Tag Archives: song kang-ho

Thirst – Review

12 Jan

Anyone who reads these reviews knows that I’m a huge fan of South Korean movies. South Korea is actually may favorite market for foreign film because of the amount of beautifully shot films that come out of there. Today we’re going to be looking at a movie made by Park Chan-wook who is prominently known for his cult classic Oldboy, but also for dabbling in the American market with Stoker. I’ve always found the majority of his movies to be beautiful but awfully pretentious. The same can be said for his 2009 film Thirst, although it is far more enjoyable than others like Sympathy for Mr. Vengeance and Lady Vengeance.

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Sang-hyun (Song Kang-ho) is a Catholic priest who feels that his life should be dedicated more to than just prayer. To make himself feel more fulfilled both with his life and faith, Sang-hyun decides to volunteer to become a test subject to find a cure for the deadly Emmanuel Virus, which has been wiping people out all over the globe. While he does in fact die during the test, he is resurrected when a blood transfusion is performed, but with some unexplainable side effects. Sang-hyun is now cursed with vampirism and survives day to day by stealing blood from hospitals. Life after death becomes even more complicated when he is reunited with Tae-ju (Kim Ok-bin), a childhood acquaintance who insists on becoming a vampire.

This is just such a cool idea for a movie. When done properly, vampire movies can contain some of the coolest and most memorable scenes and characters. Interview With a Vampire is my go to vampire movie, but then there’s the comedic What We Do in the Shadows that also works great as a vampire movie. In Thirst, the biggest draw that separates it from the rest is the fact that a Catholic priest is turned into a vampire. This is an interesting plot point since Catholics believe so strongly in going to either heaven or hell after they die, and this priest is now stuck in this undead state and is forced to drink blood to survive. Another interesting thing is that Park wrote vampirism to be some weird biological side effect to the disease that Sang-hyun volunteered to help find a cure for. It puts an interesting and worldly twist on something that is normally considered supernatural.

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With his other films, Park Chan-wook has shown himself to be highly skilled at creating a visually beautiful movie. While his movies do look beautiful, I’ve always felt that they’ve lacked in terms of telling a story. In both these regards, Thirst is no different. There’s a lot of great looking scenes in this movie that deserve a lot of attention, but Park doesn’t really explore the narrative possibilities to their full potential. There’s a vampire priest that’s engaged in a sexually charged relationship with a woman who feels the need to become a vampire. That should open a lot of doors to utilize different vampire lore or character development, but that doesn’t really happen to the degree it should. With that in mind, there are also a lot of scenes where nothing really happens and just serve to drag the movie out a little bit intead of a scene that could include something that would boost the movie up.

Thirst is an example of a really good movie that gets weighed down by the pretentiousness of the film maker. Park Chan-wook obviously has a lot to say about a lot of things, but he’s conveying these ideas in broken sentences. It’s pretty clear that Park’s main goal was to make a beautiful piece of art, but the art of a movie isn’t just how it looks or sounds. To me, one of the most important pieces to a film is the story. Narrative should never be discounted as not important to making a cinematic work of art, even if it’s something more abstract or experimental. That’s just my personal taste anyway.

I don’t want this review to sound negative because I actually did enjoy Thirst and appreciate the work that Park Chan-wook put into it. It’s actually one of his best movies after Oldboy. I just wish more attention would have been put into the lore of the vampire and more detail added to create a flowing story. I actually highly recommend this film to people who love a good vampire movie, but just don’t expect a completely fulfilling movie.

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Memories of Murder – Review

19 Mar

In the years between 1986 and 1991, 10 murders were committed in the Gyeonggi Province of South Korea, marking the first serial killings in the country’s history. Memories of Murder tells the story of the detectives who were charged with finding the killer and potentially saving more lives. This movie had potential to be a derivative detective film, but the history and consequences is what really brings Memories of Murder from being average, surpassing good, and becoming great.

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When a young woman is found raped and murdered in October 1986, it seems a little out of the ordinary in such a small and peaceful village as Hwaseong. Detective Park Doo-man (Song Kang-ho) is put on the case, but is soon joined by Detective Seo Tae-yoon (Kim Sang-kyung) from Seoul after it is determined that they might have a serial killer on their hands. With such a danger lurking about the streets, it is imperative that Doo-man and Tae-yoon find the culprit as quickly as possible, but this is made almost impossible with such crude forensic technology. The two detectives are then forced to you their own intuition and, often times, brutality to find the killer and save any potential victims.

Memories of Murder is a near perfect detective/crime film. It’s pretty standard now to have a detective or police procedural movie that implements all the different kinds of technology and resources available to find their suspect. This is exactly what this movie is not about. It was so refreshing and startling to see an environment where there are so many hoops to jump through and people to hurt in order to secure what’s best for the common good, especially in a modern era. At times, the policing is brutal and often wrong, but the stress of the detectives comes through very well and makes Memories of Murder all the more effective.

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In my honest opinion, South Koreans have the best eye for cinematography than any other country. Memories of Murder is visually stunning. It really covers all the bases, with beautiful slow motion shots to excellent uses of color. Sometimes it’s not important if a movie looks great, but other times the better it looks, the more impactful the material is. That’s the case with this film. Some of the most beautiful scenes involve highly desaturated rural landscapes with either a red ribbon or a red coat that draws your eye. This may sound like a cliche, but when done right it look fantastic.

Much like with the lack of forensic technology making Memories of Murder unique it its brilliant use of comedy. With a story that tells of South Korea’s first serial killer, you would think that it would be somber and serious at all times. I was expecting that. I was pleased to see that there was some scenes of comedy throughout, both lighthearted and dark. That right there is a sign of an exceptional screenwriter, and I have to give this credit to the writer/director Bong Joon-ho. Joon-ho uses the same kind of comedy mixed with seriousness in his next feature, the phenomenal monster movie The Host.

Memories of Murder is an exceptional film that will horrify you, move you, and make you laugh. It tells an interesting tale of detectives doing everything they possibly can to catch a serial killer, even though it seems apparent that their attempts are futile. It’s easy to make an average detective film, but it’s not so easy to make one as memorable as Memories of Murder.