Tag Archives: sniper

American Sniper – Review

17 Feb

When told right, a war movie can really make you think and try desperately to understand what soldiers all over the world have to face everyday when they wake up in hostile territory, but also how they react back home far away from the battlefield. Earlier this year I had the opportunity to see Fury, which worked very well as a thought provoking war film, and now I’ve finally gotten the chance to see Clint Eastwood’s Oscar contender American Sniper. The biggest thought I have in my mind is that if the Academy really needed a war movie for a nomination, why couldn’t it have just been Fury?

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After seeing coverage of the U.S. embassy bombings in Tanzania, Chris Kyle (Bradley Cooper) decides that it’s his duty as an American to enlist in the military to do what he can to protect his country. After the 9/11 attacks, he is deployed to the Middle East where his talents as a sniper become quite apparent to the rest of his brothers in arms and also the enemy. Each time he comes home to his wife (Sienna Miller) and his children, it becomes more and more clear to Kyle that he belongs in battle alongside his fellow soldiers, but he also feels the need to be at home with his family. As the these conflicts become more intense, and more of his friends are killed, Kyle’s stability becomes more and more fragile, encouraging him to do something before it reaches the point of no return.

I know I’m probably a minority in my opinions about this movie, and excuse me for saying this, but I really can’t get behind this movie or all of the praise it’s getting. Everything from Bradley Cooper’s performance to the way director Clint Eastwood handles the complicated subject material is getting way too much positive attention in my honest opinion. The basic formula of this movie has been done before and done a lot better, especially with Kathryn Bigelow’s exceptional psychological war film The Hurt Locker. This film, on the other hand, follows the formula step by step and fails to bring anything new or particularly thoughtful to the table. I can’t say that American Sniper is a “bad” movie but I can definitely say that it is bland, generic, and boring.

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When I first saw trailers for this movie, I was really all about it. I couldn’t wait to see it. The scenes showed in the trailer looked like some of the most intense shit ever, and that’s what I really wanted to see. Think about it. A whole war film seen through the eyes of a sniper, the man who’s far away from the action but holds the lives of the squad in the palm of his hand. One wrong decision could be fatal. Thank goodness I got at least two intense scenes out of this movie. The rest of the war scenes were really nothing special. The time he spent at home where the effects of the war could be examined were completely underutilized and the editing between the two was so sloppy and jarring I couldn’t really believe they got away with it. I don’t want to keep comparing this movie to The Hurt Locker, but I can’t help it. That movie just did it so much better.

Bradley Cooper has made quite a name for himself in Hollywood recently through his comedic efforts in The Hangover movies but also his more dramatic roles in Silver Linings Playbook and American Hustle. Now he’s nominated for Best Actor for the third year in a row for his performance in American Sniper and I just am left to sit here and wonder how. For most of the movie, he just grumbled his dialogue in a typical tough guy manner. It was just annoying to listen to, and the movie didn’t spend enough time developing his relationships to other characters to make their interactions really amount to anything.

All I can really say about American Sniper is that it’s a missed opportunity. I love war movies and respect all of the work that goes into making one, but this was just too formulaic and bland. There were definitely some really great scenes in the movie, but other than those few moments, nothing in this movie ever really amounted to anything much. It pains me to say this, but American Sniper is a big disappointment of 2014 and a Clint Eastwood movie that I’ll do my best to never have to watch again.

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Phone Booth – Review

29 May

How can a movie that predominantly takes place inside of a single phone booth possibly be interesting? Well, that is what I’m going to explain today with Joel Schumacher’s film, Phone Booth. This film is a success due to its fine direction, expert editing, and perfect pacing, packed to the brim with suspense and intensity.

Stu Shepard (Colin Farrell) is not a good person. He is a publicist, who isn’t particularly very good, but still enjoys the multiple lies and trickery needed in order to get ahead. While using a public phone booth to call a possible girlfriend-on-the-side (Katie Holmes), Stu is called by a mysterious man (Kiefer Sutherland), who just so happens to have a highly powerful sniper rifle aimed right at Stu, and will fire on him if he doesn’t obey his every word. Soon, the police arrive and Stu finds himself in a stand-off with the caller and the police.

There are many factors that would have caused Phone Booth to not work as a film. The biggest and most challenging factor is making a film that takes place mainly in a phone booth interesting. To do this, the pacing had to be perfect, and it really is. Not once during the length of this movie did I find myself getting bored. Of course, this is far from being a long film, only clocking in at a little over 80 minutes. This is just the right amount of time to properly introduce the characters, build suspense, and release all of the built suspense in a minute of insanity.

When I think of really good actors, Colin Farrell isn’t one that comes to mind, but after seeing Phone Booth I know that he has the talent to be great. Unfortunately, this isn’t really implemented save for a couple of films like In Bruges. Katie Holmes and Radha Mitchell do alright as Shepard’s love interests. Forest Whitaker gives a very emotional performance as a police chief with an obvious battered past. Kiefer Sutherland is the perfect choice to play the Caller, and he does so with menace and sounds genuinely like a sociopath.

The writer of the film, Larry Cohen, actually pitched the idea of a film centering around a single phone booth to Alfred Hitchcock in the 1960s, and Hitchcock thought it was a great idea but neither of them knew how to keep the character trapped in the booth. Cohen came up with the idea for a sniper in the 90s, but more to the point, this film definitely feels like it is a modern day Hitchcock film. The real intensity comes from the suspense and the performances, which is what Hitchcock was all about. Michael Bay was set to direct at one point, and the first question he asked was, “How do we get him out of the phone booth?” Getting Stu out of the booth would have ruined the whole point of the film.

Phone Booth had the potential to be a terribly boring movie, but Schumacher and his crew did a great job at crafting a meticulously good story filled with suspense and questions of morality. Do the sniper’s actions justify the means? Of course not, but the audience of this movie definitely have discussion points after this movie. I can easily recommend Phone Booth to anyone looking for a suspense fully wicked good time.