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Invasion of the Body Snatchers (1956 & 1978) – Review

17 Dec

Science fiction is one of my absolute favorite genres because of how it can take problems of today and morph it into something that seems very unbelievable but also shockingly familiar. This is something that is explored to the fullest in the classic 1956 sci fi shocker, Invasion of the Body Snatchers. Released as a double bill with The Atomic ManInvasion of the Body Snatchers turned into something so much more than a well received B-movie. It’s become a classic film that’s regarded as one of the best of the genre. Not only that, but it’s remake from 1978 comes close to matching its greatness while also being considered one of the best remakes ever to be produced. You can’t go wrong with that, so I’m thrilled to finally get to talk about these classic films.

Let’s start with the 1956 original.

After being called back to town from a health conference, Dr. Miles Bennell (Kevin McCarthy) is surprised to see a mental health problem affecting many people in the neighborhood. Multiple people seem to believe that their loved ones aren’t really who they say they are and, while they look exactly as they should, are actually imposters. While investigating this strange phenomena, Miles gets back together with an old girlfriend, Becky Driscoll (Dana Wynter), whose own cousin is suffering from one of these “delusions.” When Miles’ friends Jack (King Donovan) and Theodora (Carolyn Jones) Belicec find a body in their house that looks just like Jack, it occurs to everyone that these accusations about imposters may not be so far fetched after all. With more and more people becoming closed off in the town, and with the FBI being completely unreachable, Jack and Dana have to pull together to get out of the town safely and warn the rest of the world about the “pod people.” But with imposters surrounding them, who can they really trust?

I first watched this movie back in college when I took a whole class on the Horror genre. Invasion of the Body Snatchers has been lauded as a masterpiece of science fiction, but also horror. I personally lean towards the side of horror because there’s something very unsettling about this film, and that has to be at least partially why this movie has stood the test of time. Sure, it is tame compared to sci fi horrors that come out today, but the black and white cinematography make the darkness feel extra dark and the soulless way the pod people move in complete unison at times is creepier than some of the more graphic scares of modern genre examples. This original movie also has one of the most exciting climaxes in this sci fi/horror genre which involves Miles running down a highway, desperate for people to heed his warning. Don Siegel’s exciting direction and Jack McCarthy’s terrified expressions make this whole segment a classic.

When this movie first came out, tensions were high and the Cold War was raging. People who worked on the movie have said that it was never their intention to write a movie that had any sort of political or societal message to it. That’s absolutely ridiculous to say. Invasion of the Body Snatchers is a brilliant look at not only tensions between the Soviet Union and America, but also the plague of McCarthyism that was tearing America apart and also the soul crushing drabness of suburbia. This is an intelligent examination of the whole state of affairs in mid-1950s America, so I can’t believe anyone would say that this is just an alien invasion movie and that’s that. If that’s what you believe, I feel like you’re missing out on a lot of what makes Invasion of the Body Snatchers such a classic.

What more can I say about this movie? Invasion of the Body Snatchers is a masterpiece of science fiction and horror. It’s a slow burn of a movie that doesn’t have any over the top scares, but there’s a looming sense of dread, despair, and hopelessness that clouds the entire movie and makes the suspense feel all the more urgent. This is a really fun example of a B-movie that was released on a double bill that was destined to be so much more. I absolutely love this movie.

Final Grade: A

Normally remakes are a touchy subject and I’ll be the first to admit that. In this case, however, the remake is well worth the time and can be considered a timely classic all its own. How often can you really say that?

After discovering a rare form of plant species, Elizabeth Driscoll (Brooke Adams), who works for the San Francisco Health Department decides to investigate further. While her research leads her to a dead end, her suspicions are still aroused after her husband begins behaving like a mindless drone that barely even recognizes her. She voices her fears to her coworker Matthew Bennell (Donald Sutherland), who is at first unsure, but begins believing her when strange things begin happening all over the city that sound directly related to her predicament. Bennell brings Elizabeth to his friend and pop psychiatrist, Dr. Kibner (Leonard Nimoy), who assuredly tells her that everything is ok. Things quickly go south when their other friends, Jack (Jeff Goldblum) and Nancy (Veronica Cartwright) Bellicic find a body in their massage parlor that looks exactly like Jack. As their investigation continues, it turns out no one can be trusted and extra terrestrial forces are closing in to take over their lives and eradicate the entire human race.

Take everything that’s super cool about the original Invasion of the Body Snatchers and expand on it to make it even cooler. That pretty much sums up the 1978 remake. More thought is put into explaining where the seeds that create the pods come from and the transformation of the regular humans into pod people is graphically shown. Philip Kaufman and his team clearly took the time and effort to create special effects that worked great for the time, without ever really overdoing it, and also using the camera and location to help tell the story better. One scene in particular has the camera dizzyingly following Donal Sutherland’s character threw the crowded streets of San Francisco. This clearly illustrates how alone, scared, and paranoid the character is without ever putting it into words. Not to mention, this movie has one of the most startling, bone chilling endings ever put to celluloid. That all being said, there are some flaws with this movie that don’t quite appear in the original.

In the original film, the relationship between Bennell and Driscoll is very natural and is a very believable and entertaining part of the story. It brings romance into the story, but it feels like a proper fit. In the remake, however, this romance is shoehorned into the plot and feels like a total afterthought. It’s one of those things where it really isn’t a huge problem, but it seemed so out of place that it took me out of the movie, and that’s the last thing you really want to have happen when you’re so sucked into it. This movie is also a lot longer than the original, which also isn’t a terrible thing. It just didn’t feel quite as tight, but the fact that the plot took its time also helps build the characters, lore, and suspense. The strongest part of this movie, and something that makes these tiny flaws feel super insignificant, is how the dread and suspicion and paranoia is turned up to 11. The late 1970s was a very different time than the mid 1950s, but that doesn’t mean people still weren’t afraid. The time of peace and love was coming to an end and the era of Watergate was upon them. It doesn’t quite have the same punch as the 1956 version, but the societal jabs are still there.

If you were to ask me if I’d rather watch the original Invasion of the Body Snatchers or the remake, I’d really have to think about it. The 1978 version ramps up the horror and special effects while also making the invading spores something much more physical and explained. There are a few storytelling hinderances that I can’t ignore, but this truly is one of the greatest remakes ever to be made. It’s smart, well acted, impeccably shot, and still provides all the scares that a fan of the genre can hope for. I’d say it’s just as good as the original, and if not that it’s pretty darn close.

Final Grade: A-

So there’s the first two films of Invasion of the Body Snatchers. Both are excellent movies with their own strengths and weaknesses, but sci fi/horror really doesn’t get too much better than this. I’ll also be reviewing a few other remakes, Abel Ferrara’s 1993 film Body Snatchers and Oliver Hirschbiegel’s 2007 film, The Invasion.

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The Right Stuff – Review

8 Mar

To me, the idea of going into space is like the worst thing ever. I’m quite comfortable staying down here on good old planet Earth for the rest of my life. For some people however, that just isn’t enough. Take for example the Mercury Seven, the American astronauts that were some of the first people to go to space, and the very first people to orbit the Earth. This is the story of The Right Stuff, a movie by Philip Kaufman based off of the book by Tom Wolfe. It’s a very interesting and adventurous movie that tells the stories of these astronauts very well, and for that I applaud it. On the other hand, this movie is goes on for what seems like forever and could have been either trimmed down or made into two separate movies.

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The story begins back in 1947 when there was a belief that it was impossible that it was impossible to reach the speed needed to surpass Mach 1 and break the sound barrier. That is until UNSAF pilot Chuck Yeager (Sam Shepard) stood up to the challenge and pushed the Bell X-1 jet faster than any before it and broke the sound barrier. This opens up many doors for scientific aeronautic progression for the United States, and pressure begins building as the United States enters the space race with the Soviet Union. The rest of the film follows the Mercury 7 astronauts (Dennis Quaid, Ed Harris, Scott Glenn, Lance Henriksen, Scott Paulin, Fred Ward, and Charles Frank) and their different experiences training, finally going into space, and the effect it has on their social status and families.

No one can really deny that the story of The Right Stuff may be one of the greatest stories ever told. In all aspects, it’s a story of bravery, camaraderie, and love all woven together by historical truths and the knowledge that most of what we see really happened. The events shown in this movie are crucial scientific breakthroughs, and that being said, I wish this was a longer movie. Well, sort of. Watching this film in one sitting was pretty daunting, and by the end I was ready for it to be over. What I mean is that this is another one of those movies that would’ve have been a lot better if it was turned into a mini series. There’s so much history in The Right Stuff that sometimes feels glazed right over. Despite it’s run time of three hours and fifteen minutes, I still felt that there was more of a story to tell.

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The Right Stuff got its limited release in October of 1983, while Return of the Jedi got released in May of that same year. I’m saying this because I want everyone to have an idea of what sort of special effects could be accomplished at that time. For 1983, The Right Stuff had some pretty incredible special effects that still hold up today. Using practical effects like models, stock footage, and other unique effects, the effects in this movie gave it a very authentic feel. I also have to mention Caleb Deschanel’s beautiful cinematography that helps bridge the gap between authentic and cinematic.

It’s impossible to talk about The Right Stuff without mentioning its truly all star cast. Not only is it a very large cast, but its a cast that does their jobs very well. My personal favorite performances come from Ed Harris as John Glenn and Dennis Quaid as Gordon Cooper, although Scott Glenn’s portrayal of Alan Shepard is also memorable. They’re all just so into their characters, and Ed Harris especially could be John Glenn’s doppelgänger. The only person I feel is underused is Lance Henriksen. I’m a big fan of Henriksen, so the more I see of him the better.

The Right Stuff may feel like it goes on forever and it may get kind of cheesy with its over the top patriotism, but it is still one hell of a movie. The special effects, performances, music, and cinematography are all top notch and it tells a really great story, even if some of it isn’t all too accurate. While it wasn’t met with much attention when it was released, The Right Stuff is now regarded as a landmark film of the 1980s, and I can certainly understand why and wholeheartedly agree.