Tag Archives: j.k. simmons

Extract – Review

20 May

Mike Judge is one of the best when it comes to comedy. It’s hard to deny the impact he’s made on the genre and popular culture itself. From his television creations like Beavis and Butt-HeadKing of the Hill, and most recently Silicon Valley, to his commercial film hits like Office Space and Idiocracy, his talent is clearly visible. One of his movies that I don’t hear too much about is his companion piece to Office Space titled Extract. I’ve finally come around to seeing it, and I can sort of see why it’s not one that’s talked about too often. It certainly is funny enough and a comedy that will more than likely stay on my radar, but it does lack some of the sharpness and off the walls absurd satire of his other, more recognized work.

Joel Reynolds (Jason Bateman) seems to have it all. He is the founder and owner of the Reynolds Extract company, has a great house in a quiet neighborhood, and also is married to his beautiful wife, Suzie (Kristen Wiig). On the flip side, his company is also facing problems after an accident causes one of his employees (Clifton Collins, Jr.) to lose a very important part of himself, he is constantly aggravated by what may be the world’s worst neighbor (David Koechner), and his love life with his wife has become stagnant. Things become even more complicated when a mysterious drifter, Cindy (Mila Kunis), starts working at the factory and shows a major interest in Joel. Because of this and some horrible advice from his friend, Dean (Ben Affleck), Joel’s life becomes a series of lies, even great misfortunes, and a possible company ending lawsuit.

Extract has a story that’s all over the place. There’s problems with the factory and also Joel’s love life, then there’s Mila Kunis’ character who has a backstory and motivation all her own, and then there’s an impending lawsuit that becomes more of an issue towards the end. There’s so much going on that it’s hard to keep track of it all sometimes. This works both for and against the movie. On one hand, with all of these subplots working against each other, there are some areas of the movie that feel rushed and not worked to completion. One character is relegated to just one scene when he could’ve had a lot more screen time. On the other hand, it started to make me stressed, which should be a problem, but it helped me relate to Joel’s plight, especially when he starts to reach his boiling points.

Where the movie does sort of falter is in the overall point of it. When I watch something by Mike Judge, I expect to see some sort of satirical sharpness, especially when he says that this film is a companion piece to his super sharp Office Space. There’s a really fun comedy of errors to be found here, but the whole thing feels kind of hollow. Part of that can be due to what I was talking about before. There’s so many plots and subplots and side characters that don’t amount to much that the whole thing doesn’t feel fully realized. If Judge was going for this simple comedy of errors vibe, it pulled off, but if he was going for something more than it doesn’t quite reach that standard.

Where Extract does succeed, and where Judge continues to show his immense understandings, is the personification of the characters. Everyone in this movie is someone you have met or have no problem believing in. One of my favorite characters is an older woman at the factory who continuously harasses a new employee and who refuses to work because she believes she works harder than everyone else and gets nothing for it. I know I’ve met that person. This also has a really great cast. Bateman is always great as the deadpan character who explodes after being pushed too far. Ben Affleck is surprisingly hilarious as Dean and David Koechner as Nathan, Joel’s annoying neighbor, kills every scene he’s in.

Extract is definitely a minor entry into an otherwise outstanding body of work by Mike Judge. This is a funny film with a great cast and a premise that works really well, even if it does feel stretched a bit too thin. If more time was given to certain plot elements, this might have felt a little bit stronger, even without the sharp satirical edge I was expecting. This movie is good for some laughs, but don’t expect anything more than that.

Final Grade: B-

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The Accountant – Review

23 Oct

I’m pretty excited to finally get to writing this review because this is a movie that I have been super excited for since I first saw the trailer. I’m always ready to see new and original movies, and The Accountant falls into that category perfectly. It’s worth noting, however, that the marketing for this movie paints it out to be an action thriller that features Ben Affleck kicking all sorts of ass. While this does happen, this is more of a complex character study with a huge mystery at its core. That’s something I didn’t think I wanted, but I’m really pleased that this movie offers something a lot more complicated and thought provoking than something more straight forward.

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Christian Wolff (Ben Affleck) may seem like an average small town accountant on the surface, be he is much more than that. Suffering from a severe form of autism has made Wolff very aware of patterns and numbers, which makes him the perfect candidate to un-cook books of high level criminals and businessmen. After being hired by a large corporation called Living Robotics and finding major discrepancies in their books, both Wolff and an association of the company, Dana Cummings (Anna Kendrick), are being sought after by mysterious hitmen led by a man known only as The Assassin (Jon Bernthal). As Wolff begins to hunt down the parties responsible, the director of financial crimes at the Treasury Department, Raymond King (J.K. Simmons), and a new hire, Medina (Cynthia Abbai-Robinson), start their own hunt to find the mysterious accountant and bring him to justice.

In the beginning of this movie, we see a young Christian Wolff putting together a puzzle that’s been flipped over so he can’t see the picture. To me, that’s a perfect allegory for The Accountant. The story is deliberately told in a way that it’s impossible to see the entire picture without all of the pieces coming together. This can make the plot kind of frustrating at times because we’re left in the dark about so much as the story jumps between flashbacks and action happening in the present. It’s definitely a movie that I’m going to have to watch again to really get the full picture. I was really surprised with the level of complexity the story has and the unorthodox way that director Gavin O’Connor and writer Bill Dubuque told it. That’s the best way I think I can describe this movie: surprisingly unorthodox.

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With all the mystery surrounding the Wolff and certain side characters, there really isn’t a whole lot of time for action, despite what the marketing campaign wanted people to believe. Most of the movie focuses on laying clues as to who the accountant is and how he got to be who he is. That being said, when this movie turns up the action, it really turns it up. The action never goes over the top nor does it ever seem like none of it could only happen in the movies. It’s all very grounded and happens very quickly which means if you blink, you may miss something. It was a really smart way to handle the violence and more exciting scenes. Never does it overshadow the bigger point of the movie and never do you find yourself getting lost in what could have been mind numbing action.

I can’t talk about The Accountant and not dive into the character of Christian Wolff, who might be my favorite character of the entire year. There’s so much to this guy when it comes to his history, motivations, and skills. From the very first trailer, I had to know who this guy was and see him in action, and Ben Affleck does a great job at bringing this character to life. I never thought Affleck had much charisma in his acting, which makes him a perfect choice to play a subdued character like this. Every small tick or deadpan line of dialogue is done really well and makes Wolff into a much more believable and realized character. If you don’t get grabbed by this character, there is something seriously wrong with you and you should probably just stop watching movies.

Despite some odd pacing choices and a plot that is occasionally frustrating, The Accountant is a very satisfying and surprisingly unique story. Ben Affleck gives one of the best performances of his career and really succeeded at bringing this troubled character to life. The cast is great, the writing is unorthodox, and O’Connor’s direction just brings it all together perfectly. Just be warned that you can’t leave your brain at the door for this one.

Final Grade: A-