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Logan Lucky – Review

17 Sep

Steven Soderbergh has always been something of an inspiration to me. He helped start the indie craze of the 1990s with Sex, Lies, and Videotape, has made some excellent mainstream films like Ocean’s 11, dabbled in the world of surrealism with Schizopolis, and also was the creative force behind one of the most chilling television shows in recent years, The Knick. He’s a film maker that can pretty much tackle anything, even though I’ll be the first to admit he doesn’t have a spotless filmography. After taking time away from the big screen following 2013’s Side Effects, I was excited to see him return with another heist movie, this one being Logan Lucky. This has been a movie I’ve been anticipating for awhile, but I never really got my hopes up for it. After seeing it, I can say that while it’s far from Soderbergh’s best, it’s still a damn fun movie.

Sometimes it seems that certain people have all the luck, and they could really share some if they wanted to. That’s a description that is far from fitting for the Logan family. Jimmy Logan (Channing Tatum) had a promising football career, but an accident killed that dream and left him with a limp. His brother Clyde (Adam Driver) had his fair share of luck after his time in Iraq left him with a prosthetic arm. Still, the two seem to be surviving just fine, that is until Jimmy is fired from his construction job and begins scrambling to find a way to provide for his daughter, who he still keeps in close contact with after his divorce. This prompts Jimmy to dig deep into his plans and reveal a scheme to rob the funds from the Coca-Cola 600 race, and the only time to do it is on Memorial Day, one of the biggest races of the year. In order to do this, the brothers enlist the help of local ne’er do well, Joe Bang (Daniel Craig), who they have to sneak out of jail with just enough time to pull off the heist. With the old Logan bad luck facing them down, the team have to use every ounce of ingenuity to get through this unscathed.

Right off the bat, the best thing about Logan Lucky is its characters. Jimmy and Clyde are such a believable pair of brothers, and part of the reason they work so well is the chemistry and dynamic between Tatum and Driver. Channing Tatum works great as a leading man in this movie, and it’s really cool to see a down to earth, blue collar guy leading a major heist. There’s such a difference between Jimmy Logan and Danny Ocean, but both characters work great. Driver is one of my favorite elements of this movie, and every line he delivers was spot on and hilarious. Daniel Craig also goes against the mold here as the gung ho Joe Bang, and his brothers played by Brian Gleeson and Jack Quaid match his level of slightly unhinged mania. It’s a motley crew of people that make such a fun ensemble cast. I also have to give a lot of credit Farrah Mackenzie, who plays Jimmy’s daughter. She is awesome in this movie and performs way better than your average child actor. I see a bright future there.

While I do really like the blue collar element of this movie, I couldn’t help but thinking this movie was lacking in what I will call the “AHA department.” This is where you watch a heist movie and you think you’re seeing everything, but there’s more going on than meets the eye. That’s a staple of modern heist movies, and it almost feels like you’re witnessing a magic trick. There’s a feeble attempt at this in Logan Lucky, but for the most part what you see is what you get. There’s nothing terribly complicated or interesting about the heist, and that’s something of a disappointment. There’s also a lot of suspension of disbelief that has to happen for this to seem credible. For some people, it’s more than can be tolerated. If someone said they had a hard time buying everything they saw in this movie, I wouldn’t argue. Even I did at times. What saved the movie for me was the level of chemistry between the characters and the depth that they each individually had. You want all of them to succeed in their own ways, and because the character are so likable, it’s possible to look past some of the glaring storytelling flaws.

What Logan Lucky did have plenty of that surprised me is humor. I knew going in that this was going to be a light hearted and fun film, but there are moments that are just downright hilarious. Adam Driver and Daniel Craig are very funny, but the real comedic stars of this one are Jack Quaid and Brian Gleeson. They are just so over the top and relishing the characters they are playing. They had potential to be really annoying, but they were just the right amount of goofy. There’s also a near unrecognizable Seth MacFarlane in here as well, and his scenes were some of the highlights of the entire movie. The writing may be lacking in terms of cleverness in the heist, but it more than makes up for it with the genuine laughs it provided.

Logan Lucky isn’t Soderbergh’s best film and it isn’t the grandest return he could’ve made to the silver screen, but I will say it’s clearly a project he wanted to do. This movie has a lot of heart, a lot of humor, and a slew of great characters all bouncing off of one another. This is pure, lighthearted film making that offers up plenty of feel good energy. The actual heist could have been more creative and the third act feels a little rushed, but this was still a fun film. I doubt it’s going to make anyone’s list of best films of the year, but it’s one that may be worth checking out.

Final Grade: B

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Phone Booth – Review

29 May

How can a movie that predominantly takes place inside of a single phone booth possibly be interesting? Well, that is what I’m going to explain today with Joel Schumacher’s film, Phone Booth. This film is a success due to its fine direction, expert editing, and perfect pacing, packed to the brim with suspense and intensity.

Stu Shepard (Colin Farrell) is not a good person. He is a publicist, who isn’t particularly very good, but still enjoys the multiple lies and trickery needed in order to get ahead. While using a public phone booth to call a possible girlfriend-on-the-side (Katie Holmes), Stu is called by a mysterious man (Kiefer Sutherland), who just so happens to have a highly powerful sniper rifle aimed right at Stu, and will fire on him if he doesn’t obey his every word. Soon, the police arrive and Stu finds himself in a stand-off with the caller and the police.

There are many factors that would have caused Phone Booth to not work as a film. The biggest and most challenging factor is making a film that takes place mainly in a phone booth interesting. To do this, the pacing had to be perfect, and it really is. Not once during the length of this movie did I find myself getting bored. Of course, this is far from being a long film, only clocking in at a little over 80 minutes. This is just the right amount of time to properly introduce the characters, build suspense, and release all of the built suspense in a minute of insanity.

When I think of really good actors, Colin Farrell isn’t one that comes to mind, but after seeing Phone Booth I know that he has the talent to be great. Unfortunately, this isn’t really implemented save for a couple of films like In Bruges. Katie Holmes and Radha Mitchell do alright as Shepard’s love interests. Forest Whitaker gives a very emotional performance as a police chief with an obvious battered past. Kiefer Sutherland is the perfect choice to play the Caller, and he does so with menace and sounds genuinely like a sociopath.

The writer of the film, Larry Cohen, actually pitched the idea of a film centering around a single phone booth to Alfred Hitchcock in the 1960s, and Hitchcock thought it was a great idea but neither of them knew how to keep the character trapped in the booth. Cohen came up with the idea for a sniper in the 90s, but more to the point, this film definitely feels like it is a modern day Hitchcock film. The real intensity comes from the suspense and the performances, which is what Hitchcock was all about. Michael Bay was set to direct at one point, and the first question he asked was, “How do we get him out of the phone booth?” Getting Stu out of the booth would have ruined the whole point of the film.

Phone Booth had the potential to be a terribly boring movie, but Schumacher and his crew did a great job at crafting a meticulously good story filled with suspense and questions of morality. Do the sniper’s actions justify the means? Of course not, but the audience of this movie definitely have discussion points after this movie. I can easily recommend Phone Booth to anyone looking for a suspense fully wicked good time.