, things speed up once again without ever letting me feel the weight of what I was seeing. I wouldn’t have minded if the movie was a little bit longer if it meant these two sequences were fleshed out a little bit more.

Thor: Ragnarok is exactly what this series needed. It’s a blast of action and comedy that never lets up in either department. It’s full of great performances, a lot of heart, and serves well as a connection among movies in the MCU. Some pacing issues are there, but it’s never enough to completely bring the movie down. This is one of my new favorites in the entire franchise, and I’d love to see Taika Waititi back to take on more Marvel adventures.

Final Grade: A-

War for the Planet of the Apes – Review

19 Jul

When Rise of the Planet of the Apes first came out in 2011, I didn’t really think anything of it. It took me a little while to finally get around to watching it and when I did, I was floored. The action, the story, and the superb special effects were movie magic at its purest. In 2014, Dawn of the Planet of the Apes was released and improved on everything that was established in the first film. I thought that entry couldn’t be beaten, but here we are in 2017 with the third, and final, film in the trilogy called War for the Planet of the Apes. I am kind of sad to see this trilogy ending, but it’s remained a solid example of blockbuster film making and this latest entry may be the best of the new Planet of the Apes trilogy.

Years after the Simian Flu infected and wiped out a large portion of humanity, the apes led by Caesar (Andy Serkis) struggle to survive in the woods that provide limited isolation from vengeful human survivors. After their camp is attacked by a military faction called Alpha-Omega, Caesar decides it’s time to move camp for good, but disaster soon strikes which escalates the need to move but also ignites a vengeful spirit hidden deep within Caesar. Along with his trusted friends Maurice (Karin Konoval), Luca (Michael Adamthwaite), and Rocket (Terry Notary), the ape leader sets out to find the base where Alpha-Omega is located. The group finally arrives and sees that AO, along with its vicious leader Colonel McCullough (Woody Harrelson), has taken the other apes captive and are forcing them to build a wall to protect Alpha-Omega from arriving military forces. As Caesar comes face to face with an enemy like this that he has yet to encounter, he must look at his actions and the needs of his clan to determine how to proceed and get everyone to safety once and for all.

The first thing I have to talk about with this movie is the special effects. I honestly believe that these new Planet of the Apes movies are the shining example of how to use motion capture and computer generated effects to tell a story and make a movie feel more complete. Remember the old Planet of the Apes films and the costumes that were used for the apes. Looking back on them they look kind of odd, and this coming from someone who adores the original series, even at its cheesiest. The motion capture effects for Caesar and the rest of the apes instill them with a level of reality that couldn’t have been achieved otherwise, and I can say this for every film in this trilogy. There are a few close up where the eyes of these apes look so real that it’s hard to believe they just don’t have actual apes playing these roles. While I’m on this topic, can Andy Serkis just get an Oscar already. The emotions and movements of Caesar are all Serkis and I feel like he doesn’t get the praise that he has deserved for years.

With this being the final film of the trilogy, I expected this to be the largest and most epic in terms of scale. This really isn’t the case. Rise of the Planet of the Apes has a huge finale on the Golden Gate Bridge, Dawn of the Planet of the Apes has Koba and his followers attacking the humans in an all out battle, but War for the Planet of the Apes has a climax that is relatively smaller in comparison. This doesn’t make it more intense, however. When the major conflict of the film is finally addressed, which is the tension between Caesar and the Colonel, it’s a devastating scene that completely reinforces the themes that this movie is presenting and the moral strength and beliefs of the characters. There is a lot less action here, but Caesar’s war to free his apes and lead them to freedom is a continuing struggle that will leave your eyes glued to the screen for the nearly two and a half hour long runtime. There can be a lot of adjectives used to describe this movie, but boring would not be one of them.

The story to this film isn’t just a leave your brain at the door kind of narrative. In fact, I feel like I need to watch this movie again to fully see everything this movie had to offer. From beginning to end, there’s Biblical symbolism sprinkled throughout which can be both obvious and subtle. While there’s also clear hero and villains in this movie, writer/director Matt Reeves is interested in also showing the flaws of both. Caesar starts to see a lot of Koba in himself which frightens him, and the Colonel has motivations to do what he does other than just pure evil and sadism. This makes the story and the outcome feel heavier and puts it a step above the average summer blockbuster. I will say, there are a few moments of this movie where the suspension of disbelief is taken to the most extreme. One scene in particular actually pulled me out of the cinematic trance I was in and prompted me to turn to my friend, who was equally confused, and just ask why the film makers would make this choice.

War for the Planet of the Apes is one of the strongest summer blockbusters to come out in quite a while and is certainly the strongest film in this new Planet of the Apes trilogy. It explores themes of leadership and morality in such deep ways while also telling a science fiction/fantasy story of highly intelligent apes fighting for survival. With a story like that successfully tackling themes that deep, you know this film has to be something special. It also works as an intense action/adventure film that has plenty of exciting moments to keep the viewer on the edge of their seats. One more time for the people in the back, GIVE ANDY SERKIS AN OSCAR. In all seriousness though, War for the Planet of the Apes is an excellent film, and this entire trilogy shouldn’t be missed out on.

Final Grade: A

Spider-Man: Homecoming – Review

15 Jul

It’s hard to believe that we’ve reached our 16th Marvel movie, and it’s finally one that stars my favorite superhero of all time: Spider-Man. In Captain America: Civil War, Tom Holland was introduced as Peter Parker, also known as your friendly neighborhood Spider-Man. It was really exciting to see a new iteration of the character that wasn’t awful (Yes, I’m looking at you Amazing Spider-Man). Now, Holland’s back and he’s front and center in Spider-Man: Homecoming, which is one of my most anticipated movies of the year. I have to say, I love the Web Head, and this was a really good movie that’s here to kickstart his own series of stand alone films. In that way, it works really well and I can’t wait to see it again, but I can’t help but feel a little disappointed in the end result.

Peter Parker (Tom Holland) seems like a mild mannered teenager just struggling to fit in at school. His best friend, Ned (Jacob Batalon), is socially inept but lovable, but what Parker really can’t get his mind off of is Liz (Laura Harrier), the girl of his dreams who he fears he doesn’t stand a chance with. Seems like pretty normal stuff for a guy his age, but after school he also fights crime in anyway he can as the superhero, Spider-Man. He can’t seem to get too far in his crimefighting endeavors with Tony Stark (Robert Downey, Jr.) constantly on his case about his safety and how his abilities have progressed. Things get even riskier when Spidey finds out that Chitauri weaponry is being sold on the streets of New York, and the culprit is one Adrian Toomes, aka Vulture (Michael Keaton). Peter is determined to get these weapons off the street and stop Vulture, but despite his good intentions and will power he still doesn’t have the full range of his powers nor his suit, which will make this particular mission very difficult to accomplish.

I had really high hopes going into this movie just because my favorite superhero was finally getting a proper MCU treatment, but also because of all the rave reviews I was hearing about from screenings before the official release date. I don’t want anyone to misunderstand me and think I thought the movie was bad. That’s simply not the case, and I’d go so far as to say it was really good. Let’s get the negatives out of the way immediately so we can get into the good stuff later. My biggest complaint is that a lot of the story focused on Peter’s school. I understand that Spider-Man is a younger hero, especially compared to some of the other Avengers (that means you, Cap), and it is a good idea to show his interactions with kids his own age. All of the actors were very good, but it just wasn’t nearly as interesting as what was happening with Vulture and the Chitauri weapons. I’m also not thrilled when superheroes in their films don’t have full control over their powers. I know this is Spidey’s first film in the MCU and he has a lot of growing to do, but it was such a tease to see him webbing all over New York while I was thinking he was capable of so much more. I will say, however, that I’m excited to see the character evolve more in the movies to come.

Now that we got the negatives out of the way, it’s time to have some more fun. Let’s start with the cast. Tom Holland is clearly the best choice to play a young Peter Parker. He’s full of the nervous energy that defines Peter, but once you get him in that Spider-Man suit, he all attitude and brimming with that lovable arrogance that only the Web-Slinger could pull off. There’s also scenes that get pretty heavy on the drama and Holland also manages to pull those scenes off with relative ease. At this point, there really is no one else for this role. He completely owns it. Michael Keaton as Vulture was also unsurprisingly great, but what is surprising is just how well rounded Vulture was. The MCU doesn’t always have the strongest villains, especially since Loki in the first Avengers movie. Keaton gives what could be the best villain performance since Hiddleston. His character has some real depth and understandable motivation, but that motivation could have certainly been explored just a little bit more. Who surprised me the most out of the whole cast was Jacob Batalon as Ned. He had some of the funniest lines in the movie but he wasn’t there solely for comedic relief. He actually got into the adventure with Spider-Man/Peter Parker and it made his character all the better for it.

Let’s get to the action, since that’s something these movies rely so heavily on. Is the action in Homecoming fantastic? Sometimes. It definitely has its moments, but like I said before, Spidey doesn’t have complete control of his powers yet. Vulture’s suit does look awesome in these sequences though, and Jon Watts does have a good eye for directing large action set pieces, which is certainly not an easy thing to do. Adding to the pleasing aesthetics of this movie is Michael Giacchino’s excellent score that fits every piece of action, drama, and comedy perfectly. I’ve always liked Giacchino’s work and this entry into his catalogue is extra impressive. Finally, we have to take a look at how this movie fits in with the others of the MCU. Well, to put it simply, it fits very well. Tony Stark being in the movie works great, but the character that really pulled me into the world building even more was Happy. He provided some excellent comedic relief and also helped push the overall story of the MCU forward. This movie doesn’t just get me excited for more Spider-Man movies, it also gets me pumped for whatever comes next in this universe we’ve all gotten so attached to. Finally, and without spoiling anything, keep an eye out for some of Spider-Man’s most iconic villains that share some screen time with Vulture.

Spider-Man: Homecoming isn’t quite the movie I wanted it to be. It focused a lot on Peter’s high school life while I could’ve used a bit more with the villains and their evil schemes, and even some more time with Tony and Happy. This is Spider-Man’s first feature length movie in this universe, so I understand the character building, but it didn’t excite me the way I wanted it to. Luckily, Tom Holland and Michael Keaton’s performances were outstanding and the action sequences along with the music were as thrilling as they could ever be. The Wall-Crawler definitely has a good future in front of him in terms of the big screen and I can’t wait to see the next installment.

Final Grade: B+

King Arthur: Legend of the Sword – Review

15 May

Guy Ritchie is one of my favorite film makers of all time, and more often than not I envy the skill that he has when it comes to crafting an entertaining film. Snatch is quite possibly my favorite movie, but there’s so much else to love in his filmography. His newest film, King Arthur: Legend of the Sword, is not somewhere that I expected his career to go, but I learned he was making this movie close to a year and a half ago, and I’ve been excited ever since. That puts a lot of pressure on this movie with all that time to build up my expectations, and when I do that, it hurts all the more when they come crashing down. Well, I really can’t say I’m disappointed at all. This movie is no masterpiece, nor is it Ritchie’s crowning achievement. What it is, however, is a classic myth seen through the eyes of Guy Ritchie, which means there’s plenty of action, frenetic camera work and editing, and a tongue in cheek bad attitude that makes for some fun beginning of the summer blockbuster season entertainment.

After defeating the evil warlock Mordred from invading Camelot, King Uther Pendragon (Eric Bana) is betrayed by his brother, Vortigen (Jude Law), who starts a rebellion and soon wins the throne. The only Pendragon survivor is a young Arthur who grows up on the streets of Londinium unaware of his true lineage. When Arthur (Charlie Hunnam) has grown, the mysterious sword in the stone, Excalibur, is reappears which causes alarm to Vortigen, since whoever removes the sword is the true king. Vortigen soon weeds out Arthur, but Arthur is quickly saved from execution by Sir Bedivere (Djimon Honsou), Goosefat (Aiden Gillen), and a Mage (Àstrid Bergès-Frisbey). Together with these disgraced knights and servants of Uther, Arthur joins the rebellion against Vortigen, but must also learn how to wield the power of Excalibur to even come close to standing a chance against the magically corrupted evil king and his army.

It seems that Guy Ritchie has comfortably taken on the task of being the film maker that takes classic stories and reworks them into modern, brawling stories filled with action and absurd moments of cinematic trickery. He did it with Sherlock Holmes and The Man from U.N.C.L.E. and now he’s done it with Arthurian legends. This isn’t the classic King Arthur you’ve come to know through the various stories and movies and television shows. This Arthur is a streetwise brawler with a strong sense of morality, and not so much a regal leader riding into battle with his knights in shining armor. I can’t proclaim to know much about Arthurian legend, but I’m comfortable saying this is a very different retelling. I, personally, love this direction and would love to see more of these legends brought to life by Ritchie.

Part of why I love Ritchie’s work so much is the high energy he always brings to his movies, and that’s where King Arthur: Legend of the Sword is unfortunately lacking. While his other movies show crazy displays of editing and directing in many different ways, this one felt a little bit tamer. The montage of Arthur growing up set the stage very well and the few scenes after that kept the energy going, but as the world building set in, so did the slow down in the energy. The only time it really picked up again, other than a few noteworthy shots, is whenever Arthur successfully wielded Excalibur. Now, when those scenes happen, I was floored. It’s cinematic wizardry that can be explained through computer generated effects, but what’s impressive is Ritchie’s eye for movement and how he choreographed and laid out these scenes. I just wish more of the action could have had the same visual flair as those Excalibur scenes. There also wasn’t the energy in the writing either. There were funny quips and rough and tough attitude, but there weren’t any lines that really stand out as being memorable and a lot of the dialogue was pretty run of the mill.

I never thought I’d say this, but Charlie Hunnam was a perfect choice to play Arthur. I love imagining scenarios where certain things are turned into movies, and who I would cast in it, and I never would have thought of Hunnam for Arthur. Fortunately, I was wrong. Now, I will say I’m not sure how well he’d work in a more classic representation of the character, but for this tough talking Arthur, he was spot on. I also have to give props to Jude Law as Vortigen. He has this way of portraying scumbag villains really well, with a shining example being his role in Road to Perdition. In this film, however, he becomes worse as the movie continues, and while humanity can be seen in him at times, he truly is an evil bastard in this movie, and it’s so much fun to hate his guts. The rest of the cast is good, with Honsou also standing out as Bedivere, but the real memorable performances are by Hunnam and Law.

King Arthur: Legend of the Sword is not a perfect movie, and it’s flaws become very clear as the movie goes on. It has some lackluster dialogue and doesn’t quite match the energy of Ritchie’s other films. That being said, when it does decide to pick up, it nearly explodes off the screen. This take of King Arthur is admittedly different from the classic legends, but the differences make it feel fresh. This may not be a movie that should be analyzed or thought about too heavily, but it is a really great way to spend a couple of hours and stands strong as an entertaining summer blockbuster.

Final Grade: B

Phantasm Series – Review: Part 2

1 Feb

What my final consensus was on the first three Phantasm movies is that they do represent a spark of originality in a time of slasher movies, but they still weren’t free from their own set of flaws. Most of these flaws come from the pacing and the focus of the narrative, but there were also some problems with the development of characters and the acting. Surprisingly enough, the first direct to video entry, Phantasm III: Lord of the Dead was my favorite of the bunch. Now let’s take a look at the last two and see how the world Don Coscarelli built holds up.

The fourth entry in the series, Phantasm IV: Oblivion, was released in 1998 and also sent direct to video.

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Taking place right where Phantasm III left off, Mike (A. Michael Baldwin) is on the run from the wrath of the Tall Man (Angus Scrimm). Meanwhile, Reggie (Reggie Bannister) is hot on his tail after being warned by the undead Jody (Bill Thornbury) that Mike will need all the help he can get. After the Tall Man leads Mike to Death Valley, the secrets of the Tall Man begin coming to light. Mike soon stumbles across a plethora of the Tall Man’s gateways, and he begins to travel through time to see just when the Tall Man came to be. What he finds is the story of a mortician living at the turn of the century who becomes madly obsessed with inter-dimensional and time travel. As Mike learns more of these origins, Reggie finally catches up with his friend and once again engage in a battle with the Tall Man and his horde of lurkers and spheres.

Is it possible that Coscarelli could strike gold again with the second direct to video release in this series? Well, no, I wouldn’t say gold. Perhaps bronze or silver. This is another relatively entertaining addition to the Phantasm universe and it does try to be something different from its predecessors which I really respect. For one thing, we actually see a larger picture of the the power the Tall Man has over time and space. This is way more of a science fiction film than it is a horror film at this point, even though the horror elements are never too far behind. Phantasm IV pushes the limit of the entire series in terms of storytelling and exposition, which is something that really had to happen at this point. It’s great to see what the Tall Man was versus what he turned into, and there are even some interesting twists along the way that feature all of the regulars of the series. This might be the entry with the most interesting story, if anything.

What this movie does that reminded me more of the first two films is that it sometimes gets a little muddled in showing too much or slowing things down. There’s a chunk that’s not too far into the movie that I can only describe as a lot of walking. When Mike first arrives to Death Valley and begins exploring the different gateways, it does show a lot of really interesting stuff in terms of world building and long awaited character development. It just seems that Coscarelli was determined to show of footstep that Mike takes on his journey. It was just a little bit too drawn out, but honestly, that didn’t bother me all too much. It’s also great to see Reggie Bannister and Angus Scrimm again, but of course we do get some cringe worthy acting from A. Michael Baldwin and especially Bill Thornbury.

Phantasm IV: Oblivion, along with its predecessors, are reminders of what makes this series so cool. They take the best parts of the first film and build on them to create a believable and cool sci-fi/horror world. There’s a lot of much needed exposition on who the Tall Man is and what his endgame is, and there’s also a deviation from the repetitive nature that the third movie suffered from. This is a worthy entry into the series, but it probably won’t convert anyone if you’ve haven’t had any interest in the series up to this point..

Final Grade: B

It would be 18 years before another Phantasm movie would be released, but after much anticipation, teasing, and idea changing the world finally got the final film in the series. This is Phantasm: Ravager.

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For decades, Reggie has been battling the fury of the Tall Man and the evils he has wrought upon the earth. After Reggie’s most recent encounter with the Tall Man, he finds himself waking up in the care of a nursing home where Mike tells him that he’s suffering from an onset of dementia. The confusion only gets more severe as Reggie begins finding himself both in the care of the nursing home, but also in a future where the world was completely overtaken by the Tall Man and his army of lurkers and sentinels. As Reggie continues to battle the Tall Man and his own mind, the lines of reality begin to blur. Not even this will stop Reggie and Mike from joining forces through time and putting an end to this evil once and for all.

I really hate to say this, but Phantasm: Ravager is the bottom of the barrel in this series. It’s hardly even in the barrel at this point. What’s disappointing is that this movie has a promising start by throwing Reggie right into the action with a really fun scene on a desert highway. After that, the movie just sinks further and further into the mud, and not even the Tall Man’s usual shenanigans can pull it out. This movie tries really hard to be a puzzle movie and mess with the viewer’s mind instead of trying to coherently tell any kind of story. The only problem is that the puzzles they are presenting don’t seem to make any kind of sense and nothing is ever explained enough for me to even begin putting together what the hell is actually going on. What ends up happening is a series of scenes where Reggie and his companions are just running around in different times and places only to have the scene cut away right when things start to get remotely interesting.

It’s clear that this movie doesn’t have too much of a high budget, but this has been proven to not be a detractions from horror movies given the right circumstances. The first Phantasm was put together very well for such a shoe string budget. Ravager, on the other hand, is a complete eye sore that just gets worse as it goes on. There are scenes in the future where the world is taken over by the Tall Man and even on the Tall Man’s red planet that is scene throughout the series. These mark the low points for the series in general The CGI is so bad I actually had to look away for some of the movie rather than subject myself to the computer generated vomit that was filling up my screen. It’s important to work with what you have when you’re making a movie, and these film makers (this entry is no directed by Coscarelli) are obviously in way over their heads.

Phantasm: Ravager is by far the worst entry in the series, which is sad because there is some fun to be had seeing these actors return to these characters so many years later. Unfortunately, the story makes no kind of sense and the movie is damn near unwatchable due to some of the worst CGI I’ve ever seen mixed with camera work that is bland and unexciting. This film is a let down for fans of the series, and I really wanted to see some sort of closure to the series, but this is what it’s left with.

Final Grade: D-

Looking back on it, Phantasm IV: Oblivion gets better as I think about it. That one’s really the last good entry in the series before it all just goes down the drain with Phantasm: Ravager. All in all, this series is pretty interesting and definitely unique. While it may not provide the best horror experience, these films do offer a breath of fresh air and has become something of a small icon of the horror genre. If you’re a horror fan, this series is worth checking out.

Doctor Strange – Review

6 Nov

The Marvel Cinematic Universe has grown and expanded so much more than I ever expected since the days of Iron Man and The Incredible Hulk. After showcasing those more mainstream heroes, including Captain America and Thor, it was time for Marvel and Disney to add something new to the mix and bring in some lesser known heroes. Ant Man was the first to really go somewhere strange, and the inclusion of Black Panther in Civil War was just awesome. Now, with Doctor Strange, we’re going down a wormhole that I never expected to see in an MCU movie. This is probably the most unique film in the entire franchise, and is most definitely one of my new favorites. Who woulda thunk it?

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Stephen Strange (Benedict Cumberbatch) is an accomplished, world renowned neurosurgeon who may operate on other people, but it only working for himself and his own inflated ego. After a devastating car accident leaves him with permanent nerve damage in his hands, Strange tries every medical technique he can find until he hears about this mystical clan in Kathmandu that helped a paraplegic walk again. Upon arriving at the secret training ground, Kamar-Taj, Strange is shown the secrets of multidimensional existence by the Ancient One (Tilda Swinton), and is appointed a teacher, Mordo (Chiwetel Ejiofor). Though reluctant at first, Strange becomes a star pupil and soon has to put everything he’s learned to the test when the treacherous magician Kaecilius (Mads Mikkelson) returns to unleash dark lord Dormammu and the Dark Dimension onto the earth.

I knew next to nothing about this character before going into this movie, so my expectations were a little weird. I was expecting something entertaining and disposable like Ant Man, but I got something so much more. This is more than just a comic book action film. While it works as an adaptation of a Marvel comic that builds on a universe that keeps on growing, it’s also a really impressive and mid bending fantasy. Listening to the characters talk about muliverses and mirror dimensions along with the lingering presence of the Dark Dimension and Dormammu just sounded so cool. It made even the extended scenes of dialogue feel just as exciting as the scenes with magic. The world that the screenwriters crafted with Doctor Strange is so fantastical, it’s impossible to complain at all about the lack of imagination put into superhero movies.

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So while the dialogue is all really cool, it wouldn’t be worth it if all the magic and special effects on display couldn’t match what they are all talking about. This is where Doctor Strange shines the brightest. This film has some of the best special effects I’ve seen all year. There was one point in the movie where Strange, Mordo, and Kaecilius are fighting and running through a city that is completely folding in on itself and coming apart like a kaleidoscope. Some of that scene was shown in the trailers, but it’s so much crazier than the trailers ever made it out to be. It was like Inception on steroids and LSD. The climax of the movie also plays out much differently than in most movies like this. It fits in very well with the rest of the movie and will certainly not disappoint.

Benedict Cumberbatch’s performance as a Bostonian in Black Mass was a little awkward to say the least, so I was a bit concerned with how he’d handle the accent for Stephen Strange. My concerns were unwarranted since it’s clear he is the best choice for this character. He’s funny, arrogant, and sympathetic at the same time which makes this a fully realized character that is brought to life by a great performance by Cumberbatch. Tilda Swinton and Chiwetel Ejiofor also give very good performances, but I have to give an extra special shout out to Mads Mikkelson as Kaecilius. While his character didn’t have nearly as much screen time as I may have wanted, he stole every scene he was in and is one of the more memorable villains in the recent MCU.

 

Doctor Strange has so much imagination, action, fantasy, and humor crammed into it that it sometimes feel like it might burst from the awesomeness. The actors all do a splendid job with the roles and the special effects are going to make you feel like a kid on Christmas. This is definitely one of the better movies in the MCU, and while it may not be the best, it’s definitely one of my new favorites in the franchise.

Final Grade: A