Tag Archives: kay lenz

House Series – Review: Part 1

20 Nov

Horror and comedy go together better than most genre combinations. It’s fun to be scared at the movies and it’s also fun to laugh at yourself being scared, so why not mix both into one movie? In 1980, Sean S. Cunningham created one of the most iconic horror franchises ever with his movie Friday the 13th, and Steven Miner continued his franchise with two sequels. What some people may not know is that they collaborated again in 1986 with a horror comedy called House. It wasn’t as big of a success as their previous works, but it did spawn a series that I’ve never really heard anyone talk about. Could there be a reason for that? Let’s find out.

Roger Cobb (William Katt) is an author who is struggling to find inspiration for his new book about his experiences in the Vietnam War. After his estranged aunt (Susan French) commits suicide in her home, Roger decides to move in and take care of the place while also hoping to be inspired in the house he used to live in before a tragedy forced him and his wife, Sandy (Kay Lenz), to separate. What Roger wasn’t expecting was that this house would be a portal for all sorts of creatures and ghouls to come through and torment him during the night and threaten his very existence. Now, it’s up to Roger and his especially nosy neighbor, Harold (George Wendt), to stop the specters from threatening the rest of the neighborhood and completely destroying Roger.

There are plenty of reasons that make House an appealing movie to see. For one thing seeing the Greatest American Hero and Norm from Cheers teaming up to fight creatures in a haunted house is hilarious. Both William Katt and George Wendt bring their comedic chops to the table while also functioning well in the film’s more serious scenes. There’s also some clever special effects and creature design that don’t use any kind of computer effects, of course. I’m a sucker for things like that so any movie that utilizes these kind of costumes already has a leg up in my book. While House is definitely more of a comedy, it does also touch on the PTSD that many soldiers go through after a war, with this one being Vietnam. It adds a layer of drama that was a little unexpected, but certainly welcome.

While there’s plenty to enjoy with House, it really isn’t all that special. A lot of the comedy is very childish despite the movie being rated R, and I don’t feel like it really embraced the off the walls insanity it may have been going for. I just felt like something big was missing from this movie. There’s no scene that’s exactly memorable and it’s a movie I feel like I may not remember too much about as time goes on. It also takes quite a while for things to really start happening, which is kind of strange because this is a pretty short movie at just an hour and a half. There’s also a character who exists solely so that there can be a funny scene with a kid in the middle of the movie. It was a really entertaining bit, but this character was just useless and didn’t make any kind of impact on the story.

One of the first words I used to describe House after I just finished watching it was “cute.” It’s a serviceable horror comedy that can be easily watched and disposed of. I really wanted a lot more from the movie, however. For an R rated horror comedy, it’s really quite tame, and that’s surprising since it’s coming from the creative forces behind Friday the 13th and a few of its sequels. This is a movie that seems to have sort of faded into obscurity despite the fact that it has William Katt and George Wendt fighting demons. That in and of itself was enough for me to watch it. House isn’t a bad film, but don’t go in expecting too much.

Final Grade: C

While House wasn’t that much of a success, there was still a sequel released one year later, and I have to say I love the title: House II: The Second Story. Get it? Like the second floor? Story? Moving on.

Jesse (Arye Gross) and his girlfriend Kate (Lar Park Lincoln) are a well off couple who move into a mansion that has been part of Jesse’s family for generations. While they’re there, Jesse does some investigating into his past and finds that his great great grandfather found a crystal skull in an Aztec temple and it may or may not be buried with him in the graveyard on the hill next to the house. This prompts Jesse and his friend Charlie (Jonathan Stark) to head over and dig up the grave. What they don’t know is that the corpse isn’t a corpse, but is very much alive and insists on Jess and Charlie calling him Gramps (Royal Dano) after being dug up, crystal skull in hand. Now, Jesse, Charlie, and Gramps have to keep their secret from Kate and her nosy boss, John (Bill Maher), while also defending the skull and the house from extra dimensional beings and time travelers who want the skull for themselves, especially Gramps’ old foe, Slim Reeser.

Remember how I used the word “cute” to describe the original film? Well House II is even more so, and I may have to go so far as saying it isn’t even a horror movie. This film is heavy on the comedy and fantasy but very light on the scares. This works both for and against the movie. Let’s start with the negatives so I can focus a bit on the fun stuff later. House II is a follow up to a horror comedy, so I went in expecting a horror comedy. Since I didn’t get that I feel like the movie comes off as both a little unnecessary and kind of disappointing. For most of the movie the comedy also comes off as excruciatingly obvious and not delivered all that well. Arye Gross isn’t much of a heroic presence and his line delivery often times comes out very awkward. The same can be said for Jonathan Stark, which is a problem since he’s supposed to be the main source of the comedy for most of the movie.

If I’m going to be completely honest, this is kind of a hard movie to be overly critical with because it is such a light hearted film. In fact, in terms of it’s tone, it was more in line than the first House. Royal Dano as Gramps is hilarious and Bill Maher works great as the slimy boss with eyes for Kate. John Ratzenberger also has a small part towards the end and he is easily the best part of the movie. If I can be honest again, I have to say that this movie was very entertaining. There was some cool make up effects for Gramps and Slim Reeser and there’s also some fun puppet work when dinosaurs get involved. Yeah, I said it. Dinosaurs. This is a movie that knows exactly what it is and has fun with it, and it never gets bogged down with drama. Drama’s absolutely great, but House II was determined to be a comedy so it stuck with that.

I honestly can’t believe I’m saying this, and I may be in the minority here, but I enjoyed House II: The Second Story more than the first movie. Both have their positives and negatives, but my biggest complaint with the first one was that it didn’t go far enough. The second movie dives head first into weird and doesn’t stop to take a breath. It is a tame outing, but it’s fun and so light hearted it’s hard not to enjoy it just a little bit. If you’re going in expecting a horror comedy like the last film, you may be disappointed. This one is more of a fantasy adventure mixed with comedy. If that’s still your cup of tea, I recommend this one with a smile on my face.

Final Grade: C+

Well there’s the first two House movies for you. Both aren’t masterpieces, but they certainly aren’t bad. They’re both light comedies that blend horror, fantasy, and some adventure. They aren’t movies you have to watch right this second, but they’re completely serviceable entertainment. Check back soon for the second part of this review where I’ll be talking about House III: The Horror Show and House IV.

Advertisements

Death Wish Series – Review: Part 2

31 Mar

I vow to finish this series no matter what it takes, even if it kills me. The first Death Wish film, at this point, feels quite dated but it still presents the viewer with interesting points of discussion and some memorable sequences. Everything after that just got progressively worse to the point of being brainless and downright silly. Let’s see if that progression, or regression in this case, continues with the last two films in the series.

in 1987, Death Wish 4: The Crackdown was released, but this time Michael Winner was out of the director’s chair and replaced by J. Lee Thompson.

Paul Kersey (Charles Bronson), an architect by day and vigilante killer by night, seems to have finally found a place for himself with his girlfriend, Karen (Kay Lenz), and her daughter, Erica (Dana Barron). This stability is shaken to the core when Erica dies of a crack overdose one night, which angers Kersey to the point of once again picking up his weapons and cleaning up the mean streets of Los Angeles. Before he gets very far, Kersey is contacted by magazine publisher Nathan White (John P. Ryan) who tells Kersey that his own daughter died of a crack overdose and puts him on the trail of two big time rival drug dealers. Kersey now has a larger plan of action schemes to pit the two factions against each other while systematically wiping out their business on the streets.

I can believe I’m saying this, but Death Wish 4: The Crackdown may very well be the best sequel in this series so far. That isn’t really saying too much, but it at least keeps things minimally interesting. It’s still, at its core, the same exact thing. Someone close to Kersey dies so he goes on a revenge spree until he finds his way to the person truly responsible. It’s the formula for this series that has grown so old at this point. What this film does differently is show Kersey going against to warring factions and making them suspicious of each other, which at least adds a newer level that wasn’t in the other films. The unfortunate thing is that this doesn’t really amount to a whole lot in the grand scheme of things, and the effects that he has on them is over before you can fully appreciate what it is he’s doing. It was still nice to at least see the film makers trying something different with the material.

Death Wish 4 is still lacking in areas that the other films were, despite there being some improvements to the formulaic nature the series found itself in. For one thing, this film is still completely devoid of any emotional resonance which is garbage considering this is a revenge film. If you’re going to make a movie where a character feels the need to get revenge on someone, there should be some feeling expressed by the character. Instead, someone dies and Kersey kills people because that’s what it says in the screenplay, not because that’s what he feels he has to do. It’s so routine, and Bronson just looks like he’s going through the motions. It’s a very robotic feeling movie. Nothing happens because the characters feel this is what should happen next. Everything happens because that’s the way to move the story forward. That doesn’t make for good entertainment and that’s not the way a story should be written.

Death Wish 4: The Crackdown is a slight improvement over Death Wish 3, but not by a whole lot. It introduces some new concepts, which is fine, but doesn’t really go anywhere with them. The whole film just feels part of the same routine that other movies have already established. It also has one of the worst scenes involving a dummy I’ve ever seen, which can also be said about Death Wish 3. This isn’t a good action movie, but it isn’t the worst this series has to offer. I still found myself wishing I was just watching something else.

Final Grade: C-

As if 4 movies just wasn’t enough, a fifth and final movie was released in 1994. God help us all.

Paul Kersey, now living in New York City under the name Paul Stewart, has been madly in love with fashion designer Olivia Regent (Lesley-Anne Down) and has recently proposed to her. He also cares deeply for Olivia’s daughter, Chelsea (Erica Lancaster), who sees Kersey as a father figure. This happiness Kersey has found soon comes crashing down when Olivia’s gangster ex-husband, Tommy O’Shea, (Michael Parks) moves in on her business and eventually ends up disfiguring and killing her. This forces Kersey to once again pick up his weapons and bring real street justice to this band of criminals before they have the chance to hurt anyone else.

I really hate saying this, but I am so sick of writing about these movies. They wore out their welcome long ago, yet here I am commenting on another Death Wish film. Death Wish V: The Face of Death has few positives working for it. For one thing, Kersey has some interesting methods of killing people, and it sometimes borders into dark comedy territory. I also really enjoyed the villains in this movie, and they are much more memorable than any of the other antagonists this series had to offer. Michael Parks really hams it up as Tommy O’Shea and he comes of as slimy and down right villainous. I at least really wanted to see Kersey get his revenge on him and it works well. There’s also a really interesting character played by Robert Joy that is quite unique, but he’s never really touched upon except in a few very brief scenes.

Everything else about this movie is recycled, and I honestly don’t have too much to say about it. It’s all the same formula. Someone hurts one of Kersey’s loved ones and so he, in turn, kills them. It’s the same exact thing over and over again, and by this point it’s tired. Bronson, himself, seems bored out of his mind and this is obviously just a paycheck for him at this point. There’s nothing exciting about anything in this movie except for the end credits because I knew that it was at this point I was done with these movies.

I don’t have anything more to say about Death Wish V: The Face of Death that I haven’t already said for the other 4 movies in this series, especially concerning the sequels. This is a pretty boring movie that plays by the formula that it dares not change. There are only a few redeeming qualities, but it doesn’t really help that much.

Final Grade: D

The Death Wish series really didn’t have a whole lot of steam to start with, so the fact that there are 5 movies is really an anomaly of film. I will admit that it’s fun seeing Charles Bronson do what he does best, but there really isn’t much else worth while in these movies. I hate to use this term when it comes to movies, but this series is a prime example of cinematic garbage.