Tag Archives: radha mitchell

Phone Booth – Review

29 May

How can a movie that predominantly takes place inside of a single phone booth possibly be interesting? Well, that is what I’m going to explain today with Joel Schumacher’s film, Phone Booth. This film is a success due to its fine direction, expert editing, and perfect pacing, packed to the brim with suspense and intensity.

Stu Shepard (Colin Farrell) is not a good person. He is a publicist, who isn’t particularly very good, but still enjoys the multiple lies and trickery needed in order to get ahead. While using a public phone booth to call a possible girlfriend-on-the-side (Katie Holmes), Stu is called by a mysterious man (Kiefer Sutherland), who just so happens to have a highly powerful sniper rifle aimed right at Stu, and will fire on him if he doesn’t obey his every word. Soon, the police arrive and Stu finds himself in a stand-off with the caller and the police.

There are many factors that would have caused Phone Booth to not work as a film. The biggest and most challenging factor is making a film that takes place mainly in a phone booth interesting. To do this, the pacing had to be perfect, and it really is. Not once during the length of this movie did I find myself getting bored. Of course, this is far from being a long film, only clocking in at a little over 80 minutes. This is just the right amount of time to properly introduce the characters, build suspense, and release all of the built suspense in a minute of insanity.

When I think of really good actors, Colin Farrell isn’t one that comes to mind, but after seeing Phone Booth I know that he has the talent to be great. Unfortunately, this isn’t really implemented save for a couple of films like In Bruges. Katie Holmes and Radha Mitchell do alright as Shepard’s love interests. Forest Whitaker gives a very emotional performance as a police chief with an obvious battered past. Kiefer Sutherland is the perfect choice to play the Caller, and he does so with menace and sounds genuinely like a sociopath.

The writer of the film, Larry Cohen, actually pitched the idea of a film centering around a single phone booth to Alfred Hitchcock in the 1960s, and Hitchcock thought it was a great idea but neither of them knew how to keep the character trapped in the booth. Cohen came up with the idea for a sniper in the 90s, but more to the point, this film definitely feels like it is a modern day Hitchcock film. The real intensity comes from the suspense and the performances, which is what Hitchcock was all about. Michael Bay was set to direct at one point, and the first question he asked was, “How do we get him out of the phone booth?” Getting Stu out of the booth would have ruined the whole point of the film.

Phone Booth had the potential to be a terribly boring movie, but Schumacher and his crew did a great job at crafting a meticulously good story filled with suspense and questions of morality. Do the sniper’s actions justify the means? Of course not, but the audience of this movie definitely have discussion points after this movie. I can easily recommend Phone Booth to anyone looking for a suspense fully wicked good time.

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The Crazies – Review

11 May

To me, modern American horror is not the strongest of genres. It seems that most of these movies that call themselves “horror” resort to using jump scares that are accentuated with loud musical cords. That isn’t horror; merely a startling scene. The Crazies is definitely guilty of this and other horror movie clichés, but with the help of adequate performances and some genuinely scary scenes this movie pushes itself up above the typical American horror film without ever achieving greatness.

In the small town of Ogden Marsh, Sheriff David (Timothy Olyphant) and his deputy, Russell Clank (Joe Anderson), are enjoying the new spring weather at the first town baseball game of the season when one of the townspeople walks onto the field with a shotgun. David handles the situation appropriately, but soon discovers along with his wife, Judy (Radha Mitchell), that many of the residents aren’t just acting strangely, but also savagely violent. The military soon intervenes to contain this mysterious “infection” in their own twisted way leaving David, Judy, Russell, and local teenager, Becca (Danielle Panabaker) to escape the town.

The faults of this film are glaring when they are exposed. There were multiple times during The Crazies where a scene got strangely quiet, and I knew exactly what was going to happen and when. This could be just from years of watching horror films, or it could be that they have gotten so generic recently that it’s just easy to catch on to what the film makers are going to do next. This is unfortunate for this film, because in other respects it strived to break through the realm of mediocrity.

The Crazies is at its scariest and most memorable when it deviates from this pattern. There are brutally satisfying scenes that gore freaks will go crazy for, but there are also very subtle moments of terror when we catch a glimpse of something in the background that the character does not see. These scenes sent chills down my spine and some even made me uncomfortable, which is good for a horror movie.

The story itself is pretty generic. This is a remake of a 1973 film of the same name by horror master George Romero, and for the time when the original was released, the story wasn’t so over told. Pretty much, there’s a virus in a small, nice town that demands evil military intervention. We’ve seen this before. It was even satirized in Slither, which I would actually choose over this movie.

By this point in my review, it probably appears that I didn’t like this movie. That’s not true. For what it was, it was enjoyable, and definitely  better than a lot of horror films. The characters all had depth and I cared for each one in their own unique ways, especially Deputy Russell, who had a great character arc. The acting was all good without ever going into anything above what was needed, and a lot of the scenes (especially one concerning a Crazy and a pitchfork) were actually scary.

The main issue that I have with this movie is that it falls into generic territory way too much.  If I saw another scene of a character arriving just in time to save the day, I would….well I don’t know what I would do, but I saw a lot of that. The film makers really tried with this one, and for the most part, The Crazies is a successful horror film. It’s not something I would strongly recommend, but for the people whole love films like 28 Days Later, than I would say this might be a worthwhile escape for just a couple of hours.