Tag Archives: side effects

Schizopolis – Review

3 Mar

Well… This was probably one of the strangest things I’ve ever seen. When I think of Steven Soderbergh, I think of a very talented and versatile director that seems to have the ability to take on any genre, from the complicated comedy of Ocean’s 11, to the intense drama/thriller films of Side Effects and Traffic. But then there’s Schizopolis, a twisted experiment in surrealist comedy that reminds me of something David Lynch would make it he had a much lighter sense of humor. Steven Soderbergh making something like this, though, I never would have expected.

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Fletcher Munson (Steven Soderbergh) is an office employee for the company run by T. Azimuth Schwitters (Mike Malone), the inspirational founder behind a new self help/religion, Eventualism. Fletcher and his wife (Betsy Brantley) have a relationship that can only be described as nonexistent, speaking only in the underlining context of how they really feel. When Munson gets even more distant when he has to write a speech for Schwitters, his wife decides to take her love elsewhere to Munson’s doppelganger, the timid dentist Dr. Korchek (also Steven Soderbergh). Meanwhile, the swinging exterminator, Elmo Oxygen (David Jensen), who spends most of his time bedding the housewives of the houses he sprays is somehow fitting into all of this.

There’s not much I can really say about Schizopolis. It’s something that I never expected out of Steven Soderbergh, but it’s something I would have liked to see more of. It’s non-linear plot line is only the first of the strange things about this movie. There are events of the past that are making their way into the future, nonsensical babbling, and two people who are one and the same without offering any explanation. At the beginning of the movie, a character of Soderbergh announces that if there’s anything that we don’t understand about the movie, it’s our fault and not theirs.

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This is a really funny movie, and a lot of that goes to Steven Soderbergh’s acting. This is the only movie he’s ever acted in, but I wouldn’t mind seeing him in something else. Of course, that probably won’t be happening after he pretty much gave up on movies after the way Hollywood treated his work. This movie feels like something very personal that he wanted to make, and the only reason it ever got made was because he wanted to do it. As silly as it is, Schizopolis does have cool things of communication and lack there of, and of the true work involved just to get through everyday life.

Schizopolis is a movie that makes sense while not making sense at the same time. There are things that are never explained, and then some things that are sort of explained. We aren’t meant to always understand, but to just go along for the ride and you might learn something along the way. Steven Soderbergh has crafter a hilarious experimental comedy that reminded me of Inland Empire if it was even remotely funny. If you love strange movies and don’t mind things that exist just to exist, check out Schizopolis wherever you can find it.

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Side Effects – Review

18 Feb

Steven Soderbergh is one of those film makers that seems to have the ability to dabble in any genre imaginable. His filmography is extensive and seems to be painted in broad strokes. His latest film, and supposedly his last film he will be releasing for theaters, is Side Effects. As a theatrical swan song, I don’t think there is a movie that could be more appropriate to best represent his diverse skills.

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When Emily Taylor’s (Rooney Mara) husband, Martin (Channing Tatum), is released from prison after serving four years for insider trading, it is assumed that life will go on for the couple as it did before his incarceration. Not so. Emily finds herself depressed to the point of attempting suicide on multiple occasions. She meets with psychiatrist Dr. Jonathan Banks (Jude Law) who after consulting her past therapist, Victoria (Catherine Zeta-Jones), prescribes Emily with a new experimental drug, Ablixa. The drug appears to be working until its side effects tear Emily’s life to shreds. Blame is soon put on Jonathan, who suspects there is more going on with Emily than meets the eye.

About 2/3’s of the reviews that I have read for Side Effects, good or bad, have split the movie up into two separate parts. The first part involves Emily’s struggle with her depression and the prescribing of different drugs until the Ablixa drug is brought to light. This is a very interesting look into the debilitating effects of depression and a filmic debate over the necessity and morality behind prescription drugs. The second half is Jude Law’s show. During this time we see the fall of his character and his attempts to climb out of the mire. The theme of prescription drugs stays strong for this half, but the concrete finger pointing of the companies behind them make this half engaging.

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While four people are shown on the poster, the two main players are Rooney Mara and Jude Law. Both give two of their finest performances. Jude Law, who has recently become one of my favorite actors, gives a very convincing performance that has its moments of subtlety and explosive anger. Mara has proved herself in her career making role as Lisbeth Salander in The Girl with the Dragon Tattoo, but shows once again why she should be one of the most sought after actresses in Hollywood. Zeta-Jones’ character is unfortunately wasted and has only one or two brief scenes that stand out. Finally, Channing Tatum is considered to be a joke of an actor to many, but I give him credit. Give him the right director and the right script, Tatum is actually a pretty good actor. He’s not great, but talent is definitely evident. He just needs to start going after more mature movies.

This film screams Soderbergh. The screenplay written by Scott Z. Burns, who has collaborated with Soderbergh for The Informant! and Contagion, brings a great layer of drama, crime, and corporate thrills that would make Hitchcock proud. Visually, Side Effects looks great. The use of low angles and depth of field tricks definitely visualizes the mental state of depression. I’ve heard aesthetic comparisons of this film to that of Roman Polanski’s Rosemary’s Baby, the most obvious being the very opening shot, which I consider to be a direct homage.

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I really hope that this isn’t Steven Soderbergh’s last theatrical release. The film world would be losing a powerhouse film maker that it can’t really afford to go without. He has provided many smart films with different societal messages that can be taken seriously or darkly comic. If this is his last, Side Effects is a great film to go out on. It’s condemnation of big companies, suspicion against legality of drugs, and the interest in different states of mind define his career and proves this film to be one of his bests.