Tag Archives: jeremy irons

Batman v Superman: Dawn of Justice – Review

27 Mar

Well, here we are. I’ve been waiting a very long time for Batman v Superman: Dawn of Justice to be released, as I’m sure many other people have been as well. Before this film we got Man of Steel which I thought was a pretty cool movie despite the pacing to be way off, which made the whole movie feel overly long and slightly disjointed. Going into this movie, I had these problems in mind while I was gauging my expectations. It is a Zack Snyder movie, after all. You really have to approach his films with caution. Now that I’ve seen Batman v Superman I can say that all of my worries and suspicions about the pacing have come true, but in much worse ways than I ever imagined. That being said, there are still some rewarding elements to this movie that made it worth seeing.

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While Superman (Henry Cavill) can easily be called a hero in many regards, it may be hard to say that while watching him destroy a city in order to defeat fellow Kryptonian General Zod (Michael Shannon). This is the conflict suffered by Bruce Wayne (Ben Affleck), a billionaire playboy who just so happens to be the masked vigilante of Gotham City, Batman. Bruce is very uncomfortable with seeing the power Superman can wield go on without any repercussions, so he makes it his mission to find a way to put that power in check and ultimately get rid of the Man of Steel. Meanwhile, criminal mastermind Lex Luthor (Jessie Eisenberg) begins working on a way to use kryptonite as a deterrent against Superman and other super powerful beings in case the need should arise that the human rase needs protection from the so called protectors. What happens next is a clash of super heroic titans that will pave the way for heroes and villains of the future (at least in terms of the DC cinematic universe).

Where do I even begin? Throughout Snyder’s filmography, it has become quite clear that the pacing of his movies slows them down so much, it literally feels like the plot is stuck in the mud. I knew this was going to be the case in Batman v Superman, so I went into the movie ready for that. Little did I know that it was going to be this horrendously overstuffed, paced out, and edited. Like, honestly, how did this movie get a pass? It has such a sloppy structure that at times makes the story incoherent, which is a huge problem considering that this movie is the start of a much bigger DC universe. Not to mention that there are so many scenes and story arcs that only seemed to be in there so the movie can be over two and a half hours long. There’s one story arc about Lois Lane investigating a prototype bullet being sold to radicals that was SO INSANELY STUPID I couldn’t even handle it.

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While this movie is absolutely infuriating at times, when Batman v Superman gets good, it gets great. The entire political game that Luthor and Senator Finch are involved in along with Superman facing up to the damage he’s caused is very interesting. Bruce Wayne also has some really dark scenes where you can almost see his past excursions as the Dark Knight and how they’ve so negatively affected him. These are the scenes that really stand out, but the action sequences in this movie are also very memorable and exciting. Wether it’s Batman careening through the streets of Gotham in his Batmobile, the duel between Batman and Superman, or the overwhelmingly destructive showdown with Doomsday, this movie has some seriously great looking action that almost makes all the scenes that shouldn’t have existed worth it.

When it was first released that Ben Affleck was cast as Batman/Bruce Wayne, many people seemed to be outraged. I, personally, was more curious to see how he’d play it. Turns out, he gives one of the best performances of the character, and certainly is the darkest Bruce Wayne has ever been on the silver screen. Henry Cavill continues to be fine as Superman/Clark Kent, and pretty much gives the same performance he did in Man of Steel. Jeremy Irons, unsurprisingly, is great as Alfred, who appears just as world weary as his troubled bat companion. Gal Gadot, while not in the movie all that much, was totally badass as Wonder Woman, and I can’t wait to see more of her in future installments. Now we come to Jessie Eisenberg as Lex Luthor, a casting choice that shows that a bunch of lunatics were working on this movie. Oddly enough, I didn’t hate Eisenberg as much as I thought I was going to. He played an obsessive compulsive psychopath very well, but really it wasn’t Lex Luthor I was watching. I more so hate what they did to the character, while Eisenberg seemed to play it as best he could.

Calling Batman v Superman: Dawn of Justice a disappointment is a completely valid and accurate statement. That being said, it isn’t an awful movie. I can’t really say it’s all that good of a movie, either. All I can say is that it’s ok, and I really wish it was more than that. The worst part of it is that I can see a great movie somewhere, but it’s covered by so much garbage and stupid plot arcs and unnecessary scenes. It’s devastating to see a movie with so many great scenes get dragged into mediocrity because of poor directorial choices and a screenplay that doesn’t make much sense. DC certainly has some work to do.

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Inland Empire – Review

11 Aug

Recreating nightmares and mental decay is not an easy task, but David Lynch has always stepped up to the challenge. EraserheadLost Highway, and Mulholland Drive all have the same nightmarish feeling, as if you might fall asleep later that night and have a dream that plays out exactly like these movies. Of all of Lynch’s films, I feel like Inland Empire encompasses his career perfectly and really makes you feel like you are part of a nightmare. That being said, this isn’t his best film, but it certainly can be said that this might be the strangest movie I have ever seen.

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Nikki Grace (Laura Dern) is an actor whose time in the spotlight has ended, so when she lands a roll that might restart her career, she is ecstatic. The film is called On High in Blue Tomorrows and is being directed by Kingsley Stewart (Jeremy Irons) and her costar is Devon Burke (Justin Theroux), a man with quite a conspicuous sex life. As she gets deeper and deeper into her character, and her relationship with her costar seems to be getting closer, Nikki starts losing track of what is happening first, now, and later. Soon she can’t even begin to tell her life from the character’s leading to a complete psychological breakdown.

I’ve been putting off this review for a little while because the thought of reviewing a David Lynch movie and really giving it justice is a little intimidating. Much like his other movies, Inland Empire has many different interpretations and themes to explore, and everyone’s view of the whole can be very different. The first time through, it may seem like this movie makes absolutely no sense, but in the days to come and you think about it more, or even watch it again, things in the movie start to piece together and an idea will begin to form. Like Eraserhead and Mulholland Drive, I found Inland Empire to be quite frustrating.

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All interpretation aside, I have to say that I have a newfound respect for Laura Dern as an actor. Her performance demands a lot, from screaming and crying to manic laughing and then to calmness, maybe all in one scene. I can imagine that David Lynch is not the easiest director to work with, being in his own head and all, and even Dern has said that she isn’t entirely sure what the movie is about. Justin Theroux has said the same thing. Imagine acting on a movie where you really don’t know what it is about. That’s a tricky thing to do but they both pull it off very well and pull you into the “story,” despite how difficult it is.

This is where the review might get a little spoiler-ish because I want to talk about things in the film. You have been warned. Ok. In my opinion, Inland Empire is the story of a woman who is struggling to find a character that she is unable to tap into. Much like in Black Swan, she gets so obsessed with finding the character, that she sees herself becoming the character. At first it starts with scenes where we don’t know it’s the movie within a movie until the end of the scene to the point where nothing is really decipherable. This leads to the nightmarish world of Nikki’s mind. There’s still a lot that I’m not sure about, like the woman watching the television and the rabbit sit-com that we keep seeing. This just means the I’m going to have to watch it again.

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I can’t really say if Inland Empire is good or bad. It’s sort of one of those movies that redefines your definition of a good or bad movie. I will say that Inland Empire is art, through and through, but saying it’s entertaining wouldn’t be doing it justice. This is a terribly uncomfortable experience that you can’t help but staying focused on it, no matter how difficult it is. Fans of David Lynch will love his deepest, darkest trip into the fractured human mind, but anyone looking for a narrative that makes perfect sense will find no happiness with Inland Empire.