Tag Archives: found footage

Willow Creek – Review

4 Mar

In 1967, the Patterson-Gimlin Film was released, which appears to show a giant creature walking along a riverbed somewhere in the forests of California. This footage has been a favorite amongst the cryptozoological community and has been said this is the proof of the existence of Bigfoot, despite overwhelming evidence to the contrary. When I heard that Bobcat Goldthwait was going to be making a found footage horror film that explores the lore of Bigfoot, I was at the same time confused and intrigued. It’s been over three years since the film’s release, but I’ve just gotten around to seeing it, and I have to say that I’m more than a little surprised. Willow Creek is a suspenseful and often frightening film that is full of sharp dialogue, two rich lead characters, and a third act that provided me with some chilling moments.

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Jim (Bryce Johnson) is a Bigfoot enthusiast who decides to head to the area of Willow Creek and Bluff Creek to make his own documentary on the Patterson-Gimlin footage and his own attempts to find the area and possibly run into Bigfoot. Along for the ride is his girlfriend Kelly (Alexie Gilmore), who is an adamant denier of the creature, but also wants to support Jim in his efforts to shoot his film. The two finally arrive in Willow Creek and spend some time interviewing locals who have has some sort of encounter with Sasquatch, but some also warn them not to go into the woods. Despite the warnings, Jim and Kelly enter the woods where it is believed Bigfoot resides, and it doesn’t take long for them to realize that they are no longer hunting for Bigfoot, but it’s Bigfoot that’s hunting them.

So let’s get what I wasn’t a huge fan of out of the way first. For one thing, this is a pretty standard found footage movie when it comes to certain beats and the structure of the narrative. I knew pretty much exactly how the movie was going to play out and, for the most part, I was right. It even has the horror cliché of locals telling the main characters not to go somewhere, and then, of course, they go anyway. Shocker. I also just wanted a little bit more from this movie. This can also be seen as something of a compliment because I was really enjoying the movie and I wanted more of it. If another 10 or 15 minutes were added to it, I would have been thankful for it. I’m all for leaving things kind of ambiguous, and that shouldn’t change, nor do I want any more that what is shown, but a couple more scenes to build up some extra tension would have been much appreciated.

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There’s a lot more to like in Willow Creek than I would’ve ever thought. For one thing, the two main characters are very well thought out and feel genuine. They have a past and a future and it’s briefly explored through dialogue to give them more weight. They aren’t just living in the now of the movie. This makes what happens to them later on in the movie even more intense because they’ve been developed so much that we want them to escape the terrors of the woods. Goldthwait also made the smart choice to make this a slow burn of a horror film. The first 40 minutes or so may seem boring on the surface, but I didn’t find them so at all. It took its time building up the characters, the town and its inhabitants, and the lore of Bigfoot. It’s a sharply written film that is just as sharp in its execution.

So, let’s talk a little bit about the last third of this movie. Holy hell, is it something else. Put yourself in these characters’ positions. Stuck in the middle of the woods in the middle of the night with your only protection being the tent that you’re sleeping in. There’s a 20 minute long take of the couple sitting in the tent and listening to the bone chilling sounds happening outside, like footsteps and howls getting closer and closer to the tent. As this is all happening, their efforts to talk themselves down become futile. The suspense is almost too much and when Willow Creek finally explodes, it will leave you tired. It perfectly utilizes the idea that less is more and what the imagination creates, especially in this atmosphere, can be even more horrifying than anything that exists.

When this movie came out just a few years ago, found footage movies were still over saturating the market, so the only way to do the genre right is to create something special. I think Willow Creek is a special kind of horror movie. It has a tight script with witty dialogue and fully realized characters, but also a really courageous move to make a scene of suspense happen inside a tent during a 20 minute long shot. This is a very impressive film that would have been made even better if some more was added to the story or if some of the derivative moments were removed. Even with these small problems, Willow Creek stands, to me, as an under appreciated gem of modern horror.

Final Grade: B+

Frankenstein’s Army – Review

9 Jul

There are movies with crazy ideas, but then there are movies with CRAZY IDEAS. Sometimes it’s hard to imagine that certain movies get made at all with the stories that they boast, but the it’s even harder to imagine that some of those same movies are actually something worth watching. Believe it or not, this is where we find Frankenstein’s Army, a 2013 film that was made with a seriously low budget, and made up for it with a massive amount of imagination. While this film isn’t destined to be on anybody’s list of classics, it’s one that should be noted for the passion and the dedication that went into ensuring it would be completed.

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At the end of World War II, a group of Soviet soldiers are sent into Germany for a recon mission. After hearing a mysterious distress call from other Soviet soldiers, who weren’t even scheduled to be in Germany, the group decide to go the the coordinates that were sent and investigate. The coordinates lead them to an abandoned factory where they discover a horrifying secret. Instead of finding Soviets, they stumble upon a squadron of mutated, robotic zombies constructed by Viktor Frankenstein (Karel Roden), the grandson of the original Dr. Frankenstein. This begins a fight for their lives to hold off the creatures and escape becoming one of Frankenstein’s next experiments.

Without actually seeing the movie and just judging by the ludicrous story, it would be safe to assume that this movie is brainless and without point. In fact, I’ve even heard people that have seen the movie say that it is brainless and has no point. They are sorely mistaken, however, because Frankenstein’s Army is packed to the brim with imagination and excellent design, so much so, that it is impossible to call it brainless. Even the story of Nazi “zombots”created by a descendent of Dr. Frankenstein is entertaining as hell. But with a movie as much fun as this, there always seems to be one near fatal flaw, and Frankenstein’s Army has a glaring one, BUT I will get to that later.

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Since this movie had a shoestring budget and the co-writer/director Richard Raaphorst is also an illustrator, he decided to combine these two things, draw out the monsters, and have some ridiculously skilled costume artists bring them to life. I swear, the zombots are some of the coolest looking things I have seen in a movie in years, because they are really just guys in costume made with practically achieved means. One zombot actually has a fully functioning propellor sticking out of its front. Another one walks around on these blade like stilts. On top of that, the set design looks really authentic, like this is what you would actually find in a situation like this. Finally, I just want to mention the overabundance of blood and gore that is NOT CGI, and also Karel Roden’s wonderfully maniacal performance.

But like I said before, there is one thing about this movie that is just so unbelievably stupid and illogical that it almost spoils the entire thing. Ladies and gentlemen, Frankenstein’s Army may be a movie that takes place at the end of World War II, but it is also a found footage movie… Yep. Not only is it a found footage movie, but also one with excellent sound design and shot on digital. Ok, I know that part of the reason it is made like a found footage movie is because of the budget, but like it’s just so weird to be watching it and then remembering that it’s World War II and the picture quality is just so clear. I don’t even think this is nitpicking, either, because it makes so little sense.

Frankenstein’s Army is certainly a one of a kind movie depending on how you want to look at it. I completely understand if someone hates this movie or disregards its existence because of that overwhelmingly illogical fault of it being found footage, but I just don’t want to hear that the movie is brainless. I, for one, was entertained throughout the entire movie because there was so much to look at with the excellent design. That’s pretty much all I can say about the movie. It’s definitely worth checking out just for the creativity behind it all.