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The Iceman – Review

15 Aug

Between the 1960s and the early 1980s, Richard Kuklinski murdered over 100 people as a hitman working for various mob families. Since his arrest in 1986, there has been a biography written about him and also an HBO documentary that features and interview with the Iceman, himself, from 1992. With all of this information already out there, and the fact that it was a huge media sensation, it seems only right to have a movie made after the guy. We got this movie in 2013 with Ariel Vroman’s The Iceman. While this movie does have a lot going for it, like the title performance, there’s a lot to this movie that just falls short which makes it not achieve a place a small gangster classic.

The-Iceman-Poster

Richard Kuklinski (Michael Shannon) is a violent and unpredictable man, but he finds joy when he marries his girlfriend, Deborah (Winona Ryder). After losing his job dubbing bootleg porn for the mafia, he is hired by mob boss Roy DeMeo (Ray Liotta) to act as an enforcer and hit man. This job forces Kuklinski to channel the rage and violence that he has hidden away from his family in order to get the job done, and it turns out that he’s very good at what he does. As the years go by and the amount of bodies becomes ridiculous, Richard finds himself in a position where he could either lose the way to provide for his family or team up with another mafia hit man, Robert Pronge (Chris Evans). Whatever his choice may be, the consequences could be big enough to tear his entire world apart.

I have to be honest here. I never heard of Richard Kuklinski before this movie, but his story really is an interesting one. With a career that spanned over two decades that was filled with violence and malice, you’d think it would be enough to make a great gangster film. Well, yeah it is, but the screenplay to The Iceman keeps it from ever really achieving that greatness. Since there is so much to work with, you’d think that this would be a pretty long movie, but it’s actually under two hours. How is that possible? There is way too much to cover for it to be that short. Unfortunately, there’s a lot of scenes that had the potential to be awesome and memorable, but is glazed over in a matter of seconds. The best part of this movie is a montage when it should have been stretched out to build character and create suspense. Oh well…

the-iceman

Despite the screenplay being less than spectacular, there’s still something that makes The Iceman well worth seeing. That is Michael Shannon’s fantastic performance. I’ve yet to see Michael Shannon give a less than perfect performance, be it as General Zod in Man of Steel, Nelson Van Alden in Boardwalk Empire, or even his small role as Petie in Cecil B. Demented. While some of the stuff he’s in may be awful (I’m looking at you Pearl Harbor and Jonah Hex), Shannon is never the weak link. In the role of Richard Kuklinski, he is both demonic and loving, good and evil. He is a family man and also a cold blooded killer. This is the kind of stuff that makes his character, and many other characters in cinema, so interesting and he pulls it off with such menace, it’s hard not to be terrified of him.

It’s also easy to get lost in the production design. I recently reviewed Parkland, and I talked about how well the designers pulled off making everything look and sound like 1963. I have the same thing to say about The Iceman, except that it showcases design from the 1960s through the 1980s. It really puts you into the scene, but unfortunately there is plenty to take you out of the scenes. I’ve heard complaints that a lot of the dialogue is stereotypical gangster lines, but that wasn’t the issue with me. Going back to what I said before, the pacing of this movie is too sporadic and things just seem to happen too quickly. The choppiness of the film’s plot is enough to take you out of what’s happening onscreen and start thinking about what could have been done to make the movie better.

What makes me so disappointed is that The Iceman had a lot of potential to be a great gangster film, but it only is a pretty good gangster film. Michael Shannon’s performance as Kuklinski is enough to make this movie worth watch, but there’s too much that’s lacking. While I didn’t expect it to have the size or scope of a movie by Martin Scorsese or Francis Ford Coppola, it would have been nice to see a little bit more work done with the screenplay. The bottom line is that The Iceman is a good movie, but is sorely lacking.

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A Scanner Darkly – Review

14 May

Living in a world where our every move could be closely monitored by the government without our knowing is a terrifying concept. For all we know, this may be happening already. I could be under surveillance as I sit here writing this review. Then again, maybe I’m just being paranoid; moreover, this paranoia is the essence of A Scanner Darkly.

Seven years into the future, nothing is secret and everything is questionable. Bob Arctor (Keanu Reeves) is a police officer working deeply undercover amongst a group of junkies addicted to a new drug, Substance D. These junkies consist of the clever and possibly homicidal Barris (Robert Downey, Jr.), the spaced out loser Ernie Luckman (Woody Harrelson), the paranoid Charles Freck (Rory Cochrane), and the dealer of the group Donna Hawthorne (Winona Ryder). Soon enough, due to a suit that hides the officers identity while at the precinct, Arctor is assigned to spy on himself, and deal with the junkie turned informant, Barris. As this vicious conundrum of identity and trust keeps unraveling, Arctor soon beings to lose control of who he is due to “cerebral cross chatter” and the other effects of Substance D.

The initial main drawing point of A Scanner Darkly is the bizarre and intriguingly surreal animation. After the film had been shot it was than edited over a period of 15 months using Rotoshop, which the director, Richard Linklater, had used in a previous film, Waking Life. This stunning use of animation gives the film an other worldly feel that I’ve never experienced before with a movie. It was realistic, than at the same time, was artificial.

With films like Requiem for a Dream and Trainspotting, the theme of drug addiction and withdrawal is not new. What A Scanner Darkly does differently is explore this theme with a deeper level of subtlety. The film doesn’t use eerie music or impressive camera techniques to make the viewer uncomfortable. The Rotoshop animation helps, but what I feel is the driving force of paranoia is the way the story is told. Up until the very end, the viewer has very vague impressions of what is real and what is not. The story is expertly told from both the sides of the police and the junkies, so when these worlds collide, it’s enough to make your brain split down the middle.

This story is definitely classified as science fiction, but a lot of what occurs in the film is funny. Robert Downey, Jr, Woody Harrelson, and Rory Cochrane are fantastic at playing the three most paranoid characters I may have ever seen. The way these characters handle themselves using the backwards logic of drug use is very entertaining, yet in no way condones the use of drugs.

The government in this semi-futuristic society only adds to the paranoia backing up the film. Sure, the characters are nervous, but shouldn’t we be just as nervous? I can honestly say that I have no idea just how deep the government, the FBI, the CIA, etc. can probe into the lives of everyday citizens. I wouldn’t call my uncertainty fear, but I would say that there is a good chance that we very well may be watched by “Big Brother” sometime in the near future.

I love how everything about A Scanner Darkly relates back to paranoia. The psychology behind Arctor, the drug abuse, and the overpowering government are incredibly fascinating.  As a film, A Scanner Darkly succeeds in making the audience feel strange and nervous, all while telling an intricate narrative. I’m definitely interested in going out and finding my own copy of Philip K. Dick’s original novel, which this story is based on, and seeing how Dick tells the story. For now though, I highly recommend A Scanner Darkly. It is a fantastic film.