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Star Trek: The Next Generation Movies – Part 1

4 Nov

A little while ago, I did a couple of review on the original Star Trek movies. Overall, it’s an epic series of movies, save for a few bad eggs. There was still a lot more great than bad, so I was pleased. It would be wrong to talk about those movies and leave the more recent Next Generation movies in the dark. Wether you like the original series or The Next Generation better is a different story. I personally think that both have their own unique strengths that hold them both up very well. That may be a cop out answer, but you can’t make me choose. Anyway, let’s get started with the first part of my reviews.

The first movie to feature The Next Generation cast was the 1994 film Star Trek: Generations. The interesting thing about this one is that it also features some cast of the original series. Could it possibly live up to that kind of potential?

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In the past, James Kirk (William Shatner), Pavel Chekov (Walter Koenig), and Montgomery Scott (James Doohan) are guests for the maiden voyage of the USS Enterprise-B. After answering a distress call involving ships caught in an energy ribbon, the Enterprise-B also gets damaged and Kirk is apparently killed. In the time of the the Enterprise-D, Captain Picard (Patrick Stewart) and the rest of the crew are called to investigate an incident on a space observatory where they find Dr. Soran (Malcolm McDowell), an El-Aurian who was also saved from the energy ribbon by the Enterprise-B. It soon becomes clear that Soran’s motives to get closer to the ribbon are not scientific, but personal as he will do anything, including destroy an entire planetary system to just reenter the ribbon, which is a place that time does not exist and a person can travel and do whatever they want. In order to stop Soran, Picard relies on an old Starfleet legend: James Kirk, who has also been trapped in the ribbon for all these years.

There isn’t really a whole lot to say about Generations. It’s great to see the crew of The Next Generation finally get their own big budget movie, and it’s also cool to see some older faces from the original series in the same movie. There isn’t much inherently wrong with this film, but by the time the credits begin to roll you can’t help but feel you’ve watched a weak entry into the series. The best way to describe this movie is just as a longer and more expensive episode of The Next Generation. The whole plot involving the energy ribbon and being able to enter it and travel in time is just the kind of thing you would see in one of the cool episodes of the series, but I’m not sure that’s enough to really carry a feature film.

That’s not to say that there aren’t some stand out parts of Generations. The crew all do great in their first time together on the big screen, and McDowell’s villainous performance as Soran is both tragic and sinister which makes him a perfect fit for this series. There’s also some excellent comedic relief since Data fits himself with Doctor Soong’s emotion chip that he gets off Lore towards the end of the series. Finally seeing Data truly understand emotions is funny and, in some odd nerdy way, makes me proud. This isn’t an excellent entry into the series, but it also isn’t a bad one. This movie has enough to make fans happy, but will also leave them wanting a bit more. I say it’s worth a watch.

Final Grade: B

Two years later in 1996, the crew of The Next Generation got their very own movie where no other character from the original series made an appearance. This film was Star Trek: First Contact.

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Ever since being assimilated by the Borg, Captain Jean-Luc Picard has never fully recovered from his experience. Now, he’s forced to face his most dangerous enemy yet again as they begin their assault on Earth. After defeating the Borg Cube, a sphere is released from the ship and sent through time with the plans of killing Zefram Cochrane (James Cromwell) before he can create the first warp engine and establish first contact with an alien race. This will make humanity more susceptible to the Borg and their mission of assimilation. Luckily, the Enterprise manages to travel through time as well, and fight back the Borg and aid Cochrane in his attempts to repair the warp engine. For those left on board the Enterprise, however, things don’t look so good as the Borg sneak onto the ship and wage an all out war with the crew.

Take everything cool in Generations and make it even cooler, and the result is First Contact. This is how you make a high quality Star Trek film. So far, this is one of the best entries in the entire franchise, including the original series. For starters, the Borg are my favorite villains in Star Trek, and making them the main antagonists for this film was a great idea. It brings a lot of the canon from the show and adds even more to it, while also revealing the man Cochrane really was, rather than the hero Star Fleet has made him out to be. There’s a lot of themes about humanity and what it means to be human and good, which seems to be the prime directive for the writers of Star Trek. It’s themes like this that feel all the more highlighted when you’re watching a feature film rather than an episode on t.v.

Along with improving the villain and the storytelling, First Contact also amps up the action and characterization. The main draw to watch Star Trek is to see the crews, whoever they may be, work together in such unison that no problem appears to big for them to handle, even at the most dire of moments. In this film, the crew is split up doing equally important things, which means their screen time is never wasted. On Earth, the scenes are much quieter, but the Enterprise is where all the action is. There’s one scene in particular that takes place on the outside of the Enterprise that might be my favorite scene in any Star Trek movie. The space battle in the beginning is another highlight in an already outstanding film.

For fans of The Next Generation, this is the Star Trek movie for you. It shows all of the strengths and weaknesses of the characters very clearly while also beefing up the canon that has already been established. There’s great acting, a great villain, and many memorable scenes that will keep your eyes glued to the screen.

Final Grade: A

So that’s just the start of my reviews for The Next Generation movies. Up next, I’ll be looking at Insurrection and Nemesis.

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Star Trek (1979-1991) – Review Part I

8 Jul

Star Trek is one of those shows that changed the way people watched television and is definitely a prime example of something that was way ahead of its time. From philosophical question to sociological arguments to the first interracial kiss ever broadcast, this show changed things for the better. Other than that, it also provided some excellent science fiction adventure with a group of characters that have only become more beloved as time went on. It’s surprising that the original series only lasted 3 seasons. What isn’t surprising is that that wasn’t the end. After the third series ended, Star Trek: The Animated Series finished off the final two of their five year mission, but the films are what people seem to remember the most. From 1979 to 1991, six films were released, some of which define cinematic excellence and some that make me think if the film makers ever watched Star Trek.

The first of the films to be released is the appropriately named Star Trek: The Motion Picture.

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Some years after being head of the U.S.S. Enterprise, Admiral James Kirk (William Shatner) now holds a high ranking position in Starfleet, but longs for the days in which he was traveling the unknown reaches of space. He soon gets his chance to step back into the captain’s chair when an enormous space cloud is seen destroying Klingon war ships (woo!) but also heading straight for Earth (boo!). It’s up to Kirk and his trusty crew including Spock (Leonard Nimoy), McCoy (Deforest Kelley), Scotty (James Doohan), and Uhura (Nichelle Nichols) to pilot the Enterprise onto the course of the cloud and learn how to stop whatever it is controlling it. What the crew learns about the cloud is shocking to say the least, and relates back to Earth in a much more direct way than they could have possibly imagined.

At the start of this movie, it really feels like you’re back into Star Trek. Klingons, murderous space clouds, and Earth in peril are all ingredients to make this a successful movie. Well, too bad director Robert Wise was more interested in making a rip off of 2001: A Space Odyssey. Don’t be fooled by the name Star Trek. This is nothing like it, and what’s worse it is unbelievably boring! For example, the first time we see the Enterprise with Kirk is supposed to be a special moments since he hasn’t seen it, and at the time neither had audiences, for quite a while. Instead of making it a nice moment, the scene goes on and on and on with shots of Kirk looking at the ship, Kirk looking at Scotty, space, and random bullshit. I swear it goes on for at least ten minutes. There are many scenes like that and a really random, trippy sequence that also seems to go on forever.

Star Trek: The Motion Picture has all the right parts to make it a cool science fiction movie and an acceptable entry to the Star Trek franchise. All of the plot elements are in place, and towards the end it starts getting really cool, but unfortunately that doesn’t completely save the movie. This is the longest of the original Star Trek movies and it really doesn’t need to be considering the narrative material. Overlong scenes of just space and environments might have worked in Kubrick’s space ballet that is 2001, but it obviously is the completely wrong way to go about doing a Star Trek film.

The series really needed help to get it out of the mire. Enter a new director, new writers, and a story that wraps up a season 1 episode and we have the miracle that is Star Trek II: The Wrath of Khan.

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On a routine mission for Starfleet, Pavel Chekov (Walter Koenig) is sent to investigate a planet that just so happens to be where Kirk banished an old enemy, Khan Noonien Singh (Ricardo Monalbán) a genetically enhanced dictator from 20th century Earth. Khan has vengeance in his soul for Admiral Kirk, who is back at Starfleet headquarters working with Spock to train the new cadets, one being an overachieving Vulcan, Saavik (Kirstie Alley). The training mission on the Enterprise soon gets out of hand when it is revealed that Khan is planning on stealing the Genesis device, a machine that has the capability to create life, but also destroy it when used improperly. When the two finally meet, the most important battle the Enterprise has ever faced begins.

The Wrath of Khan is an excellent example for the phrase “back to formula.” Wouldn’t Norman Osbourne be proud? After the monstrosity that was the first film, this second entry is more than just a breath of fresh air. It’s everything a Star Trek film should be, and maybe ever a little more. The fact that the writer went back to a little season 1 episode called Space Seed is just the first reason why this movie is such a success. Obviously the writers and the director have seen the show and knew exactly how the movie should feel. There’s lots of excitement, humor, outrageous science, and dialogue that push “hamming it up” to the extreme. What’s not to love here?

Any fan of Star Trek will be quick to say that The Wrath of Khan is the best film in the series and maybe even in the entire franchise. The action is stunning and the story is really cool, but hasn’t Star Trek always been about the characters? The answer is yes. Yes it has, and they’re finally back like themselves again. Just to be clear, even though the story is fun doesn’t mean it’s stupid. This is a well written, well executed film that puts the pseudo philosophical bullshit of the first film to shame. This is Star Trek at its finest, and quite possibly cheesiest.

The Wrath of Khan was actually the beginning of what is know as the Star Trek Trilogy because the next two films would also follow the same story arc presented in the second film. Following up The Wrath of Khan is an entry that I believe can be held in just as much regard as it’s predecessor. This movie is Star Trek III: The Search for Spock.

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Right after the events of The Wrath of Khan, the Enterprise is on its way back to Earth while Spock’s body has landed on the planet created by the explosion of the Genesis device in the nebula. Back on Earth, things are pretty weird. Kirk is depressed after the news of the Enterprise being decommissioned and McCoy is acting like he’s losing his mind. Kirk soon gets a visit from Spock’s father, Sarek (Mark Lenard), who informs Kirk that Spock’s being was transferred to before he died and needed his body in order for his being to be returned. It turns out Spock transferred his being into McCoy. Meanwhile, on the Genesis planet, Saavik (Robin Curtis) and Kirk’s son David (Merritt Butrick) find Spock reborn as a child with no mind and must protect him from the planet that’s tearing itself apart. Soon, Kirk and his crew arrive and find a Klingon Bird-of-Prey sitting in wait led by the sadistic Kruge (Christopher Lloyd), who wants the secrets to the Genesis device.

Just as I was writing this, I realized just how stuffed and preposterous the whole movie is.This doesn’t change the fact that I love it. If The Wrath of Khan can be compared to that episode that everyone likes and considered to be a classic, The Search for Spock is that crazy season 3 episode that is surprisingly effective and entertaining. This film is a lot darker than its predecessor, but I feel like the entertainment value is just as high. Christopher Lloyd goes absolutely crazy as Kruge even though he’s the last actor I ever would have though would make a great Klingon. It’s also cool seeing the story carry over from The Wrath of Khan. Plus that fight scene in the end is enough to make any fan of the original series remember all of the brawls that Kirk was constantly getting himself into.

Star Trek III: The Search for Spock is a great entry into the series. The movie does have some shortcomings and weaknesses, but nothing that really hurts the movie at all. I’m just curious as to why they decided to bring Spock back, especially after Nimoy was only interested in coming back for The Wrath of Khan only if Spock dies. Well, I’m fine with whatever the reason and it was cool seeing Leonard Nimoy have a chance as director as well. Any fan of Star Trek should appreciate this entry, even if it shouldn’t be considered as perfect.

Well, that wraps up the first part of the original Star Trek movies. We still have three movies to go, so keep an eye out for part 2!