Tag Archives: reality

Elephant – Review

9 Sep

There are many things in life that completely baffle society which leaves us longing for a concrete answer. Many of these things revolve around apparently senseless violence, nonetheless senseless violence against children and teenagers. This is a very difficult topic to make a film about since you would have to walk a thin line between exploitation and dealing with the topic appropriately. Only in the right hands would violence against youth be handled correctly, and thankfully this is the case with Elephant, handled so well by Gus Van Sant. Not only dealing with the violence and horror of school shootings, Van Sant also examines the more microscopic violence and horror of high school and the effects of having so many clashing personalities in so confined a space.


The morning starts just like any other at Wyatt High School in a quiet suburb in Portland. John (John Robinson) has to deal with being late for school once again because of his alcoholic father. Elias (Elias McConnell) spends his time taking pictures of students and developing them in the dark room. Nathan (Nathan Tyson) and Carrie (Carrie Finklea) worry about something obvious that remains unspoken, and Michelle (Kristen Hicks) worries about fitting in with the other girls. What remains unseen by all of these students are the activities of Alex (Alex Frost) and Eric (Eric Deulen), who are quietly formulating a plan to get revenge for the years of bullying that they have suffered through. Soon, this normally quiet school erupts into violence and bloodshed.

Elephant is one of the most brutal and disturbing films that I have ever seen, and it will probably remain that way until the last movie I ever watch. Many of the films that I have called disturbing certainly still will be, but the realism behind this and the thematic material involved hurts more than most films. This is one of those movies that could literally be sliced from a day of a real, seemingly normal day. This makes sense since Van Sant clearly took inspiration from the tragedy that occurred at Columbine High School. With all of the disturbing content, the most memorable part of this movie in terms of how it’s made, is the amount of really heavy suspense and the way the camera flows through the scenery; a technique that made me feel like I was a character in the movie.



What Gus Van Sant succeeds at doing with this movie is making the viewer, whoever they may be, feel like they are these active observers in the sense that they move with the characters and see pretty much everything they are doing, but passive in a way that they can’t do anything about it. We follow the characters through the hallways like they are lab rats in a maze who are then faced with variables, Alex and Eric, that completely destroy everything about what they know. We are also never given much information about the characters. We only know just enough about them to know who they are on a basic level. Don’t mistake this for Van Sant turning this into a cold experience. The horror and shock is still felt on a very human level. This is film making at the most excellent.

Another thing that works really well in Elephant are the questions that we are left with. I always like to think about a movie when it’s over, but this one made me want to have a full blown discussion. The title of the movie refers to the famous saying about there being “an elephant in the room,” a saying that is now about the violence that Alex and Eric have, but also about the subject of these events happening in our schools and who to blame. Columbine isn’t an isolated incident, and after each event like it, people are always looking for something or someone to blame. What Gus Van Sant has shown with Elephant is that there really is no easy solution. There are too many things that happen, from the smallest event to the largest tragedy, that can effect someone, especially in this age group. It would be too easy to blame the media or gun control or whatever since there is simply too much to consider.

On every level, Elephant is a success. I believe that this movie should be required viewing, not just to film students trying to learn to hone their craft, but also to a younger generation as a way to show what their actions could do or even to understand the natures of other people. The violence, as disturbing as it is, isn’t senseless and the beautiful camerawork is really something that I could write a whole essay on itself. Elephant is a prime example of a talented film maker showing the level that film as an artistic medium can be taken to, but also how to properly use it as a tool for social awareness.

The Fall – Review

2 Aug

Speaking as someone who was a child, it’s easy for stories and imagination to blend into the real world. This combination of fantasy and reality for children has been beautifully captured in movies, with my go to prime example being Guillermo Del Toro’s Pan’s Labyrinth. Fortunately, as of a few days ago I can add another go to film that explores this theme, but also a film that is one of the most beautiful exercises of cinematography and editing that has ever been used in all of film history. Not only is this a beautiful looking film, it’s story is beautiful. The entire movie itself can only be described as beautiful.


In the early 1920s when the world of film was evolving, stuntman Roy Walker (Lee Pace) finds himself in a European hospital after severely injuring himself for a particular stunt. He soon finds company in a little Romanian girl, Alexandria (Catinca Untaru), who he begins telling an epic, swashbuckling story of a group of heroes out for revenge on the evil Governor Odious (Daniel Caltagirone). What Alexandria doesn’t know is that this is all a distraction and a ploy for Roy to earn Alexandria’s trust and convince her to steal morphine from the hospital so that he can commit suicide after losing the love of his life and possibly ruining his career. As Alexandria hears more of the story and risks more than she knows trying to steal the morphine, employees in the hospital begin weaving their way into Roy’s story more and more while evils from the story are finding their way into the hospital.

Before I started watching The Fall, I had a concern that this movie was pretty much just going to be about the visuals and the locations. Pretty much I just thought that this movie was going to look nice and lose some points in terms of story. I was happy to see once again that my assumptions were wrong. This movie has a wonderful story that is filled with hallucinatory moments, wonderful moments of childhood, and an imagination that would do Hollywood a lot of good. The Fall was one of those movies that slipped through the cracks, which is really unfortunate since it has so much to offer. I was also surprised to see how little awards were given to this film, especially in terms of cinematography and editing which are some of the most impressive I’ve ever seen. It’s like walking into a museum and seeing the paintings come to life.


One of the best things about this movie is the relationship between Roy and Alexandria. It’s one of the most touching and genuine friendships and really makes you feel the emotional impact when something good or bad happens to either of them. The performances by Pace and Untaru are both really great, and at the risk of sounding redundant, they feel very genuine. This is especially true for the young actress Catinca Untaru who gives a startlingly impressive performance. I’ve never really seen a child actor give a performance that felt so real. Apparently the director Tarsem Singh has Catinca believe that Lee Pace was actually paralyzed, a move that he felt made the performances more real. From what I can see, it actually did work.

Finally, the themes of this movie are very heavy and true to life, much like the ones in Pan’s Labyrinth, which I consider to be the fraternal twin of The Fall, being as they both were released in 2006 and share much of the same thematic material. In The Fall, however, the themes concern self worth, suicide, and childhood innocence and naïvety in both children and adults. It’s so interesting to see the scary adult world filled with violence and self loathing through the eyes of a child who has lost so much, but still doesn’t understand the real meaning of loss. Both characters have suffered loss, but only one seems to be really affected by it while the other is still lost in her own world of innocence. This is a very sad movie, but it also leaves you with a feeling of satisfaction and hope for the characters, and possibly even life itself.

The Fall is really a beautiful movie to look at, listen to, and understand. It has swashbuckling adventure, unbelievable visuals, and a core story that is as real as we made out favorite heroes out to be when we were children, ourselves. The way fantasy and reality begin to become one was so interesting to see, and made me think of this movie as another reminder why I love movies as much as I do. It was a perfect combination of talent, idea, and dedication especially since it took four years to film on so many different locations. This is an intelligently executed work of art that would be a sin to miss out on.