Tag Archives: pam grier

Foxy Brown – Review

1 Dec

The 1970s was a really interesting time for film. This was the era of auteur film makers like Francis Ford Coppola, George Lucas, and Steven Spielberg making major names for themselves and redefining how movies should be made. This was also a great time for B-movies that would be played as double features in drive ins or grindhouse theaters. The exploitation genre was thriving and this spawned another genre called blaxploitation, which is said to have started in 1971 with Shaft. In 1974, on a double feature bill with Truck Turner, came Foxy Brown starring the one and only Pam Grier. This movie has become known as one of the most influential blaxploitation films ever made, and despite the controversies surrounding it, has become a true cult classic.

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Foxy Brown (Pam Grier) has her hands full taking care of herself while also looking after her small time drug dealer brother, Link (Antonio Fargas), while also helping her government agent boyfriend, Michael (Terry Carter) recuperate after time spent in a hospital. Acting on his own misguided motivations, Link tips off gangster Steve Elias (Peter Brown) that Michael is alive and well despite what they originally thought. Soon enough, Michael is murdered in front of Foxy which ignites a fire that sends her on a mission of revenge. Disguising herself as a call girl, Foxy infiltrates the gang that uses a modeling agency as a front, and it doesn’t take long for Foxy to start working her way up the food chain to Steve and his partner, Miss Kathryn (Kathryn Loder).

There was a lot of very important names that went along with the blaxploitation genre like Richard Roundtree and Isaac Hayes, but one can not forget Pam Grier who made a living playing some of the most kickass female heros to grace the silver screen. This is the strongest element of Foxy Brown and the main reason why I could watch it over and over again. The way Grier delivers her smooth one liners while also not hesitating to shoot any villain that gets in her way makes Foxy Brown a really cool character. Another stand out performance is Antonio Fargas as Foxy’s overconfident younger brother that pretty much gets the plot of the film going. My favorite part of the movie has Foxy storming into her brother’s apartment and trashing after she holds him at gunpoint and lectures him on the mistakes he’s made. That’s going to be the scene I think of whenever anyone mentions this movie.

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Foxy Brown is an interesting movie to look at historically because it received a lot of praise and also a lot of controversy. Like many of Pam Grier’s roles, Foxy Brown was a very strong female character that spoke directly to African American women in 1974. She took good care of other people while also being more than capable of taking care of herself in all sorts of situations. On the flip side, the movie was criticized for the violence and drug use depicted in the lives of the black characters in this movie. There was also some critics who spoke out against the sexualization of Foxy Brown, even though many still were impressed by her ferocity and intelligence in dangerous situations. This opens up a lot of discussion and many people will have many different opinions. This kind of controversy helped turn Foxy Brown into the blaxploitation cult classic that it is.

Other than the controversy, another reason Foxy Brown has earned the title of “cult classic” is the fact that it’s just so damn entertaining. Having been originally released as a double feature, the run time is short which means the story moves at a very brisk and determined pace. Once the action gets started, it rarely slows down and Grier has a lot of great lines to say and asses to kick. While it is action packed, there’s a lot of surprisingly funny scenes as well. One great scene has Foxy and a call girl putting the heat on a judge which ends in a laugh out loud piece of slapstick. The grand finale is also one for the books with Foxy hijacking a plane from none other than Sid Haig, who starred in many Jack Hill films and became even more notorious as Captain Spaulding in Rob Zombie’s House of 1000 Corpses and The Devil’s Rejects.

Foxy Brown may not be the most high quality film you’ll ever see and a great deal of its priorities and intentions can be seen as misguided and out of order, but you can’t deny that it’s one entertaining little movie. Pam Grier knocks it out of the park as the title character and the supporting cast really back her up. There’s something great seeing Foxy take down the gangsters that killed her boyfriend, even though the plot flies by at break neck speeds. Any fan of cult movie or the blaxploitation genre should consider this movie a must see, and anyone who’s just curious about the era might find some enjoyment as well.

Final Grade: B+

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Escape from New York & Escape from L.A. – Review

27 Sep

To me, John Carpenter is an amazing film maker. He’s made some of my favorite horror movies, like Halloween and The Thing amongst others. He’s also known for more action oriented movies like Assault on Precinct 13 and the comedic Big Trouble in Little China. One of his most respected action movies, and in fact one of the most respected movies of his career, is the 1981 film Escape from New York. This was a dark, dystopian thrill ride that was a major hit with audiences and critics alike, which is surprising that it took 15 years for the sequel, Escape from L.A., to finally be produced and released. While both of these movies have something good to offer, Escape from New York is a far superior film than its sequel… depending on what you’re looking for.

Let’s start with Escape from New York.

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In 1988, crime in America rises by almost 400% (remember this was made in 1981) forcing the government to create the United States Police Force and also convert Manhattan into a giant maximum security prison surrounded by giant walls. When terrorists force Air Force One to crash land inside the prison walls, the president (Donald Pleascence) finds himself stranded. Luckily for him, there’s a new prisoner about to be admitted, the notorious soldier and gunslinger Snake Plissken (Kurt Russell). Before all of the formalities can even be completed, Snake is tasked by New York Police Commissioner Bob Hauk (Lee Van Cleef) to infiltrate Manhattan and save the president and in return all of Snake’s crimes on record will be cleared. As an added incentive, Snake is injected with a small explosive device that will detonate in 22 hours. Now with no other choice, Snake wages a one man war with the inmates of Manhattan.

What really grabbed my attention first was how Escape from New York looked. It is a minor visual masterpiece that perfectly sets the tone. From beginning to end, this movie is enveloped in darkness and fog and destruction. It’s exactly how a dystopian film should look. Of course, this was also done in a time before CGI, so this destroyed version of Manhattan is all just brilliant set design, miniatures, and matte painting. Speaking of design, I can’t go through this review without mentioning the iconic anti-hero, Snake Plissken. Kurt Russell growls his way through the movie and succeeds at playing one of cinema’s cult badasses. Not to mention that he was Konami’s main inspiration for Solid Snake in the Metal Gear video game series.

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There’s a simplicity to the story that has also grown on me. While there is something of a message behind the story of the film, the main focus is always Snake rescuing the president. There is a pacing issue that happens about 20 minutes into the movie where it sort of grinds to a halt, but it picks up speed soon enough and I was right back into the action. The movie is a little bit dated, but there are plenty of reasons not to forget it. The cast that I’ve mentioned before, along with Ernest Borgnine, Isaac Hayes, Adrienne Barbeau, and Harry Dean Stanton are all great as always. The film is also just an achievement visuals, character, and the fact that you don’t need a huge budget to make an influential movie. Escape from New York truly deserves its recognition as a cult classic.

After a sequel was written in 1985 and quickly dismissed as being “to campy” by John Carpenter, the official sequel was finally released 15 years later in 1996.

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After an earthquake in 2000 pretty much levels all of Los Angeles. The island that is created as a result is turned into a prison when a strict theocratic president (Cliff Robertson) is elected and implements a moral code that is enforced throughout America. When the president’s daughter, Utopia (A.J. Langer), is influenced by a terrorist in the L.A. prison, Cuervo Jones (Georges Corraface), she steals a device that can be used to control satellites orbiting the entire earth with the capability to shut down all forms of power sources on the planet. After once again being arrested and facing a life sentence in L.A., Snake is recruited to go into the prison, retrieve the device, and eliminate Utopia and Cuervo in exchange for his freedom and an antidote to a virus that has been injected into his bloodstream.

Think of this movie as the Joel Schumacher Batman movies compared to Tim Burton’s, except not as disastrous as Batman and RobinEscape from New York had a dark and brooding atmosphere, whereas Escape from L.A. is brighter, louder, and much more excessive. That being said, there’s some really fun action sequences, but there’s a lot missing from this movie. For one thing, Snake is pretty much turned into an indestructible hero, which pretty much takes away all sorts of suspense. The special effects in this movie are also… pretty awful. I mean, Independence Day also came out in 1996, so there’s really no excuse the effects in Escape from L.A. should be so weird. I can’t even say it’s because it had a low budget because it was a $50 million production.

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There’s still a lot of imagination behind a lot of the different prisoners and sets. Also, besides Kurt Russell and Cliff Robertson, there’s also cameos and supporting roles for Bruce Campbell, Pam Grier, Peter Fonda, and Steve Buscemi. It’s just really unfortunate that all of this imagination and great actors is sort of drowned out in excessive special effects, a lack of suspense, and noise. While the story does move a lot faster than its predecessor, I really missed the style, suspense, and tone of the first film. It’s also worth mentioning that the whole story is almost a perfectly recycled version of Escape from New York.  Escape from L.A. isn’t an awful film, but it’s far from being any real form of good.

John Carpenter’s Escape from New York and Escape from L.A. are two very different movies. His first film is a cult classic, and rightfully so, while the second one bombed when it was released and it’s still considered a bomb today.