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Get Out – Review

13 Mar

When Key & Peele first aired on Comedy Central, I didn’t think the show was going to go anywhere, but then I watched it and realized that the two stars had an incredible talent when it came to comedy and satire. I loved their movie, Keanu, and when I saw Jordan Peele was writing and directing a horror film based on racism I was immediately on board. I knew that it would be a blend of horror and sharp satire, and at times probably even be funny, and that’s exactly what I got. Get Out is a really smart, eerie, and subversive film that has many different ideas and perspectives while also telling a creepy, and sometimes even gleefully campy, horror story.

Chris (Daniel Kaluuya) and his girlfriend Rose Armitage (Allison Williams) are at the point in their relationship where it’s time for Chris to finally meet her parents. Normally, this would be a passably awkward experience, but Rose’s parents have no idea that Chris is black. Despite Rose telling Chris that her parents, while being typically eccentric, are nothing to really worry about. Upon their arrival to their suburban home, Chris is whole heartedly greeted by Dean (Bradley Whitford) and Missy (Catherine Keener) Armitage. Over time, Chris starts to notice strange remarks concerning both him and the Armitage’s black housekeepers. Things only get stranger when Missy hypnotizes Chris during a late night conversation, a session which ignites a furious paranoia in Chris that causes him to investigate what is really going on in that house and the real horrors that lie beneath the surface.

There’s so much to say about Get Out that I don’t really know where to begin. When this movie was first previewed, there was a lot of backlash for it showing this overt racism directed at one particular race to another. The thing is that this movie is not as clean cut as that. There’s a lot going on beneath the surface that trailers can’t convey, and I’d be pretty upset if they did because the way this movie unfolds is riveting. While Peele does explore the overt racism towards African Americans, it doesn’t really stop there. The story also delves into the realm of paranoia and preconceived notions of both races that arise because of these problems. It also goes in a pretty cool direction where certain actions from people, while they claim they may be trying to help, are only making certain situations worse or changing nothing at all and coming off as condescending. While not giving anything away, the last third of the movie goes absolutely haywire and only makes things more complicated with certain unexpected twists that come out of nowhere… Twists that just so happen to be awesome.

While this is definitely a horror movie through and through, there’s a couple really cool things that kind of help Get Out step outside of the box and escape genre conventions. For one thing, this film can be super funny. Like gut busting funny, and a lot of that comes from the hilarious performance by Lil Rey Howery, who plays Chris’ best friend. We all knew that Jordan Peele was a really funny guy, but it’s impressive that he can so seamlessly weave his off the wall sense of humor into a genuinely unnerving horror tale. I mentioned that the third act just introduces a whole new layer in terms of thematic material, but it also really shakes things up when it comes to style and genre conventions. I’m not going to say anything about what happens, but any B-movie fan will appreciate the story taking a sudden turn into that kind of territory.

What would have been a major problem for this movie was if it was too obvious. If Peele whacked you over the head with the messages and points he was really driving at, the movie would feel too preachy. While there are a few moments that do feel a tad bit heavy handed, they are completely out shined by the subversive nature of the rest of the film. This is mostly due to Jordan Peele’s fantastic screenplay and direction, but credit also has to go to the actors. I had no idea who Daniel Kaluuya was before seeing this movie, but he was outstanding. He gives a very natural and level headed performance that can be both shocking and funny. The other stand outs are Bradley Whitford and Catherine Keener as the older Armitages, who just seem to radiate the kind of eerieness this movie needs. I already mentioned Lil Rey Howery, but I just have to reiterate how funny this guy is and how essential he is to the entire movie.

I’ve been saying recently that we are living in a renaissance of horror, and Get Out only proves that point even more. This is a brilliant and wonderfully subversive film that gets under your skin while also succeeding at making you laugh. It has some really great thematic depth to it that will make any audience member with half a brain think about the characters and motivations, which is a great first step to making a great film. Add on some memorable scenes and a lead character that you can’t help but love and you have a winner on your hands. Get Out is a superb film that will challenge your mind as much as entertain you.

Final Grade: A-

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Keanu – Review

24 May

Back in 2012 when Key & Peele premiered, I didn’t think the show was going to go anywhere or last long because of Comedy Central’s track record at the time. I couldn’t have been more wrong. Keegan-Michael Key and Jordan Peele have cleverly weaved their way into a high status of pop culture thanks their subversive sketch comedy that is both funny and often smart. It was disappointing to see that their show was ending, but it seems that they have no intention of slowing down. Instead of a show, we now have a feature length comedy called Keanu. Much like their show, Keanu is a very subversive comedy that’s only made funnier by how over the top and silly it is willing to get.

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After his girlfriend abruptly dumps him, Rell (Jordan Peele) feels like his life is over. No longer does he have any drive or motivation to make something of himself, which worries his cousin/best friend, Clarence (Keegan-Michael Key). Unlike Rell, Clarence is a well adjusted adult with a wife and kids, who finds it a little bit silly when Rell regains his livelihood when a kitten shows up at his door and is named Keanu. All seems right with the world until Keanu is taken from right under Rell’s nose. Rell and Clarence find out the the man who took Keanu is a notorious drug lord named Cheddar (Method Man), a man who loves violence just as much as he loves cute kittens. The only way Rell and Clarence can get their cat back is to go undercover and assume the identities of two mysterious hitmen, earn Cheddar’s trust, and save Keanu.

The plot of this movie is absolutely absurd and that’s where a lot of the joy came from. There’s so much off the walls things that happen in this movie that you really don’t know what kind of joke they’re going to throw at you next. To me, that’s real comedy. Movies that rely on just sex jokes and being loud just aren’t my kind of thing. Keanu has a lot of really ridiculous jokes and situations while also working to turn certain stereotypes on their heads. You also gotta love the slow motion scenes of the little kitten running through gun battles and dodging all sorts of things. What’s also great is that they don’t just rely on the kitten as a funny little distraction. Keanu isn’t really in it all that much, so when he is it’s great, but there’s plenty of original, non-kitten related humor as well.

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One of the main reasons to even see this movie is just to see Key and Peele play off each other so well. One of the reasons their show was so funny was because of the crazy natural chemistry that they have. They also are great at playing the goofy characters. Peele’s Rell is a slacker with a good heart who really just can’t seem to do anything right, and Key’s Clarence is the polar opposite of what a gangster should be, which makes his scenes trying to fit into the gang world all the more hilarious. The way Key and Peele interact and talk with each other feels so natural, and there were a lot of times where it felt like a lot of what they were saying was unscripted. You really can’t have comedy without good chemistry, and the chemistry between these two comedians is off the charts.

While this movie is a comedy, it has plenty of action in it to. The most similar example of a movie like Keanu would have to be Pineapple Express, because of all the comedy mixed with the very well shot and choreographed action. Surprisingly, the action in Keanu is pretty badass. The climactic shoot out at the end is intense but still hilarious. There’s a lot of use of slow motion, but the slow motion is very well shot and framed uniquely. The film’s director, Peter Atencio, who worked on the duo’s show quite a bit, obviously has a skilled eye, and I’d like to see more from him.

It takes a lot for comedies to impress me and Keanu is one that made me laugh to the point of tears…multiple times. I honestly can’t say I’m too surprised by that. I’ve been fan of their comedy for a while now, but seeing it in as grand a spectacle as this was right on the money. Their satire is razor sharp and their delivery is fast and furious, which I think makes them two of the funniest people working in the business. If you like to laugh even a little bit, you have to make Keanu required viewing.